Kyle Meredith With...

Rachel Bilson spent much of Christmas at the Kringles trying not to laugh at Arden Myrin and Thomas Lennon, even while her own character was being hypnotized into a holiday nightmare. Bilson and Myrin talk with Kyle Meredith about the Christmas-obsessed cult at the center of the movie, how Bilson kept “Silent Night” playing in her head during her drugged-out scenes, and why Myrin thinks she'd make a pretty great cult leader herself. Rob Riggle follows with stories about playing a foul-mouthed, drunken Santa, the surreal experience of trading punches with Beverly D'Angelo, and why he's been branching out into more dramatic roles. Director Kevin Lewis then gets into his love of Sam Raimi's wild camera work, why he considers the movie a spiritual successor to Willy's Wonderland, and the 20 to 25 minutes of unused footage he'd love to release as the "Kringle Cut," along with a few ideas for bringing these Christmas-loving lunatics back for another round.
Listen to Rachel Bilson, Arden Myrin, and Rob Riggle chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

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Kate Siegel knew the trick to making Carrie’s first house party terrifying was letting her have a great time. Talking with Kyle Meredith about directing episode three of Mike Flanagan’s Stephen King adaptation, she connects her own experiences with bullying and teenage freedom to a night inspired by Can’t Hardly Wait and 10 Things I Hate About You. Then we get properly nerdy about the needle drops, searching through roughly 400 songs for one scene, and making a car float with a decidedly unglamorous jack. Siegel also shares where her feature directorial debut Method stands, her plans for feminist filmmaking through Legitimate Pictures, and a dream of casting Olivia Rodrigo, so somebody get that message to Olivia.
Listen to Kate Siegel chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

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Deborah Ann Woll had one nonnegotiable for The Cycle’s horror effects, and it was making sure they actually existed in the room. She and Jeffrey Donovan talk with Kyle Meredith about the film’s practical creatures, keeping its big reveal under wraps, and starting their work together with a decomposing body on a morgue table. Woll gets into the forensic research that shaped her performance, while Donovan explains how the set’s attention to detail put the pressure on him to deliver. Add Oregon’s coastal fog, a supposedly haunted Victorian rental, and David Soul’s “Silver Lady,” and even the soundtrack starts looking suspicious.
Listen to Deborah Ann Woll and Jeffrey Donovan chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

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Stephen Wilson Jr. calls singing Chris Cornell’s part of “Hunger Strike” alongside Eddie Vedder at Ohana Festival one of the greatest moments of his life, and he tells Kyle Meredith how a cover he recorded just for himself led to sharing the stage with one of his heroes. The two also get into his recent run of singles, including how a last-minute writing session with Miranda Lambert turned into “Hardwired,” why interpolating the Pixies’ “Where Is My Mind?” gives both songs an entirely different meaning, and how his music keeps finding connections he never planned. Wilson also opens up about “Cornerman,” which he sees as a sequel to “Father's Son,” and the realization that moving forward after Son of Dad might mean finally letting go of his father, even as he continues to show up in the songs. Plus, the former scientist and boxer talks about turning the Ryman Auditorium into a boxing ring, his dad’s love of Muhammad Ali, and why making music sometimes feels like having a friend and an opponent in the same corner.
Listen to Stephen Wilson Jr. chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

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Ariel Winter says playing a sarcastic, cynical character like Sabrina Grimm comes pretty naturally, mostly because she recognizes a little of herself in the role. The Modern Family star talks with Kyle Meredith about Season 2 of The Sisters Grimm, why the show’s themes of family and foster children matter just as much as its fairy-tale adventures, and how she found Sabrina’s voice by channeling a younger version of herself. Winter also looks at returning to Sofia the First, discovering that fans are following her from one magical world to another, and the strange experience of voicing animated characters who never have to grow up, even as she does.
Listen to Ariel Winter chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

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