Strange Horizons

In this episode of Critical Friends, the Strange Horizons SFF criticism podcast, Paul Kincaid and Dawn Macdonald join Dan Hartland to discuss style: What is it, what does it do, how can we think about it? And why does SFF seem to have such a fraught relationship with it? Get ready for Ursula K. Le Guin, Kurt Vonnegut, verse and poetry ... and police raids.

Paul's review of Syncopation by Whitney French.

Dawn's review of Into the Sun by C.F. Ramuz, translated by Olivia Baes and Emma Ramadan.

In this episode of the Strange Horizons Fiction podcast, editor Michael Ireland presents "The Aquarium of Lost Souls" by Natasha King, read by Jenna Hanchey
You can read the full text of the story, and more about Natasha King ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.⁠
Content Warnings:
Abuse
Animal cruelty/death
Disregard for personal autonomy
Blood
Body transformation
Death/dying
Dysphoria
Violence/combat

In this episode, as part of our 2026 criticism special issue Tristan Beiter introduces us to the Ursula K. Le Guin book club he's been taking part in. The group discusses the book club as a forum for, and a practice of, criticism. How does it differ from the academy, from more formal venues, from fan spaces—and what kinds of critical activity and insight do those differences, equip it uniquely to deliver?

In this episode of Critical Friends, the Strange Horizons SFF criticism podcast, Dan Hartland is joined by Shannon Fay and Marisa Mercurio to discuss horror, and especially its cozy variety. From the gothic to the slasher movie, how might texts within an increasingly broad tradition be judged as a success? And what should reviewers do when a given example falls short?

Shannon's review of The Macabre by Kosoko Jackson

Marisa's review of Slashed Beauties by A. Rushby

In this episode of the Strange Horizons Fiction podcast, editor Michael Ireland reads 'Orchard Village Catalog' by Parker Peevyhouse.
You can read the full text of the story, and more about Parker Peevyhouse ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.⁠