New Books in Gender

In The Goddess in the Mirror: An Anthropology of Beauty (Duke UP, 2025), Tulasi Srinivas offers a pathbreaking ethnography of contemporary Indian beauty parlors in Bangalore. Exploring the gendered world of beauty in the intimate spaces of the salon, whose popularity has exploded amid an urban tech revolution, Srinivas invites us to consider what beauty is and what it does. Visiting diverse salons that cater to various classes, castes, and queer sexualities, she tracks the relationships between clients and workers, revealing the beauty industry's painful political, religious, and economic stakes. Embodiment, religion, and narrative intersect as clients and beauticians tell well-known stories of beautiful Hindu goddesses, heroines, queens, and apsaras, thereby weaving their own ethical subjectivities every day. Following the goddess' allure, radiance, woundedness, fluidity, and fertility, Srinivas situates ideas of beauty within a larger moral and political context where beauty is both a fleeting pursuit and a rich resource for navigating a patriarchal present.
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Gender is becoming a central battleground in contemporary authoritarian politics, but how do autocrats manipulate these debates to their own advantage? Some regimes now pursue a double strategy of simultaneous “gender bashing” and “gender washing”: mobilising anti-gender rhetoric and “traditional values” to attack feminists and roll back equality, while at the same time promoting loyal women into prominent roles to project an image of modernity, reform, and inclusion at home and abroad. By combining repression with reputation laundering, they mask authoritarian practices and complicate the struggle for genuine gender equality. Join the People, Power, Politics podcast as we talk to Elin Bjarnegård and Pär Zetterberg about their latest Journal of Democracy article and explore how this mix of gender bashing and gender washing is reshaping the fight for equal rights and democratic politics.

Guest:

Elin Bjarnegård is a Professor of Political Science at Uppsala University specialising in gender and politics, political violence, and authoritarianism. Her research explores how gender norms shape political institutions and how formal and informal rules affect women’s political representation. She has written extensively on gendered power structures, clientelism, and the strategic manipulation of equality reforms. A leading scholar in the field, Bjarnegård’s work has been published in major academic journals and contributes to our understanding of how gender dynamics intersect with democratic decline and political reform.

Pär Zetterberg is a Professor of Political Science at Uppsala University specialising in elections, political representation, and democratic institutions. His research examines gender quotas, electoral systems, and the conditions under which institutional reforms strengthen or undermine democratic accountability. He has published widely on women’s political representation and the effects of electoral rules on inclusion and governance. Through his academic and policy engagement, Zetterberg has advanced debates on how representation can both support and be instrumentalised within contemporary political systems.

Presenter:

Dr Nic Cheeseman is the Professor of Democracy and International Development at the University of Birmingham and Founding Director of CEDAR.

The People, Power, Politics podcast brings you the latest insights into the factors that are shaping and re-shaping our political world. It is brought to you by the Centre for Elections, Democracy, Accountability and Representation (CEDAR) based at the University of Birmingham, United Kingdom. Join us to better understand the factors that promote and undermine democratic government around the world and follow us on Twitter at @CEDAR_Bham!

Transcript here.
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Colonial Caregivers: Ayahs and the Gendered History of Race and Caste in British India (Cambridge UP, 2025) offers a compelling cultural and social history of ayahs (nannies/maids), by exploring domestic intimacy and exploitation in colonial South Asia. Working for British imperial families from the mid-1700s to the mid-1900s, South Asian ayahs, as Chakraborty shows, not only provided domestic labor, but also provided important moral labor for the British Empire. The desexualized racialized ayah archetype upheld British imperial whiteness and sexual purity, and later Indian elite 'upper' caste domestic modernity. Chakraborty argues that the pervasive cultural sentimentalization of the ayah morally legitimized British colonialism, while obscuring the vulnerabilities of caregivers in real-life. Using an archive of petitions and letters from ayahs, fairytales they told to British children, court cases, and vernacular sources, Chakraborty foregrounds the precarious lives, voices, and perspectives of these women. By placing care labor at the center of colonial history, the book decolonizes the history of South Asia and the British Empire.Satya Shikha Chakraborty is an Associate Professor of History at The College of New Jersey.Saumya Dadoo is a PhD Candidate at MESAAS, Columbia University
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Irish Digital Cultures: Identity, Contexts, Space (Routledge, 2025) explores how questions of Ireland and Irishness are represented in online environments, and what these phenomena say about contemporary Irish identities both within the country and globally. It will interest Irish Studies, Media Studies, Cultural Studies, Sociology, Race, Gender, Identity, and New Media.
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Around 1830, opera houses stopped using castrati, and Rome and the Vatican became home to their glorious singing, engineered by surgery and intensive vocal training. Castrati were long mired in secrecy, obfuscations, and lies about their origin and conditions, not least the last of them, Alessandro Moreschi. In Castrato Phantoms: Moreschi, Fellini, and the Sacred Vernacular in Rome (Zone Books, 2026), musicologist Professor Martha Feldman declines to accept these deep-seated mysteries and concealments. After a decade and more of digging through archives and family histories comes her exciting transdisciplinary and quasi-cinematic account of Moreschi, whose recordings preserve the only sonic trace of a solo castrato.Yet Moreschi’s story extends far beyond him. It opens up intrigues, politics, and histories of the Vatican, everyday histories of nineteenth- and twentieth-century Rome, the world of Roman opera, the city’s unique mélange of sacred and vernacular tropes, and representations of Rome by iconic film director Federico Fellini. Moreschi and Fellini turn out to have been related by marriage, but also to share synergies grounded in Rome’s persistent inclination to vernacularize the sacred. Far from telling of one anomalous figure, Professor Feldman’s gripping history convinces readers that Moreschi, like Fellini, can be read as an improbable index of Roman consciousness, both during his own life and well beyond.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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