In 1944, the Office of Strategic Services, a precursor to the modern CIA, published a booklet called “Simple Sabotage Field Manual.” The booklet was designed to be passed out covertly to ordinary citizens in occupied territory during World War II, empowering everyday people to fight against fascism in all its forms. For some reason, this booklet is going a little bit viral lately, and given how much we love historical documents, we couldn’t resist a tiny foray into nonfiction.Transcript here.This episode was recorded by Hannah Wright, with dialogue editing by Stephen Indrisano and sound design by Tal Minear. A Bloody FM Production.This episode is for educational purposes and historical interest. Bloody FM and their affiliate companies do not endorse breaking the law. This text does not represent our opinions nor that of Bloody FM. We urge you to be safe and well, and to always do the right thing.
Find us online:Patreon: https://www.patreon.com/redraculaMerch: https://store.dftba.com/collections/re-draculaWebsite: www.ReDracula.liveTumblr: https://www.tumblr.com/re-draculaBloody Disgusting Website: www.Bloody-Disgusting.com
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June 5: Simple Seriousness
June 5: The case of Renfield grows more interesting. Transcript here. This episode featured: Jonathan Sims as Dr. Seward, and Felix Trench as Renfield. Directed by Hannah Wright. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
Find us online:Patreon: https://www.patreon.com/redraculaMerch: https://store.dftba.com/collections/re-draculaWebsite: www.ReDracula.liveTumblr: https://www.tumblr.com/re-draculaBloody Disgusting Website: www.Bloody-Disgusting.com
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May 31: New Scheme of Villainy
May 31: Jonathan Harker loses some items. Transcript here. This episode featured: Ben Galpin as Jonathan Harker. Directed by Hannah Wright. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
Find us online:Patreon: https://www.patreon.com/redraculaMerch: https://store.dftba.com/collections/re-draculaWebsite: www.ReDracula.liveTumblr: https://www.tumblr.com/re-draculaBloody Disgusting Website: www.Bloody-Disgusting.com
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May 28: Despair Has its Own Calms
May 28: Jonathan Harker tries to send word home. This episode contains racist language and stereotypes. Some slurs have been changed, but the sentiment remains. Transcript here. This episode featured: Ben Galpin as Jonathan Harker; and Karim Kronfli as Dracula. Directed by Stephen Indrisano. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
Find us online:Patreon: https://www.patreon.com/redraculaMerch: https://store.dftba.com/collections/re-draculaWebsite: www.ReDracula.liveTumblr: https://www.tumblr.com/re-draculaBloody Disgusting Website: www.Bloody-Disgusting.com
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May 26: Count Me in Every Time
May 26: Count me in every time. I bear messages which will make both your ears tingle. - ART Transcript here. This episode featured: David Ault as Arthur Holmwood. Directed by Hannah Wright. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production.
Find us online:Patreon: https://www.patreon.com/redraculaMerch: https://store.dftba.com/collections/re-draculaWebsite: www.ReDracula.liveTumblr: https://www.tumblr.com/re-draculaBloody Disgusting Website: www.Bloody-Disgusting.com
Re: Dracula takes the famous horror tale, breaks it up chronologically (every entry of this epistolary novel has a date), and sends the story directly to your podcatcher as it happens. Every time something happens to the characters, Re: Dracula will publish an episode, in as close to real time as it happens. Some entries will be brief, and others will be long and intense.
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