Psyop Cinema

• True Detective Season 3, with Steven DeLay

  Thomas and Steven return to True Detective, analyzing season 3, where the series goes full psyop. Despite the positive and ambiguous qualities of the first two seasons, this one is filled with MK-culture tropes, featuring a narrative that blends mind control subtext with anti-conspiratorial misdirection and audience disorientation. They also discuss the philosophical statement concerning identity implicit within the season's depiction of non-linear temporality and memory loss.https://twitter.com/StevenDeLay4https://stevendelay.com/This Present World: Aphorisms for Knowing Godhttps://www.amazon.com/This-Present-World-Aphorisms-Knowing/dp/B0FK2YN5NG/https://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/[email protected]@protonmail.com   

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• Labyrinth (Monarch 15), Preview

  A section analyzing David Bowie, from the 15th installment of Brett's Patreon-exclusive series on Monarch films. Full description of the episode below, along with our Patreon link, if you're interested in the full episode. In this 15th installment in the Monarch series, Brett delves into the Jim Henson-directed children’s film Labyrinth (1986)—a film so saturated with Monarch content that it serves as a paradigm of Monarch cinema in general. The episode opens with a close look at the career of Monarch superstar Jennifer Connelly, including two other full-on Monarch films she starred in during the 1980s: Phenomena (1985) and Ballet (1989). Additionally, Brett examines the occult career of David Bowie (who plays the Goblin King in Labyrinth); he discusses Jim Henson’s collaborations with the federal government (including the CIA-linked United States Information Agency), as well as reexamining Henson’s sudden death at age 53; and he uncovers some stunning revelations by an entertainment industry insider and professed victim of Monarch abuse that relate to the plot of the film. Fritz Springmeier and Cisco Wheeler devote an entire section of their Illuminati Formula book to this film, and Brett combs over their analysis, while drawing some wider conclusions about the function of Labyrinth and other 1980s Monarch films geared toward children.https://www.patreon.com/PsyopCinemaIf you enjoy Psyop Cinema, check out the Decoding Culture Foundation and Cultural Engineering Studies magazine - https://decoding-culture.com/magazine-home/https://twitter.com/CinemaPsyophttp://psyop-cinema.com/https://linktr.ee/[email protected]@protonmail.com   

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• Platoon (Oliver Stone 3)

  Continuing our Oliver Stone series, we turn to Platoon (1986), the film that established Stone as a superstar director and inaugurated the most celebrated phase of his career, revolving around the ghosts of the 1960s. Brett discusses the reception of Platoon in terms of the cultural politics of New Hollywood and of the Reagan era, and he considers the real reasons for the emergence of the Vietnam film at this time. He also takes a closer look at Hemdale, the sus production company behind this and Stone’s previous effort, and he offers some personal reflections on the film’s legacy. Thomas discusses the neo-shamanic, countercultural spirituality invested in the Willem Dafoe character and offers an analysis of the “two fathers” theme that would come to define Stone’s work. If you enjoy Psyop Cinema, check out the Decoding Culture Foundation and Cultural Engineering Studies magazine - https://decoding-culture.com/magazine-home/https://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/https://linktr.ee/[email protected]@protonmail.com   

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• NASA and Hollywood, Part 2 (on William Ramsey Investigates)

  In his latest appearance on William Ramsey Investigates, Brett discusses Part 2 of his Hollywood-NASA research report, which appeared this June in the second issue of Cultural Engineering Studies. After giving an overview of his groundbreaking research on the topic, Brett supports his conclusion that NASA’s partnership with the entertainment industry has always been a globalist cultural engineering operation. William and Brett also talk about Arthur C. Clarke’s central role in coordinating NASA support for the production of Kubrick’s 2001, and Brett reveals never-before-seen information from the Kubrick Archive in London, offering new insights into the Luciferian-transhumanist religiosity at the heart of the film. Finally, Brett touches on the disturbing trauma-based mind control subtexts of NASA-supported children’s films from the 1980s, including Flight of the Navigator, as well as NASA’s ongoing promotion of the moon hoax theory (in movies like the recent Fly Me to the Moon) as a form of psychological warfare.https://decoding-culture.com/magazine-home/https://www.williamramseyinvestigates.com/https://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/https://linktr.ee/[email protected]@protonmail.com   

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• Drive, with Steven DeLay

  Steven DeLay joins Thomas for a conversation about the 2011 film Drive, directed by Nicolas Winding Refn and starring Ryan Gosling. Analyzing the subversive and psyop-heavy intentions behind the movie, they conclude that Drive retains some profoundly redemptive qualities despite those designs. Topics of discussion include Refn's outspoken allegiance to the cult of the divine feminine, the cultural significance of the film's music, and Drive's place within the history of neo-noir.https://twitter.com/StevenDeLay4https://stevendelay.com/https://decoding-culture.com/cultural-engineering-studies-issue-2/https://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/https://linktr.ee/[email protected]@protonmail.com   

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