In the aftermath of the disastrous war in Iraq, the lesson seemed clear: the West should never intervene in foreign conflicts. But then came the Syrian civil war, and the invasion of Ukraine, and the withdrawal from Afghanistan. So 20 years on, Caroline Wyatt – who has reported from Iraq, Afghanistan and Russia – takes us back to the choice of horrors the West faced in 2003, and examines how the legacy of that fateful decision shapes foreign policy today, for good or ill.

In the aftermath of the disastrous war in Iraq, the lesson seemed clear: the West should never intervene in foreign conflicts. But then came the Syrian civil war, and the invasion of Ukraine, and the withdrawal from Afghanistan. So 20 years on, Caroline Wyatt – who has reported from Iraq, Afghanistan and Russia – takes us back to the choice of horrors the West faced in 2003, and examines how the legacy of that fateful decision shapes foreign policy today, for good or ill.

Everything Everywhere All at Once ensured it was a historic night at the Oscars. And in doing so it put a spotlight on Asian Americans. The film, which centres around a fictional family of Asian Americans, received seven awards with Malaysian actress Michelle Yeoh becoming the first Asian woman to win the best actress Oscar. Catherine Byaruhanga hears stories from Asian-Americans, including three actors who discuss attitudes and prejudice towards them in the film industry.

Everything Everywhere All at Once ensured it was a historic night at the Oscars. And in doing so it put a spotlight on Asian Americans. The film, which centres around a fictional family of Asian Americans, received seven awards with Malaysian actress Michelle Yeoh becoming the first Asian woman to win the best actress Oscar. Catherine Byaruhanga hears stories from Asian-Americans, including three actors who discuss attitudes and prejudice towards them in the film industry.

Fentanyl is deadly. Thousands of Americans die every year from a drug overdose – the majority of them after using a synthetic opioid like fentanyl. Fentanyl was developed as a legal, and effective, pain killer. Now, fuelled by insatiable US demand, it’s illicitly produced in makeshift laboratories in Mexico by organised crime groups. In the first of a two-part series, Assignment travels to the Mexican Pacific port of Manzanillo. This is one of the main entry points for the chemical ingredients required to make fentanyl. It’s a town where Mexico’s powerful cartels have fought for control, and where the mayor lives under armed guard after a failed assassination attempt. Although the primary destination of Mexican-made fentanyl is the US, Mexico too has a rising number of addicts – especially in Tijuana on the Mexico / US border. Presenter / producer: Linda Pressly Producer: Tim Mansel Producer in Mexico: Ulises Escamilla [Photo: The Navy is in charge of security at Mexico’s seaports in a bid to stop the chemicals used to make fentanyl coming in from Asia. Credit: Tim Mansel]