New Books in Gender

Around 1830, opera houses stopped using castrati, and Rome and the Vatican became home to their glorious singing, engineered by surgery and intensive vocal training. Castrati were long mired in secrecy, obfuscations, and lies about their origin and conditions, not least the last of them, Alessandro Moreschi. In Castrato Phantoms: Moreschi, Fellini, and the Sacred Vernacular in Rome (Zone Books, 2026), musicologist Professor Martha Feldman declines to accept these deep-seated mysteries and concealments. After a decade and more of digging through archives and family histories comes her exciting transdisciplinary and quasi-cinematic account of Moreschi, whose recordings preserve the only sonic trace of a solo castrato.Yet Moreschi’s story extends far beyond him. It opens up intrigues, politics, and histories of the Vatican, everyday histories of nineteenth- and twentieth-century Rome, the world of Roman opera, the city’s unique mélange of sacred and vernacular tropes, and representations of Rome by iconic film director Federico Fellini. Moreschi and Fellini turn out to have been related by marriage, but also to share synergies grounded in Rome’s persistent inclination to vernacularize the sacred. Far from telling of one anomalous figure, Professor Feldman’s gripping history convinces readers that Moreschi, like Fellini, can be read as an improbable index of Roman consciousness, both during his own life and well beyond.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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Irish Digital Cultures: Identity, Contexts, Space (Routledge, 2025) explores how questions of Ireland and Irishness are represented in online environments, and what these phenomena say about contemporary Irish identities both within the country and globally. It will interest Irish Studies, Media Studies, Cultural Studies, Sociology, Race, Gender, Identity, and New Media.
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A powerful blend of deeply human stories and rigorous research, The Collective Cure: Upstream Solutions for Better Public Health (Beacon Press, 2026) reveals how social and structural factors like income, occupation, race and ethnicity, neighborhood conditions, and social connections, profoundly shape our well-being. Dr. Monica Wang, an award-winning public health researcher, educator, and working mother who came of age as an Asian American bussing student, brings a personal lens to these complex issues and shares a hopeful, action-oriented vision for building healthier communities from the ground up.Through her own personal and professional journey and the lives of 3 extraordinary women across the US, readers are invited to see how health is shaped in everyday spaces: Marielis, a first-generation Latina student navigating financial insecurity in the Bronx; Dorothy, a semi-retired Black community organizer in rural Alabama; and Rosa, an Indigenous clinical social worker preserving ancestral traditions in Texas.

With clarity, urgency, and optimism, The Collective Cure bridges powerful storytelling with evidence-based solutions. More than a diagnosis, this book is a call to reimagine what’s possible when we invest in people and places.

Our guest is: Dr. Monica L. Wang, who is an award-winning public health researcher and educator. She is an associate professor at the Boston University School of Public Health, an adjunct associate professor at the Harvard T. H. Chan School of Public Health, and executive editor at Public Health Post.

Our host is: Dr. Christina Gessler, who is an academic writing coach and developmental editor. She produces and hosts the Academic Life podcast.

Playlist for listeners:

Womanist Bioethics

The Well-Gardened Mind

Community-Building

Breaking free from overworking and underliving

The Burnout Workbook

Reproductive Justice

A Meaningful Life

Being Well in Academia

The Good- Enough Life

Gender Bias in the E.R.

Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening!
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The #MeToo revelations put a twenty-first-century stamp on the age-old story of women’s mistreatment in Hollywood. In Women in Hollywood's Dream Factory: Tales of Inequality, Abuse, and Resistance (U Illinois Press, 2026) Karen McNally edits a collection focused on examining and revising film history in the aftermath of the women’s stories, past and present, that have come to light.The collection begins with essays on the interplay between reality and imagination in narratives and representations of women’s experiences of unequal treatment. In Part 2, contributors discuss how the gendered attitudes of the media’s stories enable inequality in Hollywood and look at the forces that arise whenever women resist these media assaults. The next section addresses the structures that built the inequalities and mistreatment while Part 4 revisits established narratives to challenge, renew, and expand upon our understanding of film history through women’s stories. Essays in the final section address the combination of inequality and resistance that defines women’s experiences in Hollywood.

Editor of book:

Karen McNally is Professor of American Film, Television and Cultural History at London Metropolitan University. Her research focuses on issues of stardom, gender, race, and American identity as they relate to Hollywood, Amer­ican television, and US history, culture, and politics. She has published widely in volumes and journals including Journal of American Studies and European Journal of American Culture, and she is the author, editor, or co-editor of five books, in­cluding, most recently, The Stardom Film (2020) and American Television during a Television Presidency (2022). Professor McNally was awarded a Leverhulme Major Research Fellowship in 2023 for the three-year interdisciplinary research project “Lana Turner, a Historical Biography.”

Bio note of host

Dr Priyam Sinha is an Alexander Von Humboldt Postdoctoral Research Fellow at the Institute for Asian and African Studies, Humboldt University in Berlin. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body. So far, her articles have been published in the European Journal of Cultural Studies, Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. She is also a regular podcast host at NewBooksNetwork and has been published in public writing forums like the Economic and Political Weekly, FemAsia, Asian Film Archive, among others. More information on her ongoing projects can be found on her website www.priyamsinha.com and you can follow her on X here
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China is a multicultural country home to fifty-five ethnic minority groups, yet due to linguistic and cultural barriers many of these groups remain understudied or unknown in the West. The Qiang, one of modern China’s officially recognized ethnic minorities, is also China’s longest-standing ethnoracial identity marker that has existed since the earliest recorded history of China. Creative Belonging: The Qiang and Multiethnic Imagination in Modern China (U Michigan Press, 2026) by Dr. Yanshuo Zhang investigates the formation and evolution of the Qiang as a people, a concept, and a cultural history in China. It further examines how the contemporary Qiang ethnic group interacts strategically with mainstream Chinese society, challenging the historically entrenched hierarchies between the sociocultural “centers” of China and its ethnic “peripheries.”

This book is based on years of ethnographic and textual-archival research in the Himalayan regions of southwest China, where the contemporary Qiang group resides. Drawing on a diverse range of official and local political discourses and previously unstudied literary, historiographical, and cinematic works, Dr. Zhang illuminates how the Qiang have carved out spaces of “creative belonging” within the parameters of multiculturalism in contemporary China. Rooted in ethnographic and textual-archival research, the book presents original materials produced by Qiang indigenous writers, scholars, artists, grassroots village cultural activists, and entrepreneurs at both the local and the global levels. Creative Belonging invites readers to rethink ethnicity and national belonging in China by centering minority groups’ efforts to expand the meanings and implications of “Chinese culture.”

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies