Karl Whittington joins Jana Byars to talk about his new book, Queer Making: On Artists and Desire in Medieval Europe (Pennsylvania State University Press,
2025). What role does desire play in the making of art objects? Art
historians typically answer this question by referring to historical
evidence about an artist's sexual identity or to particular kinds of
imagery. But what about anonymous artists? Or works whose subject matter
is mainstream? We know little about the identities and personalities of
most premodern artists, but this should not hold us back from thinking
about their embodied experience. In this book, Karl Whittington contends
that we can "queer" the works of anonymous makers by thinking about
their embodied experiences creating art. Considering issues of touch,
pressure, and gesture across substances such as wood, stone, ivory, wax,
cloth, paint, and metal, Whittington argues for an erotics of artisanal
labor, in which the actions of hand, body, and breath interact in
intimate ways with materials. Whittington takes seriously the agency of
materials and technical processes, arguing that they necessarily placed
the bodies of artists and artisans into physical situations and
psychological states that can be read through the lens of desire.
Combining historical evidence with speculative description, this
evocative set of essays broadens our understanding of the motivations
and experiences of premodern artists. It will appeal to scholars and
students of art history, medieval studies, gender studies, queer
studies, and anthropology.
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