IndieWire: Screen Talk

James Gray, IndieWire favorite and director of the new film "Paper Tiger," joined Anne and Ryan at the Virginia Film Festival for an entertaining chat about cinema past and present. Gray reveals why he cast Adam Driver for his danger, the origins of his interest in working class stories, tales from his first time at the Venice film festival, his hot takes on Letterboxd, why he hates the pause button, and why cinema doesn't get the respect it deserves as an art form.

Read our full review of "Paper Tiger" - https://www.indiewire.com/criticism/movies/paper-tiger-movie-review-james-gray-1235194211/
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The fabulous Carrie Coon joins the podcast this week to dish on her new movie "The Liberation," the upcoming season of "The Gilded Age," and her family's media habits. (17:22)

First, Anne and Ryan break down the winners from the Virginia Film Festival, explain why the Gotham Awards aren't as predictive as you might think, and check in on the Oscar chances for several new independent releases, from "I Play Rocky" to "A Woman Unknown" and "Mouse."

More on the Virginia Audience award winner - https://www.indiewire.com/news/festivals/i-play-rocky-wins-virginia-film-festival-audience-award-1235223919/

Can "You Can See Everything" become the highest grossing doc of all time? - https://www.indiewire.com/news/box-office/you-can-see-everything-catch-fahrenheit-9-11-box-office-1235223865/

and why it may falter at the Oscars - https://www.indiewire.com/awards/consider-this/you-can-see-everything-isnt-an-oscars-contender-analysis-a24-1235224315/
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Daniel Pemberton joins the podcast this week to break down his incredible year as composer for many hit films, from "Project Hail Mary" to "The Drama" and documentaries "Ink" and "Musk" (not to mention a season of "Slow Horses" over on TV). 25:50

First, hosts Anne Thompson and Ryan Lattanzio weigh in on the surprising Awards surge for "You Can See Everything." They also review new releases "I Play Rocky" and "Klara and the Sun," and look at the fallout of the recent layoffs at Netflix.

More on Daniel Pemberton's score for "Project Hail Mary" - https://www.indiewire.com/features/craft/project-hail-mary-score-daniel-pemberton-interview-1235185745/
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For Alex Gibney, the director of expose documentaries like "Going Clear" and "The Inventor," taking on the larger than life figure of Elon Musk was a perfect challenge. Gibney shares his thoughts on the complicated legacy of the tech giant, from the optimism of his early days to his bizarre views on procreation, and reveals why he interviewed an AI version of Musk for the film (19:40). But first Anne and Ryan discuss the start of Netflix's longest theatrical window ever for "La Bola Negra" and speculate if it can challenge "The Odyssey" in the craft categories. Finally, Anne has caught up with "The Social Reckoning" and "Heart of the Beast." Can you guess which one she loved?

Why has Netflix agreed to finally report box office data? - https://www.indiewire.com/news/box-office/netflix-reporting-box-office-data-la-bola-negra-narnia-cliff-booth-1235221844/

Read our full review of "La Bola Negra" - https://www.indiewire.com/criticism/movies/the-black-ball-review-los-javis-1235195462/
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In this special live episode recorded at the New York Film Festival, Tony Gilroy joins the podcast to discuss his new film "Behemoth!" Gilroy explains why Pedro Pascal was the perfect casting both on and off screen, how they built a score with nine credited composers, and how his time on "Andor" has improved his filmmaking (15:15). But first, Anne and Ryan react to new releases "Verity" and "The Social Reckoning", as well as recent NYFF premieres like "Artificial" and "A Statement."

Can Pedro Pascal and "Behemoth!" break into the Oscars race? - https://www.indiewire.com/awards/predictions/behemoth-oscar-chances-pedro-pascal-1235220080/

and why "The Social Reckoning" likely won't - https://www.indiewire.com/awards/predictions/the-social-reckoning-oscar-chances-1235220507/
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