PodcastsKunstMixing Music | Music Production, Audio Engineering, & Music Business

Mixing Music | Music Production, Audio Engineering, & Music Business

@DeeKeiMixes
Mixing Music | Music Production, Audio Engineering, & Music Business
Neueste Episode

421 Episoden

  • Mixing Music | Music Production, Audio Engineering, & Music Business

    The Sound of the Eras: 1950s to 2020s Mixing Evolution Explained

    03.03.2026 | 1 Std. 40 Min.
    In Episode 363 of the Mixing Music Podcast, Dee Kei and Lu take a deep dive into how mixing and recording have evolved from the 1950s to today. Starting with mono recordings, ribbon mics, and engineers in lab coats, they trace the journey through multitrack tape, Neve and SSL consoles, gated reverb in the 80s, the rise of Pro Tools in the 90s, the loudness wars of the 2000s, and the bedroom production boom of the 2010s.
    They break down how technological shifts shaped the sound of each era, from Frank Sinatra’s room-driven performances to Led Zeppelin’s tape saturation, Michael Jackson’s SSL precision, and the hyper-loud masters of Metallica and early 2000s pop and hip hop. The conversation also explores how Napster disrupted the industry, how streaming rebuilt it, and why today’s music economy is more democratized than ever.
    The episode closes with a forward-looking discussion on AI, Atmos, spatial audio, and whether music is truly declining or simply evolving again. Along the way, Dee Kei challenges common analog myths, including the hidden digital processing inside many classic vinyl records.
    If you care about how technology shapes creativity, why records sound the way they do, and where mixing is headed next, this is a must-listen episode.
    SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!
    ⁠SUBSCRIBE TO YOUTUBE⁠
    Join the ‘Mixing Music Podcast’ Discord!
    HIRE DEE KEI
    HIRE LU
    ⁠HIRE JAMES⁠
    Find Dee Kei and Lu on Social Media:
    Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixes
    Twitter: @DeeKeiMixes @MasteredbyLu
    The Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠
    The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.
    This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠[email protected]⁠.

    Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donations

    Advertising Inquiries: https://redcircle.com/brands

    Privacy & Opt-Out: https://redcircle.com/privacy
  • Mixing Music | Music Production, Audio Engineering, & Music Business

    Can You Really Hear the Difference? Blind Tests and Audio Ego

    24.02.2026 | 1 Std. 19 Min.
    In Episode 362 of the Mixing Music Podcast, hosts Dee Kei and Lu start with a wild weekend recap that includes long work hours, live sound chaos, and a massive rally in downtown Los Angeles. Dee Kei shares how he went from one gig to another while traffic was locked up, and even ended up unintentionally marching with a protest on the way to the next event. He describes the scale of the rally setup, including flying dozens of line arrays to cover an enormous crowd, and then later connects that experience to one of the core themes of the episode: fundamentals matter more than fancy gear.
    The main conversation is sparked by a viral-style audio story: a blind listening test where people could not reliably tell the difference between audio passed through standard copper wire, a banana, or wet mud. Dee Kei and Lu use the article as a jumping-off point to talk about how easy it is for audio culture to become obsessed with mysticism, status, and expensive objects rather than results. They point out that even when engineers care deeply about details, most listeners respond to vibe, emotion, and impact, not the mythology around cables, converters, or obscure technical flexes.
    From there, the episode expands into a bigger discussion about anti-intellectualism in the Zen sense, not anti-intelligence. The idea is that practical experience, experimentation, and real listening should take priority over rigid theories, cheat sheets, and secondhand rules. They talk about how knowing everything about a compressor on paper is not the same as using it well in context, and how taste and emotional translation are often more important than technical trivia. They connect this to why AI may automate some low-stakes, background-music needs, but will not fully replace the human judgment behind great mixing and music made for music’s sake.
    The guys also get into the social side of the industry, including how insecurity can show up as a need to prove people wrong, and how being “the smartest person in the room” does not matter if you make everyone miserable. They share stories about people who are technically knowledgeable but communicate with a defensive, correcting energy that makes others want to exit the conversation. Dee Kei frames it as a lack of contentment and an obsession with being right instead of being useful.
    Later, they bring the conversation back to growth and practice: why daily reps matter, how to get better by accelerating mistake-making, and why it helps to mix for real people with opinions rather than only practicing in a vacuum. They talk about practical ways to practice recording and mixing when you do not have a studio, like using rehearsal spaces, booking an affordable studio day, or working with local bands in exchange for experience. Dee Kei also emphasizes a simple principle he has said before: if you want to get good, start mixing faster and start making decisive choices with intention.
    To close, they reflect on humility, responsibility, and long-term improvement, including an example of how top performers stay grounded under pressure, plus a nuanced comparison of how gratitude can be framed differently in American versus Japanese culture. The episode ends with a reminder to focus on the craft over the distractions, keep it fun, and keep learning.
    SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!
    ⁠SUBSCRIBE TO YOUTUBE⁠
    Join the ‘Mixing Music Podcast’ Discord!
    HIRE DEE KEI
    HIRE LU
    ⁠HIRE JAMES⁠
    Find Dee Kei and Lu on Social Media:
    Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixes
    Twitter: @DeeKeiMixes @MasteredbyLu
    The Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠
    The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.
    This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠[email protected]⁠.

    Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donations

    Advertising Inquiries: https://redcircle.com/brands

    Privacy & Opt-Out: https://redcircle.com/privacy
  • Mixing Music | Music Production, Audio Engineering, & Music Business

    How to Get Better at Mixing: The Answer That Solves Itself

    17.02.2026 | 1 Std.
    In Episode 361 of the Mixing Music Podcast, hosts Dee Kei and Lu start with some Super Bowl talk and quickly pivot into a bigger conversation about obsession, creativity, and what actually drives high-level engineers to improve. Dee Kei shares a recent clip he saw from a well-known mixer talking about working extreme hours early on, and how an unhealthy level of obsession can sometimes be part of why people eventually earn enough skill, stability, and confidence to relax later.
    From there, the episode becomes a deep mindset discussion about craft. Dee Kei argues that great work tends to create money as a consequence, not as a starting motivation, and that when money becomes the primary goal, it can de-incentivize the kind of care and curiosity that lead to truly great records. He uses a story about giving his young son an allowance and watching how the introduction of money changed the child’s relationship to making art. The broader point is that creative work is different than typical product-based entrepreneurship, because art has no built-in finish line and its value is often subjective.
    They also talk about the difference between loving music and loving the identity of being a producer or engineer. Dee Kei suggests that real obsession is not something you force. It is an alignment that shows up naturally in how you spend your time, what you want to learn, and how much you care even when conditions are not ideal. He shares a C.S. Lewis quote about how favorable conditions never arrive, and why the people who achieve the most are the ones who keep learning and working even when life is inconvenient.
    Lu adds a practical anchor to the conversation with a reminder that fundamentals beat trendy techniques. Whether you are mixing, recording, or working live sound, focusing on the basics of sound capture, decision-making, and working within limitations is what consistently produces results. They also touch on loudness briefly, including the idea of getting competitively loud while still feeling dynamic, plus how tools like clippers can be used creatively when the foundation of the mix is already solid.
    The episode wraps with a short story about a Japanese sword parable that illustrates diminishing returns and restraint, tying back to the idea that technical mastery alone is not the point. The bigger goal is making meaningful art with intention, curiosity, and integrity, without reducing the whole process to profit, ego, or external validation.
    SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!
    ⁠SUBSCRIBE TO YOUTUBE⁠
    Join the ‘Mixing Music Podcast’ Discord!
    HIRE DEE KEI
    HIRE LU
    ⁠HIRE JAMES⁠
    Find Dee Kei and Lu on Social Media:
    Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixes
    Twitter: @DeeKeiMixes @MasteredbyLu
    The Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠
    The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.
    This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠[email protected]⁠.

    Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donations

    Advertising Inquiries: https://redcircle.com/brands

    Privacy & Opt-Out: https://redcircle.com/privacy
  • Mixing Music | Music Production, Audio Engineering, & Music Business

    Why Your Mix Might Be Quieter Than It Should Be: Headroom, Fear, and Translation

    10.02.2026 | 37 Min.
    In Episode 360 of the Mixing Music Podcast, hosts Dee Kei and Lu get technical and go deep on loudness, gain staging, and headroom. Dee Kei shares a concern he has been noticing in his own work: he may be leaving loudness on the table over the length of a full song, not just in short-term LUFS moments. They explore the balance between beauty and accessibility, and how loudness is not just a mastering issue, it is a creative dimension that shapes emotion, energy, and perceived impact.
    The conversation breaks down what gain staging really means in modern mixing, why many classic rules were originally about managing noise, and how today it is more about preserving freedom and control in your workflow. They talk about practical target levels engineers use when hitting plugins, why some mixes feel boxed in when the mix bus is too hot, and how dense sessions can build level fast even when individual tracks are not peaking high.
    They also zoom out into how loudness decisions translate across mediums. Dee Kei shares how Dolby Atmos delivery constraints can change the feel of a record that relies on aggressive loudness for momentum, and how downmixes can shift balance depending on playback. They touch on the psychological reality that slightly louder often gets perceived as better, even when nothing else changes, and why sending a limited version of your mix to a client can matter for perception and decision-making.
    To close, they share real-world stories about how playback environments like movie theaters or broadcast chains can unintentionally slam your audio through limiters, plus a reminder that “loud and good” is not a contradiction. This episode is for mixers who want a clearer mental model of loudness, headroom, and gain staging, and how to make those decisions intentionally without destroying the mix.

    Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donations

    Advertising Inquiries: https://redcircle.com/brands

    Privacy & Opt-Out: https://redcircle.com/privacy
  • Mixing Music | Music Production, Audio Engineering, & Music Business

    Making Music for Japanese Sync & Advertising: How Brands Choose Tracks and What Agencies Want

    03.02.2026 | 1 Std. 25 Min.
    In Episode 359 of the Mixing Music Podcast, Dee Kei sits down in Shibuya, Tokyo with Erik Reiff from Black Cat White Cat Music, a music agency working across advertising, film, TV series, games, and publishing. The conversation offers a rare inside look at how brands and agencies actually choose music, and what producers need to understand if they want to land real commercial placements.
    Erik breaks down how music is sourced for advertising in Japan, including how creative decisions are made, why relationships matter more than cold pitches, and how Japanese and Western expectations around sync, licensing, and royalties can differ. He explains the concept of “tie-ups,” upfront fees, and why some advertising music deals function very differently than traditional backend royalty models.
    They also get into practical pitching advice for producers and composers, including what makes an outreach email worth opening, why personalization matters, and how professionalism, reliability, and communication often outweigh raw talent. Erik shares his strong stance on not delivering full stems at the final stage, explaining how protecting the approved mix helps preserve the original creative intent.
    The episode explores cross-cultural communication, Japanese business etiquette, and the role of trust when working with clients. They also discuss AI in advertising music, where automation may increase, and why taste, branding, human judgment, and imperfection still hold real value.
    This episode is a must-listen for producers, composers, and engineers interested in sync, advertising, international music work, and building sustainable creative careers through relationships rather than hype. The episode closes with a recap on outreach, research, and telling a clear story when you pitch, along with a direct contact point for producers who want to reach out: [email protected]
    SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!
    ⁠SUBSCRIBE TO YOUTUBE⁠
    Join the ‘Mixing Music Podcast’ Discord!
    HIRE DEE KEI
    HIRE LU
    ⁠HIRE JAMES⁠
    Find Dee Kei and Lu on Social Media:
    Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixes
    Twitter: @DeeKeiMixes @MasteredbyLu
    The Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠
    The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.
    This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠[email protected]⁠.

    Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donations

    Advertising Inquiries: https://redcircle.com/brands

    Privacy & Opt-Out: https://redcircle.com/privacy

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Über Mixing Music | Music Production, Audio Engineering, & Music Business

The Mixing Music Podcast is your ultimate guide to music production, audio engineering, mixing, and mastering. Hosted by professional mix engineers Dee Kei (@DeeKeiMixes), Lu Moreno (@MasteredByLu), and James Parrish (@jamesdeanmixes), this podcast covers recording techniques, studio mixing, vocal production, sound design, DAW workflows, plugin reviews, gear recommendations, industry secrets, and the business of music production. Whether you're a music producer, mix engineer, mastering engineer, independent artist, or content creator, you’ll get expert insights to take your sound to the next level.Our hosts have worked with Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, Rico Nasty, ATEEZ, Kanye West, The Game, and more, collaborating with major record labels like Universal Music Group, Sony Music, Interscope Records, Republic Records, and Capitol Records. Join us for mixing tutorials, mastering strategies, music production tips, home studio setup advice, industry interviews, and pro techniques used in professional recording studios. Whether you're using Pro Tools, Ableton Live, FL Studio, Logic Pro, or Studio One, this podcast is packed with valuable information to improve your mixing workflow and production quality.In our exclusive episodes, James Parrish and Dee Kei react to interviews with various audio engineers, music producers, and YouTubers to help you understand the most useful advice for making better music. All exclusive episodes are focused on technical aspects of the post-production process.The Mixing Music Podcast is sponsored by Antares (Auto Tune), Plugin Boutique, Lauten Audio, Sweetwater, & Filepass,Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredByLu @jamesdeanmixeswitter: @DeeKeiMixesCHECK OUT OUR OTHER RESOURCESJoin the ‘Mixing Music Podcast’ Discord!The Mixing Music Podcast is filmed and recorded at Dee Kei's Personal Mixing Studio in Los Angeles, California.
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