The WhatsOnStage Podcast

What's this? The main episode of the week coming out two days early? As the dust settles on another Tony Awards season, Sarah and Alex have a lot to chew on – topics include Brits thriving on Broadway, the sacrifices mothers have to make to succeed in the performing arts and, after an incident at Inter Alia, the mobile phone etiquette debate. If that's not enough, they also pick the six summer shows they can't wait to see - with shows in Manchester, Stratford-upon-Avon, London and Chichester (if you're travelling south via the M6, M40, A3 and A27). Hosted on Acast. See acast.com/privacy for more information.

While Alex has been manning the fort back in London, Sarah has sailed over to the Great White Way for a small Broadway bonanza ahead of this weekend's Tony Awards. She observes the "Miller moment" that seems to be ongoing with productions of Death of a Salesman, All My Sons and Broken Glass all making headlines over the last year. After sampling the best New York has to offer, she makes some predictions ahead of Sunday's glitzy event. Hosted on Acast. See acast.com/privacy for more information.

In this bumper episode, we are celebrating the world of new musicals with two great insights into the experience of staging new world. In the first part, we bring you our on-stage discussion with the music team of Redcliffe, Jordan Luke Gage's brand new musical having its world premiere at Southwark Playhouse Borough. In part two, we head across the Atlantic to talk to Sam Tutty and Christiani Pitts, the two "strangers" bring baked goods to the masses in the five-star musical Two Strangers (Carry A Cake Across New York), playing now on Broadway - ahead of this Sunday's Tony Awards. Hosted on Acast. See acast.com/privacy for more information.

As part of their long-running series, Alex and Sarah end the 00s with a bumper exploration of two pivotal years for playwriting this century – with Jez Butterworth's Jerusalem, Lucy Prebble's Enron, John Logan's Red, Lynn Nottage's Ruined and so many more to mull over. But which plays will be Sarah's top picks? And what have we forgotten from the month before? Hosted on Acast. See acast.com/privacy for more information.

Ten years on from Waitress' Broadway bow, we had a virtual chat with composer and lyricist Sara Bareilles to discuss the lasting and profound effect of the show, from its much-loved numbers to its now-instantly recognisable characters. What's more, Bareilles is working on a brand new musical, and reflects on this second-time experience as she prepares to bring it to the stage. Hosted on Acast. See acast.com/privacy for more information.