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WILDsound: The Film Podcast

Matthew Toffolo - Wildcard Pictures Corp.
WILDsound: The Film Podcast
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  • EP. 1490: Filmmaker Michelle Künzler (Sequoia)
    Sequoia, 15min., Switzerland Directed by Michelle Künzler Sequoia, a diligent AI maid, works for the captivating yet mysterious Mrs. Terrance. Although not designed to harbor any emotions, Sequoia starts developing sentience, when a certain sound triggers a feeling inside her that feels oddly familiar – and human. Forced to conceal her newfound emotions to evade shutdown, Sequoia embarks on a dangerous quest for truth, tearing at the seams of her own identity and re-evaluating the intricate power dynamics that govern her place within the household. http://sequoia-shortfilm.com/ https://www.instagram.com/sequoia_shortfilm/ Get to know the filmmaker: What motivated you to make this film? I started writing ‘Sequoia,’ when AI tools like ChatGPT were rapidly gaining traction and the Hollywood strikes were unfolding, motivating me to explore the ethical implications and potential dangers of AI. The film was also deeply inspired by my personal experience. Growing up in a traditional household with a stay-at-home mom, I didn’t initially grasp the value and scope of unpaid domestic labor until I got older. As a feminist filmmaker, I wanted to pay tribute to housewives like my mother and shed light on that often overlooked, gendered work while connecting it to the theme of AI. I was particularly interested in the way modern technology intersects with gender roles—given that today’s AI assistants like Siri, Alexa, and Ameca are still predominantly female in name, voice, and/or appearance. From the idea to the finished product, how long did it take for you to make this film? It took 20 months. The idea for ‘Sequoia’ first came to me in April 2023, and I completed the film in November 2024. How would you describe your film in two words!? Feminist dystopia What was the biggest obstacle you faced in completing this film? There were quite a few challenges throughout the entire project—from budget and time constraints to assembling the right crew. However, the biggest hurdle came during production as we fell behind schedule due to constant noise disruptions during exterior filming and a stunt scene that look longer to shoot than expected, resulting in an unplanned pick-up shoot. With some key crew members no longer available for the reshoot, it was difficult to find replacements and maintain continuity. Still, I’m proud to have persevered and overcome this obstacle. I’ve certainly learned and grown a lot from this experience. What were your initial reactions when watching the audience talking about your film in the feedback video? Hearing the audience talk about my film, when it’s usually the other way around, felt like a rare and special moment. It was incredibly rewarding and refreshing to just listen to their honest feedback and kind words, and it was especially satisfying to learn that the twist at the end genuinely surprised them. Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod
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  • EP. 1489: Creative team of the short musical film "Grandpa's Got A Brand New Pill"
    Grandpa's Got A Brand New Pill, 9min,. USA Directed by Jacob McCaslin Written by Jeffrey Molina Grandpa's Got A Brand New Pill is a short musical film that features an original song inspired by writer, producer, performer Jeffrey George Moline's eighty year old mother. Grandpa's Got A New Pill tells the story of Tootie, a headstrong, independent woman on the eve of her ninety-sixth birthday. Tootie feels unseen and constrained by the rules and regulations of Shady Nook Retirement Home. With a little help from her friend Awesome Lee Bodacious Queer Country Superstar - Tootie decides to make sure her party has a happy ending! Interview with: Director Jacob McCaslin, Writer/Performer Jeffrey Moline, Producer Terrence Mark Franklin. Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod
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  • EP. 1488: Filmmaker Sarah K. Reimers (NIGHT FEEDING)
    NIGHT FEEDING, 6min., USA Directed by Sarah K. Reimers Exhaustion and sleep-deprivation begin to take their toll on a new mother, who struggles through the strange, dark stillness of the 4am feeding. http://www.bestbaddogfilms.com/ https://facebook.com/bestbaddogfilms https://instagram.com/bestbaddogfilms Get to know the filmmaker: What motivated you to make this film? There were a of couple things. Firstly, my husband (Robert Rossello who co-Produced, handled the cinematography, color grade and visual fx) and I had been talking about making a really short, no-budget film and using just what we had on hand, or could borrow, with friends who would volunteer their time and talent. The inspiration for the story came from being a new mother myself and struggling with sleep deprivation. One early morning, in the dark hours, I was up feeding my infant daughter and this idea came to me and it seemed like a great candidate for a short, no-budget film. It also made the hair stand up on the back of my neck. From the idea to the finished product, how long did it take for you to make this film? Shooting the film only took a about a week. About 4 days initially and then a couple days with pick-up shots later on. Because I make these films in my free-time outside of my job editing animated feature films and Robert is doing the same, it can take us a really long time to get these movies done. In this case it was about 5 years. We had the editing done within a year, but then getting the music, sound design, vfx and color grade were much slower to get done. Life gets in the way and we just chipped away at it as we could. Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod
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  • EP. 1487: Filmmaker Christian Schu (SECONDS IN ETERNITY)
    Seconds in Eternity, 42min., Estonia/Germany Directed by Christian Schu An elegant woman in her later years feels the relentless march of time as she mourns her lost youth and missed chances. Alone in a dimly lit room, her life seems to fade with each cigarette she smokes. She observes a vibrant young woman, envying her youth and vitality. Through her introspections, we explore her deep desires and regrets. The narrative, rich with poetry and flashbacks, takes a dramatic turn with a potential murder, leading to a surprising twist. Despite its dark beginnings as a Film Noir, the film transforms into a celebration of life, ending on a hopeful, life-affirming note. https://secondsineternity.com/ https://instagram.com/christian_schu_film Get to know the filmmaker: What motivated you to make this film? Marina Welsch, the main actress contacted me in 2022, having this film idea and some sort of script. I loved the idea behind, added my own value and took it from there.I loved the idea of showing that, to be able to heal, we have to unite with ourselves first. Our past is an important part of us and we must accept it, to come further in life, to reach the next level. From the idea to the finished product, how long did it take for you to make this film? October 2022 til February 2025 – 2 years and 4 months. How would you describe your film in two words!? Worth watching. What was the biggest obstacle you faced in completing this film? The biggest obstacle was surely creating this film on a very low budget, while everyone of us had other projects simultaneously. But the whole crew was amazing and we’ve made it work out. What were your initial reactions when watching the audience talking about your film in the feedback video? I honestly had goosebumps from listening to the audience talking about Seconds in Eternity. I’ve been thrilled to get such a positive feedback. Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod
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  • EP. 1486: Screenwriter Jennifer LeBeau (LITTLE STEPS)
    Watch the best scene reading: https://www.youtube.com/watch?v=31g8svgvUGc Kathy, a failed writer, barely gets by selling “haunted” dolls online to gullible marks, writing elaborate backstories to up the selling price. Her quiet life is upended when she encounters the real deal: Clara Jane, a vintage doll possessed by a foul-mouthed spirit. Clara Jane makes Kathy question everything she thought she knew, and forces her to make a bold choice to change the course of her life. Get to know the writer: What is your screenplay about? Kathy, a failed writer, barely gets by selling “haunted” dolls online to gullible marks, writing elaborate backstories to up the selling price. Her quiet life is upended when she encounters the real deal: Clara Jane, a vintage doll possessed by a foul-mouthed spirit. Clara Jane makes Kathy question everything she thought she knew, and forces her to make a bold choice to change the course of her life. How would you describe this script in two words? Creepy, salty. Why should this screenplay be made into a movie? I think the premise is unique, though there’s definitely a niche fanbase for haunted dolls—both those who truly believe and those who just enjoy that weird little world. And who couldn’t use a little encouragement to follow their creative dreams… from beyond the grave? From a production standpoint, this could be made on a very low budget and shot over 2–3 days. There are only three human characters and two locations. The doll is the most important character and would ideally be robotic—but as a backup, I know some talented puppet makers from a previous short I produced. What movie have you seen the most times in your life? Ngl: The Princess Bride. I forced my friends to watch it nearly every day ine summer in middle school. In the horror genre: Coppola’s Bram Stoker’s Dracula. A perfect film. No notes. Much better than the book. How long have you been working on this screenplay? I finished the first draft in early 2020, and planned to produce and direct it as my second short film with the Bay Area Indies film group. Then—well, you know—the pandemic. Also—I had a baby. I recently returned to it and did a few revisions over the past year. Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod
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In each episode, our host Matthew Toffolo talks storytelling and film. Conversations with film professionals and great storytelling moments.
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