Gangland Wire

In this episode of Gangland Wire, retired Kansas City Police Intelligence Unit detective Gary Jenkins sits down with author Aaron Mead to discuss his gripping novel Body in the Barrel, a story inspired by a real-life discovery in Lake Mead that shocked the nation.

In 2022, as water levels at Lake Mead dropped to historic lows, authorities discovered a body in a barrel with a gunshot wound to the head—a killing style that many investigators immediately linked to organized crime. The discovery triggered speculation that the remains could date back to the 1970s or 1980s, the heyday of mob activity in Las Vegas.

Aaron Mead explains how this discovery sparked the idea for his novel. Although Mead is a longtime water engineer for the Metropolitan Water District of Southern California, the mystery of the barrel victim and the history of mob activity in Las Vegas inspired him to craft a fictional story grounded in real events.

Gary and Aaron dive deep into the Chicago Outfit’s influence in Las Vegas, discussing figures like Tony Spilotro and hitman Frank Cullotta, whose violent methods and stories helped shape the mythology of organized crime in the desert.

They also explore the long-standing mob practice of disposing of bodies in barrels, including the infamous case of mobster Johnny Roselli, whose body was also discovered stuffed in a drum. The conversation examines several possible identities of the Lake Mead victim, including casino insiders and Outfit associates who disappeared during the era of casino skimming.

Mead’s novel follows a fictional mob associate named Lenny Battaglia, who becomes terrified when news breaks about the barrel discovery. The reason? He knows there’s another barrel—with his victim—still resting somewhere in Lake Mead.

The discussion moves beyond mob history into the psychological consequences of violence, comparing Mead’s story to classic works like Crime and Punishment. Rather than focusing on a traditional “whodunit,” the novel explores what happens after the crime, examining guilt, fear, and the moral weight carried by those who commit violence.

Gary and Aaron also discuss the broader context of violence in American culture, including parallels between organized crime murders and modern tragedies such as the 2017 Las Vegas mass shooting.

Finally, the conversation shifts to Mead’s professional expertise in Western water law and the Colorado River, explaining how drought and declining water levels at Lake Mead are literally revealing pieces of hidden history—sometimes including crimes buried for decades.

This episode blends mob history, real crime mysteries, and fiction inspired by true events, offering listeners a fascinating look at how the past can resurface in unexpected ways. Click here to find Body in a Barrel

Hit me up on Venmo for a cup of coffee or a shot and a beer @ganglandwire

Click here to “buy me a cup of coffee”

Subscribe to the website for weekly notifications about updates and other Mob information.

To go to the store or make a donation or rent Ballot Theft: Burglary, Murder, Coverup, click here

To rent ‘Brothers against Brothers’ or ‘Gangland Wire,’ the documentaries click here. 

To purchase one of my books, click here.

[0:02]Introduction to Gangland Wire

[0:00]Hey, all you wiretappers, good to be back here in studio of Gangland Wire. This is Gary Jenkins. You know, I’m a retired Kansas City Police Intelligence Unit detective. Now I have a podcast and I interview real crime mobsters, policemen, FBI agents, do authors that are doing true crime books. And I do authors that are doing novels that are based on true crime. Because we stick with true crime as close as we can here, guys. You know that. And today I have one of those authors that has written a book that is a novel, but it’s based on a lot of real events in Las Vegas. And we all know a little bit about Las Vegas and the Mafia. So Aaron Mead, welcome, Aaron. Thank you. It’s a pleasure to be here. It’s great to have you on the show. Tell us a little bit about yourself, a little bit about your history.

[0:47]Sure. Yeah, I’m actually I’ve been working as an engineer, a water engineer for 30 some odd years. And so I come by my writing habit as a sort of a side interest. I, I, yeah, I just, I got a very, I’ve got a varied educational background too. So I started out as a, as an engineer in my training and then just had a creative itch and went back to school, ended up doing a PhD in philosophy of all things. And while I was doing that, I, I thought I might be an academic. I thought I might be a professor at one time and through the job search, things didn’t really work out. I did find a job, but it just wasn’t going to pay well enough, consider moving my family across the country for it. So I ended up not going into academia, but I stuck with writing, which was my favorite part of the PhD, the dissertation.

[1:31]And I just started writing different things, some nonfiction stuff related to my dissertation research, but then just got an idea for a story, wrote a novel. It’s still sitting in the drawer. I’m interested in publishing that someday. But this idea for the book related to kind of Las Vegas mob stuff actually came connected with my work as a water engineer. So I work for Metropolitan Water District of Southern California. We import water to Southern California from the Colorado River. And so I track the Colorado River news pretty closely. And in 2022, the lake was dropping because of drought and overuse. And this body in a barrel showed up on the shore of Lake Mead. And there was a gunshot wound to the head. And this looked an awful lot like a mob hit to the authorities. And so this just piqued my interest and got me thinking about how did this barrel get there and this body and what’s the story behind it. And I started doing a little research and it turns out that the clothing on the body was pretty well preserved.

[2:29]So the police dated it to the late 70s, early 80s potentially. And that’s of course the heyday of the mob activities in Las Vegas. It got me onto the Chicago outfit and, Some of the characters involved in the outfits activity in Vegas there. And so my story just went from there. But, yeah, I guess that’s a little about me and the story. So, yeah. Yeah. Those are the days when Tony Spolatro was really active out there. Chicago outfit man on the scene, if you will. And Body in a Barrel, another interesting Chicago link is they found a guy named Johnny Roselli, who was a highly placed mob guy who was connected to Las Vegas and Los Angeles. He had been their guy before Spalatro. He had been their representative out in the West, and they found his body in a barrel down in Florida. Wow, okay. There’s some reference there.

[3:21]I’d read a little that this is a pretty popular method of body disposal in various times. And Tony Spalatro was, I understand that they haven’t actually identified the victim yet, but the kind of style of killing they think is pretty connected with something Tony Spalatro might do. I guess the sort of low caliber gunshot wound was a popular way to dispose of it, to whack people just because it was a little less messy than a high caliber weapon. Yeah, this is one they call it a lupara blanca, which means white shotgun in Italian. And that means that you never find the body. In this case, they found the body. Every once in a while, they’ll find the body. Not very often, though. Usually they hide them pretty good. Now, who’d ever thought that Lake Mead would drop that much? Yeah, they dropped it at 100 feet of water, and I don’t think anybody expected it to drop that low. And it could go even lower in the next couple of years here, honestly. Really? Oh, really? It’s still dropping. I thought there’d been some more rain and some snow up in the mountains that were going to add to that. It’s going to be still dropping, huh? Yeah, there has been a fair bit of precipitation this year, but in the areas that count most, where you get most of the runoff, which is up in the mountains of Colorado and Utah, it’s really quite dry, actually. They’ve had some rain, but not much snow, and so they’re talking about a snow drought. Yeah, things could. It just depends. We’ll see how things develop, but it could get bad. Yeah, talk about that gun now. Chicago was noted.

[4:40]For using these 22 caliber high standard i think they’re browning semi-automatic pistols with a silencer on it and they had them out there i believe and they also another interesting thing about the outfit in order to keep the sound down they would load their own shells and so they were had less powder in them and sometimes the shells didn’t do the job that they wanted to do now frank Kulata, who was in Las Vegas working for Tony Splattro during these years, he tells a story about trying to kill a guy with one of those guns and how he had such a hard time getting him killed. So I don’t know how many holes were in this guy’s head, but you got to get somebody just right in the head with that .22 caliber pistol. Yeah, they say it had to be pretty close range. You’re talking about the Jerry Listener murder, I think. Is that right? Yeah. I read about that one. That’s actually the kind of the murder in question in my book is based on that loosely. And so yeah, Kolata advises my main character, Lenny, to load his gun with half loads because they’ve lost their silencer or something. So that’ll keep the sound down. But yeah, I guess Lister ended up with multiple bullets to the head. And when they found them, more than you’d imagine would be necessary.

[5:55]Really? There’s a guy that worked for the Stardust named Jay VanderWalk that disappeared at the time. It disappeared for a long time. Did you look at that one, too, as some of your source material? Yeah. So there’s this great article that’s been turned into a podcast on the Mob Museum website. I don’t know if you’re familiar with that in Las Vegas there. And they suggest there might be three potential victims.

[6:21]VanderMark is one of the—is that the guy you mentioned, George VanderMark? Yeah. Yeah. Yeah, they call him by Jay. That’s right. Yeah. So, yeah, he is one of the, he’s a missing person, right? From that era, had connections with the Argent company. So they think he, that’s one of the possibilities. He was running the skimming operation, at least in some of the casinos there for Argent. And I guess the, as the gaming control board in Nevada found out about the skimming operation, gradually, they were starting to talk to people. And I think that they were worried that he was going to talk or actually this is, I think the, the outfit suspected he was stealing money from him. I think it was a combination. Stealing money is worse than talking. Right, yeah. So I guess he took off to Mexico, maybe, I read, or Costa Rica even. But I think… He came back. I can’t remember the exact story, but yeah. Yeah. So from what I read, Nick Calabrese, who I guess was a hitman for the outfit, and then turned eventually and started talking to the feds. He suggested that, I guess, Vandermark ended up in a hotel in Phoenix or something, and the outfit sent a couple of hitmen after him and whacked him there. And then Calabrese said they buried his body in the desert. So that means, you know, if that’s true, then obviously it’s not the guy in the barrel, but he’s one of the ones they talk about because they never found his body. Yeah. And I guess the other one I read about was William Crespo.

[7:40]I don’t know that story. Yeah. So the little I know of it is he was a drug runner

[7:48]Stories of the Las Vegas Mob

[7:45]involved with the outfit in Las Vegas. And he got caught kind of landing in the Las Vegas airport coming from Miami with $400,000 worth of cocaine on him. And the feds arrested him. He accepted an offer of immunity to become an informant. And he was set to testify about this drug ring that the outfit was part of. And he actually ended up testifying before a grand jury, got a bunch of folks indicted. I guess one of the names of folks who was indicted was Victor Greger, according to this article. He was a former Argent executive. But then when Crespo himself went to testify, he was set to testify in June 83. And they got to him before then and he never testified. So, he’s another kind of missing person they suspect could be in the barrel. But the article thought the most likely candidate was a guy named Johnny Pappas. I don’t know if you know him at all. Yeah, I don’t know the story of that. Okay. So, this is a Chicago native guy who was involved in some of the Argent Corporation casino work. And he was, I guess by the 70s, late 70s, he was managing this resort on the northern part of Lake Mead called Echo Bay Resort, which was an Argent Corporation Resort.

[9:00]And it’s closed now. It’s not there anymore. It used to be like a hotel and a boat launch. And so he was at the lake at different times. He also owned a boat on Lake Mead. And so in 1976, the day he disappeared, his wife told authorities basically that he went to meet this guy at a restaurant who was interested in buying his boat at Lake Mead. And so they think it could have been a ruse set up by outfit folks luring him basically down to the lake to show him his boat. And then they knock him off and take him out on his own dang boat and drop him in the lake. The motive is a little less clear in this case, but it was around that time when stuff was coming out about the Argent Corporation and the skimming. And they could have just thought he was a liability, might be set to talk or something. Yeah, those are the three that I read about anyway. He just disappeared after this meeting to go sell his boat. Yeah, they found that theory makes sense. They found his car parked in the circus casino parking lot on the strip the next day. And yeah, he’s just gone, disappeared.

[10:01]I’ll be darned. I hadn’t heard that story. That is a pretty likely scenario. Say, hey, I’ll drive and let’s run down there and let’s see that boat. I got the money right here. You show the guy a bunch of money and he’ll drop all caution. It’ll go to the wind. That’s how they do it. and got him isolated then.

[10:18]Yeah. And maybe it’s a last minute deal. So nobody really knows who he’s meeting and where he’s going and that he’s even going. So that’s, that’s a classic in the mob. Yeah. Apparently he told his wife he was going to go sell his boat, but that’s about it. Yeah. I’ll be darned. Yeah. The, as Lake Mead’s gone down, has there been any other bodies or any other things that have been found out there recently? Yeah, there’s been some strange things turned up. One is a sort of a World War II era airplane, honestly, started coming out of the water. But that was known about for some time. You could see it, I guess, from aerial photos. But other bodies, yeah, there’s a few other bodies, just skeletons, nothing in barrels and no gunshot wounds. And so, people just, I think authorities have identified most of those and suspect they were just drowning victims, unfortunate boating accidents and whatnot. But nothing like this body in a barrel. I think they’ve been trying to identify that body. There’s lots of DNA evidence, right? You got still a pretty intact body. But the problem is back in that era, I guess they didn’t have the DNA database to be matching with. Yeah. So, it’s not borne a lot of fruit. I think it’s still an open case, honestly. Really? The chance they have is if one of that guy’s descendants goes to something like 23andMe and then does that. And I know they’ve come up with a deal where they can start running an unknown DNA through those…

[11:44]Files and see if you can come up with a connection and then go back and say, okay, where would this guy have ever come across or be in this other person’s family tree, if you will, and then they can eventually get it. That’s fascinating. Amazing. Yeah, it is what they could do. I had a guy that used to be a professional criminal talking about it. He said, I don’t know why anybody does crime today. He said with the DNA and the cameras and the cell phones and all that, he said, there’s just way, way too many ways to get caught. That’s wild. Yeah. Oh boy. Yeah. I watch a lot of crime shows and I see a lot of that stuff. And everybody watches those crime shows. So they know about those tools out there. So first thing, you got to go get a burner phone. If you’re going to go do something, you better go get a burner phone. And then you better dress up in one of those suits in those English police movies, those white hazmat suits and your whole face covered. Crazy, crazy. Yeah. And then go do it. Don’t use your own car. You better go steal a car somewhere. Man, complicated. It’s too hard. Yes. And even then, if they look at you and say, your phone never moved for 24 hours, but yet you were seen over here or over there. How come you didn’t have your phone with you or your car? You parked your car here for 12 hours and then you came back and got it. What were you doing?

[13:08]It is just crazy, isn’t it? Yeah. But tell us, what’s the storyline of your book? Don’t give too much away. You want people to buy it. I understand that. But tell the guys the storyline of your book. Sure, yeah. So the storyline is, it starts out with the true events of 2022, right? This headline that there’s a body in a barrel shows up on the shore of Lake Mead. And my main protagonist, who’s sort of made up from my imagination, his name’s Lenny Battaglia.

[13:37]The Body in the Barrel

[13:33]And he reads this headline. He’s an old time mob associate. He, at one time when he was young, was connected with the outfit, but ended up getting out of it barely. But he reads this headline and starts to get worried because he’s got a barrel with a body in it that’s his victim farther out in the lake. So this one that he reads about is not his. It’s actually his partners who, in my story, the partners loosely based on Frank Collada, actually.

[14:01]And so he reads this headline, gets worried, goes out in his little boat to try to move his victim farther out into the lake because he’s concerned that his lake, the lake’s continuing to drop and the kind of the falling lakes acts like a ticking clock in my story in some ways. I think the Sopranos did something like this. They thought somebody was going to come up and buy some farm, and they had said, these guys have to dig this body up and move it. So that is not out of the realm of possibility, is it? No, no. But what is out of the realm of possibility is this old guy in his tiny little boat actually moving the barrel. So he goes out with just a gaff with a hook on it and tries to yank it out with his little outboard motor, and it just won’t budge. The thing’s really heavy. If you know anything about water, stuff under water is really heavy. Really heavy. Yeah. He’s wrestling with it and ends up falling in while he’s trying to pull this barrel farther out. And so it’s a big failure. And while he’s falling in, he has this flashback to the killing, basically. And so the story kind of goes from there, but it’s really focused on how he deals with what he’s done, basically.

[15:10]Crime is no mystery from the beginning. it’s not a it’s not a traditional it’s not a traditional police procedural of where who done it yeah it’s not like that it’s more like kind of what is what’s the aftermath what’s the effect of, a terrible crime like this on even the perpetrator yeah yeah and as I said one of my characters is based on Frank Collada who so he was the story takes place in kind of two time frames right we’ve got the, contemporary time frame, but then we got flashbacks to his time at the mob and Frank was his partner in this hit. We’ve also got a character showing up who’s based on Tony Spolatro. I call him Tony Bonucci, named after one of my favorite Italian soccer players.

[15:50]But yeah, so we’ve got this connection to the early 80s, late 70s, and then also this kind of contemporary period. And I understand Frank Collado was actually, he recently just died, right he was he did during covid times i think he he already had copd he was already everything he did he you’d see me to have his oxygen on and so he was already weakened then he got covid during uh during covid that’s a shame you know yeah i did some listening to a podcast he was on in researching my book and it was really fascinating to listen to yeah yeah he is he’s and he’s got his there’s a whole book out there that he mainly just told stories about his life during the whole book. It’s amazing. I did one with him and then added some more clips in from that a long time. One of my earlier ones, I got to know him real early because we had the mob con out there. I knew the guy that was getting it going and I went out to the guy that actually Denny Griffin who wrote the books with Frank Collider, wrote several books with Frank Collider and I’d gotten to know Denny and so Denny invited me to come out and do a program at the first mob conference and I met Frank then. I met him and a couple others after that. He was gruff, but he was a good guy. I mean, he was gruff, I’ll tell you. He wasn’t a guy that just, it was hard to joke around with him. Interesting. Okay, interesting.

[17:12]Yeah, I got a bit of that vibe from the podcast of him that I was listening to. Yeah, it’s funny. Just genuine Italian Chicago, like to the core. Yeah, he was that. He was born and bred, born and bred from early his childhood. He was a Chicago mobster. There’s no doubt about that. That’s wild.

[17:32]Yeah, Denny Griffin’s book was really helpful to me, actually, in my research. Yeah, the battle for Las Vegas in particular was. Yeah, that’s the one I used. Denny was that. Denny’s dead now. I don’t know if you knew that. I did know that, unfortunately. Yeah, I was pretty good friends with Denny. He helped me out a lot when I got started and got me out there. And he gave me for my first documentary, which was about the skimming, a lot about the skimming. He got me several people to interview, lined me up with them and verified, hey, this guy’s okay and work with him. And I flew out to Las Vegas and interviewed a bunch of people and interviewed him too. But he got me an employee of the Best Casino that knew Lefty Rosenthal really well. She gave us some really great sound bites. I get calls today or emails wanting to know if she’s still around. She’s died since. People are still trying to find her to get to interview her. That’s wild. That’s wild. That’s because old Denny Griffin, he was a good guy. He really was. That’s neat. His book was certainly good. Yeah. Interesting. So what else do you want to say about your book before we get out of here? Besides, go out and buy it. Go out and buy it. It’s on Amazon, I’m sure, and I’ll have a link to the Amazon site. I appreciate that. Yeah, it is on Amazon. What do I want to say about it? I guess the other thing to say is it’s got some, I don’t want to give too much away, but gun violence is really a big part of the book. Not only this single mob hit, but also it wraps in.

[18:56]This mass shooting in 2017, the one where the guy was a shooter was in the hotel suites up high and he was shooting across the street into that country music festival. So it’s really funny. I compare it to two things, right? I compare it to Casino, which is this famous Scorsese film from that mobster era, which everybody knows about. And actually, Frank Collado was in. He had a cameo in that. Yeah, that’s funny. But then the other thing I compare the book to is Dostoevsky’s Crime and Punishment, which is obviously this sort of towering literary novel. But the parallel is just dealing with this aftermath of violence, right? What happens when you kill somebody and what’s the sort of dealing with guilt and fear and the consequences.

[19:44]Exploring Themes of Violence

[19:40]So I’d say those are the sort of things I point to as parallels for the book. I don’t know. There’s a lot more to say. Like you’ve said, it’s grounded in true life crime, but it’s also definitely fiction. I’ve made up the better part of it. Yeah.

[19:54]All right. Aaron Mead. The book is Body in the Barrel. Aaron, I really appreciate you coming on the show. And guys, I’ll have links to this book down below. Yeah, thank you so much for having me. It’s been a pleasure meeting you and hearing some of your stories. And I’m enjoying your podcast. And it’s been a privilege to be on here. So thank you. Okay. We like to hear that. Thanks a lot, Aaron.

[20:17]Yeah, thank you. Okay. Okay. I’ll do a little extra here in a minute. I just want to tell you something. When I went to law school at the police department and my favorite class was water law and I did my, you have to do a 50 page publishable paper to get out of law school. I did mine on Western water law and it was just, I was fascinated by that Western water law and all the things that go into that, the Rio Grande Pact and all the different political entities that are trying to use that water and how they use it. And then how the EPA rules and figured in on using water out West. And the fact that out West, they treated water like they treated gold or some other mineral. If you found the source, you owned it. Whereas they had riparian interest in

[21:06]The Complexities of Water Law

[21:03]laws back East here, where you have plenty of water. You can use all the water you want as long as you don’t reduce it. But nobody owns that source of water.

[21:12]If it’s a big source, it’s just a fascinating topic. Yeah, it is a bit of the Wild West, like applies to water out West. It’s that first in time, first in right thing. It’s pretty crazy. The Colorado River especially is so complicated. You got seven, seven states take water from it. You got the federal government running the dams there. You’ve got Mexico that takes a portion of it. You’ve got this whole hundred year history of law layered on top of each other. And even today, the rules on how the water gets distributed are about to expire in this year. And so we’re trying to come up with new rules. And it’s just so tough because…

[21:49]There’s less water in the river than there used to be, and so the old agreements don’t quite work out, and we’re having to take reductions, and, you know, who takes what? It’s just sort of a big mess, honestly. We’re fighting over it. I wouldn’t be surprised if we end up in court, honestly. But that would be not a good outcome, but it seems potentially likely. Yeah. There’s a judge I heard say once that, you better make a deal outside of my courtroom. If you come into my courtroom, my decision is not going to hurt everybody’s feelings with my decision. Yeah. And inevitably, like the folks, the special masters or whatever the justices are that are making the decisions, they don’t know as much about water as we do. If we can’t work it out, it’s going to happen. I know. And there are just so many pressures that are on it. And it’s tough. And plus, one thing we haven’t mentioned is a huge growth in population over the last 20, 30 years out there. It’s true. Yeah, it’s true. Yes, unbelievable how many people have moved to Phoenix and Albuquerque and Las Vegas, especially Las Vegas, but just being such a huge growth in population out. And before it was desert that nobody really, they didn’t live, they didn’t want to live out there.

[22:55]It’s true. Yeah. And surprisingly, like in a lot of these cities, actually, the demand for water has not increased. Like in Las Vegas, it’s actually gone down. Oh, really? They have done an incredible job of conserving water. Same in Los Angeles. The demands for water have gone down despite the population growth. The thing that makes it challenging is that the whole pie is shrinking and it’s the agricultural use that’s the highest. I think it’s something like 85% or 80% of the water in the Colorado Basin is agriculture. And so, those are the things you’re going to need to find conservation there, which is harder.

[23:30]Like those Israelis did, it was something called drip irrigation where they used, they were more skillful in the way they used their water in their fields down in the desert. Yeah, and some of the folks that’s been, some of the agricultural folks have been converting to that kind of irrigation for quite some time now. So, it’s like we’re wringing out every sponge we got and running out of options. But, yeah, we’ll figure it out one way or the other here. Yeah, I’m sure we will. This is America, after all.

[23:59]Or is it still America? It’s hard to know. Yeah, it’s hard to know. We’re going down that path. Looking a little different these days. Yes, it is. Yeah. Oh, my God. Okay, Aaron, I really appreciate it. I’ll get in touch with you whenever I send an email with the links after I put them up. It’ll be, I don’t know. It’ll probably be a month or more before I get it up. Sure. I stay way ahead. I’ve got quite a few kind of scheduled up for the next two weeks now or three. Smart. Two weeks now, one just went up today. So I put it up, video, I put them up on Sunday evening, and then the audio comes out like 4 o’clock in the morning on Monday morning. Okay. Don’t ask me why. I just started doing that. Yeah. No worries. It gets ahead of everybody. Then they can see it. Hey, I’ve got a question for you, if you don’t, if you don’t mind. No. Do you know about any contemporary organized crime activity in Las Vegas? Is there still stuff going on or is it? I don’t. I really don’t. Yeah. Okay.

[24:59]Trying to think of a source for you. I’ll check with a source for you. Okay. I know it’s not Midwest folks from your era, but yeah. Yeah, no, probably something up there out at Los Angeles and people that moved out there a generation ago and stayed under the radar. And then, of course, international. Yeah. Those like Russians and people like that out of Phoenix or in Los Angeles, both. Anyhow, I’ll check on that. Okay. Yeah. If you think of something, that’d be great. I’d be interested. Okay. Okay. I will. All right. Thank you. Thank you again. Take care. All right. Bye-bye. Can you go ahead and do, can you exit the meeting? I’m going to do a little ending thing here. I will. Yeah.

[25:40]That was interesting, folks. I did Waterlaw in, well, that was interesting, folks. I really liked Aaron and I think his Body in the Barrel book is going to be pretty darn good.

[25:53]Concluding Thoughts on Crime and History

[25:50]So I’d recommend you try it. I haven’t actually read it myself. I’ve read excerpts from it. I’ve got it here. I need to sit down and take some time and read it. I like when they base it on the real life people and some people that I know something about. It’s kind of like hearing stories about your hometown. Oh, yeah, I know that guy. Oh, yeah, I remember when that happened. And it’s an interesting thing, the lowering of Lake Mead. He and I, he’s a water engineer, and he and I talked a little bit more about it. I find it a fascinating topic, that Western water law and Western water rights and how that all works. It’s different than back east where we have plenty of water. So don’t forget, I’ve got videos on Amazon Prime for rent. Just use my name and mafia, Gary Jenkins Mafia on Amazon Prime, and you’ll find them. And I’ve got books there. Do the same thing. Gary Jenkins Mafia books. I’ve got three books on Amazon and I’ve got them on my website. And I always appreciate when people make comments on my YouTube channel or on my Gangland Wire podcast page. We’re just here to report mob history. That’s all we want to do is report mob history. And in this case, we got a fictional book that’s reporting mob history based on real mob history. I’ll do that every once in a while, too.

[27:07]So thanks a lot, guys. I always appreciate doing this show. It’s a way to end my life out, if you will. I’m down to that last quarter, maybe down to the last two minutes one of these days, but we’ll get there. Thanks a lot, guys.

Retired Intelligence Detective Gary Jenkins brings you the best in mob history through his unique perspective on the mafia. In this episode of Gangland Wire, Gary Jenkins welcomes an unusual guest from the world of organized crime storytelling—cartoonist Brett Juliano, creator of the Dust Bunny Mafia comic series. Instead of traditional books or documentaries, Brett tells real Mafia stories through short, three-panel comics featuring his unique cartoon characters while staying grounded in historical research and documented sources. Brett explains how his lifelong interest in animation and storytelling evolved into a project that blends true crime history with visual humor and commentary. After moving to Chicago, he became fascinated with the city’s underworld history and began transforming real mob stories into illustrated comic strips that challenge Hollywood myths and highlight lesser-known facts about organized crime. His work draws on true crime books, FBI files, court transcripts, and podcasts, including Gangland Wire itself.

Each comic strip distills a real historical moment into a visual gag or ironic twist that reveals the strange reality behind mob legends. Gary and Brett discuss several Dust Bunny Mafia comics and the real events behind them: The “Sicilian Flu” Courtroom Act A humorous look at a tactic sometimes used by mob figures: appearing frail in court to gain sympathy or delay proceedings. Wiseguys who were partying the night before might suddenly appear in a wheelchair, wrapped in blankets or hooked to oxygen tanks when they walked into court.

Lucky Luciano and the Myth of “Lucky” Brett examines the legendary story that Charles “Lucky” Luciano got his nickname after surviving a brutal kidnapping and beating. His comic plays with the idea that mobsters often exaggerated their own legends—especially when trying to impress people. The Kansas City Mob Search – Carl “Tuffy” DeLuna One comic comes directly from Gary Jenkins’ own experience investigating the Kansas City mob. When police searched DeLuna’s home in 1979, the mobster calmly offered coffee and eventually led investigators straight to the basement, where incriminating notes were stored. The scene shows how, sometimes, the truth of organized crime investigations is stranger than fiction.

Bugsy Siegel in Rainy Portland Another comic explores the obscure story of Bugsy Siegel visiting Portland to meet local crime boss Al Winters, only to endure two straight weeks of rain—highlighting the contrast between Hollywood-style mob glamour and the less glamorous reality of underworld negotiations.

A New Graphic Anthology on Kickstarter Brett is now launching a major new collection of his comics titled: “Family Business: An Offer You Can’t Refuse.” The book will include: 130+ pages of full-color comics More than 230 true crime strips Historical commentary explaining the real story behind each comic Additional artwork parodying mob businesses and underworld culture The project will be funded through a Kickstarter campaign beginning March 24, with the finished book expected to ship later in the year once printing is completed. Click here for 👉 Kickstarter Campaign: 

Where to Find Brett Juliano You can explore Brett’s comics, books, and merchandise here: Dust Bunny Mafia Website:  Online Store:

Brett also shares his comics across social media platforms including Instagram, Threads, and Facebook groups focused on organized crime history. For fans of Mafia history, Dust Bunny Mafia offers a refreshing twist—true crime storytelling through comics that balance humor with serious historical research. As Gary notes during the interview, separating myth from reality is essential in mob history, and Brett’s work uses a creative medium to do exactly that.

Hit me up on Venmo for a cup of coffee or a shot and a beer @ganglandwire

Click here to “buy me a cup of coffee”

Subscribe to the website for weekly notifications about updates and other Mob information.

To go to the store or make a donation or rent Ballot Theft: Burglary, Murder, Coverup, click here

To rent ‘Brothers against Brothers’ or ‘Gangland Wire,’ the documentaries click here. 

To purchase one of my books, click here.

Transcript

[00:00:00] hey, are you Wire tappers? Gary Jenkins back here in the studio of Gangland Wire. I’m a retired Kansas City Police Intelligence unit detective and, I investigated the Mafia and I’m still working on the Mafia only. We work on mafia history now, and I have a kind of unusual, different sort of a story today.

I have a man who has been doing. Cartoons based on real mob stories, but he has his own little cartoon characters. It’s called Dust Bunny Mafia. If you’re on my gangland Wire podcast group, you might’ve seen that, and he’s on other places in social media. So welcome Brett Juliano. Welcome Brett.

Thanks, Gary. Thanks for having me on. All right, cool. Guys, let me, I’m just gonna give you a little taste of what this looks like. It’s when I first saw it. That, that’s interesting. I appreciate a, a different way of doing these kinds of things. All right. That should be, there you go.

All right. There you go. There’s which one was that? That was the Sicilian flu. Brett tell the guys a little bit about, what got you [00:01:00] into this and then we’ll talk about each one of these images that you sent me. Yeah, so I’ve been doing comics and the Dust Bunny mafia for over a dozen years.

Long story short, I wanted to be a animator when I was, young. And then as I grew up, I always loved the idea of telling stories through visual form. And then after moving out to Chicago about 10 years ago, I really wanted to connect with the principle of the local history of the Chicago Underworld and retell it through my Dust Bunny Mafia Comex.

I try and. Do it in a way in which the I try to break the myths of Hollywood and a lot of things. I try and get my, research through primary sources. So I’ll, listen to True Crime podcasts like yours. I have a huge collection at home of True Crime books, looking through FBI files, court transcripts, things like that.

And [00:02:00] I just want to. Find ways to compose those things into three panel comics that kind of address myths and other, aspects of the mafia. So I know you, you came to the Mob Con out in Las Vegas and had a whole display of different things. So you even have a whole little a book too, don’t you?

Or you’ve got one or more books that are a little bit longer than just a one three panel? Yes. Yeah, I’ve got, with the Dust Bunny Mafia comic. Overall I am, I’ve done about 10 books total. Okay. I’ve got three big graphic novel trade collections, and then, as you’re aware, the little based on true story booklets like these ones, like where these scripts come in, I now am collecting that into a larger anthology collection that’s gonna be 132 page full color that has over 200.

About 230 individual strips with the commentary. Do you have a website or how do people [00:03:00] get hold of you if they’d want to get some of this? Yeah, you can find me comics dot dust bunny mafia.com or Dust Bunny mafia dot Big Cartel is the online store and I ship everything out myself. I’ve done a bunch of crowdfunding campaigns, over 20 of them, and I’ve shipped all over the world with my comics and basically searched Dust Bunny Mafia.

I’m on. Like you mentioned earlier, a lot of the Facebook groups, I’m on Instagram, threads X, all the all the social platforms and I’ll guys, I’ll have a link to his website in the in the show notes. Brett, tell us a little bit about this one. This is the or I’ve got the Sicilian flu.

Tell us about this story here. What’s the real story here? So that story comes that strip is based on an interview with Joaquin Phoenix, Joaquin Garcia, excuse me who was known as Jack. And [00:04:00] he was interviewed, I believe on the Before the Lights podcast with Tommy Canal. And he was telling a story about Greg De Palma going to court one day and while he was being, while he was being, deposed and brought in for questioning. Basically it’s addressing the myth of the actions and the over exaggerations that mob officers will do to tie things up or misdirect. So he was talking about how. The wise guys will be out eating and drinking, partying, at night or on the weekends.

And then they’ll come to court in a wheelchair, maybe have a blanket. Some of ’em will even throw, have a little oxygen tank and, just the absurdity of things that they will, the lengths they will go to to try and misdirect or hope things up. Interesting. Yeah, that’s a common kind of a deal that more not just mobsters do that.

There’s other criminals have done that too. I’ve seen that myself. So let’s talk about [00:05:00] two is

let be a lady. Get that one up there. All right. What’s the story of luck? Be a lady. So luck Be a lady is talking about the myth of Charles Luck, Luciano’s nickname of Lucky. Yes. And about, how it was one night, one kidnapping that, where he got the scar and the people dragged him into, Staten Island.

They. Speed him overnight, tortured him, set him free, and then that’s how it was, that one event is what made him or gave him the nickname. Lucky. When in actuality what I’m paring here is that, he’s trying to impress girls in my comic and, with each drink and stuff, he adds more myth and more legend to the nickname.

And. I believe, the event happened. I’m not trying to discredit that. I just [00:06:00] think he, and I’ve seen sources say that he had the nickname long before the beating and like the one night, event. And it wasn’t that instance that gave him the nickname Lucky. Interesting. I never thought about that, what I always thought.

I think that was I think he reported that himself in that book that he wrote with another author. I think that’s where that story came from. I’m not sure but I always figured he probably had some coppers tuned him up and, but he had to make it into a much better story and make himself much tougher.

Yeah, of course. And they would do that back in those days. They’d tune your ass up bad.

All right. Let’s see. Now we got,

oh, I know this one.

Show me the way I. So this one is based on your account? Yeah, that’s so it’s talking about Carl Tuffy de Luna’s home being searched after Valentine’s Day or around Valentine’s Day [00:07:00] in 1979, where the Kansas City Police department and the FBI. Executed a, search warrant on his house.

And so I set it up very cordial in which, my detectives are, being served coffee and then. The line that I loved most from the book was basically where he is like, all right, you might as well come into the basement. That’s where you’ll find the good stuff. And he’s, leading them around the property and everything saying, if you wanna find this, here’s where you’re gonna get this.

Almost like it was a art collector or, someone’s showing off a house. And so it’s one of those instances where, the truth is stranger that fiction. And so I was like. Once I saw that, I’m like, okay, I can translate this into a comic and, reach a broader audience. Yeah. Really?

Yeah. It’s I’ll never forget, I, he tells his wife, says, Sandy said, fix these officers a pot of coffee. So she was visibly making coffee and he was kind, he would [00:08:00] follow ’em around a little bit. Point stuff out. They went and they come up from downstairs. They brought two or three guns up from upstairs, downstairs hey, tough.

Where’d you get this? And then, it was getting like midnight or something and it was like, we are gonna be there. And we were there in the end, almost till four in the morning. And I, and it’s one agent, Shay Airy. He is dead now, but he was a long time mob. Investigator goes back to, to when they first formed the top hoodlum squad in Kansas City.

And so he knew Tuffy pretty well. They were familiar with each other. And finally Tuffy says, Shay, you might as well come on downstairs. That’s where the good stuff is. I remember thinking, oh my God. And that’s where they found all the notes that he’d been keeping. See, he knew that was good stuff.

He knew the importance of those notes and a little additional story on those notes. The next day or two, he’s meeting with some of these other guys with Joe Ragusa and Charlie Moretina in a restaurant, and they’ve got a bug on this table where they’re at. And he said, here’s what he says. He says, I got caught with a [00:09:00] bunch of shit.

He said, I had it on the bag and I was gonna throw it away but man, they, I just didn’t get to the trashing time and I didn’t get it thrown away. He wasn’t got thrown away. He was just one of these guys that kept everything. And and that bunch of shit that he was talking about with those, those notes the infamous notes.

All right, let’s see here. I’ll try.

This is on a counter rain.

Okay, there we go. So this is on a counter rain. So tell me the story on this one. I’m not sure. So this comes from a local myth about Portland, Oregon. And so I’ve got my Bugsy Siegel Ben Siegel character, and then he’s meeting with Al Winters, who was the local boss of kind of crime boss in the area.

And apparently the story set goes that Ben Siegel visited him. And he spent two weeks in Portland trying to find a way for them to [00:10:00] work together to open up a gambling casino or something. And the, over the two weeks, it didn’t rain. It didn’t stop raining every single day that Bugsy was there.

It, didn’t, it didn’t let up. And so he the idea is that, we don’t have any real good accounts on whether this did or didn’t happen. There’s very little known about, the Portland crime family and those things. There’s only a couple books been written as far as my knowledge.

And but it’s just playing with the fact that, the Pacific Northwest and Portland is rainy for a long time, and a mobster who’s more, affiliated with Hollywood and Las Vegas and sunny Southern California, Portland would be a nightmare. Yeah. Really?

Yeah. Yeah. And you must have talked to Casey McBride on that one. Our friend Casey McBride from Portland. And ’cause he talked a lot, he’s talked a lot [00:11:00] about Al Winter and he was like the, I think started during prohibition and the crime boss of Portland. If you think of Portland having a crime bus.

And it wouldn’t make sense if if he was gonna do anything outside of Portland and even in, even if he had, was making any money. Why, buggy Siegel, he felt like he was a West Coast boss. I got a feeling and anything that happened on the West coast and he heard about it, he probably would be coming around wanting to get a little piece of that action.

That’s how they are. They hear you’re getting some kind of criminal action that’s organized and steady and regular. They’re gonna come around, try to get a piece of it. So I would imagine that’s what he was up there doing. And there’s no doubt Al Winter was the. Erstwhile crime boss and we had a guy from ended up in Kansas City, came through Kansas City.

He had a relative here named Joe Augusto, who ended up in Las Vegas. But he went to Portland for a while. He was, and he was a Sicilian and he had different scams going. We’d never heard of him when he appeared in Las Vegas, but he ended up [00:12:00] catching a case up there in neither Washington State or Oregon, I can’t remember which one now for some kind of a scam.

He was running. He came back down and he got in with the people at the Tropicana and Joe Agosto Somehow I know how he did it. He, and he was connected to Nick Ella here in Kansas City, and he used, he parlayed that connection. With the people that owned the Tropicana, there was several partners in that.

And they wanted a big loan to, to amp up the Tropicana, to keep up with the other expansion of the other casinos, and they needed to get this big loan. It’s hard to get loans for casinos, regular banks back then, regular banks would not make loans, but the Teamsters Union would. And so he parlayed his connection with Nick Novella.

Claiming, promising that they would get a big Teamsters loan. And then N Novella made sure they didn’t get it for a while as he kept working his way in and getting more employees that he, that owed him into places and then they started to skim. And that’s that’s a little [00:13:00] Kansas City connection to the northwest part of the United States.

Yeah. Interesting. Tell us a little more about it. What do you got planned now? You’re putting those little three, three panel true crime ones into will you organize it by family or how will you do that? Yeah, so I’ve got so the collection’s called family Business. An offer you can’t refuse.

And it’s going to be crowdfunded via Kickstarter starting on March 24th and run through mid-April. I expect the book to be then available for public demand in June or July of this year. ‘Cause it takes a little time to print everything. But yeah, I’ve got it organized roughly into like geographic area.

So I start with Chicago and then I, for the most part will go chronologically. So I’ll find, oh, I see. The strips about Johnny Torrio and Al Capone, and then move up, through the years until you’re talking about Ian Kana, Antonio Caro, and things like that. And that’ll hit each of the [00:14:00] kind of big regions.

So I’ve got everything from, chicago in the Midwest, and then I’ll go into down to Cincinnati and hit things on and Newport, Kentucky during prohibition where George Remus and some of the Cleveland Syndicate started gambling dens and things like that. And then I move into New York and do the same thing.

But I’ve got. I’ve been working on these comics for this is the seventh year that I’ve been doing these True Story comics, so I’m gonna have over two hundred and thirty, two thirty five in this collection. And then Eve’s Comic has a little blurb, a small paragraph, explaining the true life story that inspired the comics.

And so throughout the book it’s gonna be two to four comics on a page or in a spread. And then there’s gonna be different different kind of segues in between in which I’ll have some of the graphic design work [00:15:00] that I’ve done to parody mafia businesses, like ante cigars based on Carmine ante if he had a cigar shop.

And I’ll do things like that. And so I’ll have like little interludes or kind of chapter breaks. Between different stories and which I’ll also explain some, give some context for, the casual true crime fans, and you had t-shirts with ante cigar shops and different things like that too, don’t you?

Yep. You had those made up for as gifts or what as rewards for your crowd crowdsourcing thing. ’cause I think I’ve got one of those ante cigar shop t-shirts or I used to, I, it’s around here somewhere. I don’t know, sometimes I run through t-shirts and I get some many and I just start getting rid of ’em and starting over again.

Oh yeah. I’ve got, I try and get one for each of the campaigns that I run. And and when I do that, I’ve now got a huge stack and I’m like, yeah. Yeah. And it’s just ’cause I want to test the quality, make sure I have good. Product for my backers, and then I’m like, I don’t really [00:16:00] need another T-shirt, but I’m gonna offer ’em.

I first started in this first movie I made up a whole bunch of t-shirts. I bought 300 t-shirts that gang land wire, and I think I’m, this is eight or nine years later and I’m down to one or two left of the original t-shirts. Then I discovered print on demand that Printful that you told me about.

And so now I just print ’em, I get one done at a time. Yep. For my gang led Wired, I don’t really try to do any other t-shirts. I don’t know. It’s sometimes it’s like you just, it gets so spread, so thin, doing different things that I run outta time myself. Yeah. Now, are these books or are they just the graphic novels, or are they just available off your website, or do you have some of ’em up on Amazon or places like that?

Yeah, so Meet the Family. My first dust Bunny Mafia graphic novel is on Amazon. And then the rest of ’em are on my website or on Kickstarter. [00:17:00] When I have the campaigns going, I’ll usually have different add-ons that people can, pledge for to get all the books or the different, like mobster playing cards that I’ve done, things like that.

Interesting. Interesting. All right, Brett Juliano, I really appreciate you coming on here and we will get this up and guys if you’re interested in this, get hold of old Brett. I’ll have the contact information. He he’ll be glad to, to ship you out some stuff and he needs, I, I appreciate anybody that does he does, Brett does everything.

Characters are not real, but the stories are real. So I appreciate anybody that bases anything on the real stories ’cause there’s so much myth out there and so much bullshit that that, so I appreciate that you do that, Brett. Thank you Gary. That means a lot. Okay. All right, Brett. Good talking to you.

Yeah, thanks for having me on. Okay. All right, Brett. I’ll I don’t know next week or two, maybe I’ll go ahead and slide this up there. [00:18:00] No, I appreciate it. I’ll send you a link. I’ll send you a link whenever we, I get it up there. Sounds great. Thanks Gary. Okay. Alright. Bye. Bye.

In this episode of Gangland Wire, I sit down with retired FBI agent Geoff Kelly, a specialist in art theft investigations who inherited one of the most notorious unsolved cases in American history—the 1990 robbery at the Isabella Stewart Gardner Museum. He recently wrote a book about this theft titled 13 Perfect Fugitives: The True Story of Mob, Murder, and the World’s Largest Art Heist.

Kelly’s law enforcement career began as a New York City transit police officer before transitioning to the FBI. Like many agents, he initially sought violent crime work. Instead, he was assigned to economic crimes before eventually transferring to a violent crime squad. It was there that he encountered the Gardner case—a cold case largely untouched by senior agents at the time. The robbery itself remains extraordinary: two men posing as police officers gained entry to the museum and stole 13 works of art, including masterpieces by Rembrandt. More than three decades later, none of the works have been recovered.

Inside the Gardner Heist

Geoff explains how art theft is often misunderstood. Popular culture portrays refined, sophisticated criminals orchestrating elaborate capers. The reality, he says, is usually more opportunistic and frequently violent. Art theft often intersects with organized crime, drug trafficking, and even homicide. Massachusetts has a documented history of art-related crimes, and several individuals connected to the Gardner investigation met violent ends. The criminal underworld surrounding stolen art is less about wealthy collectors hiding paintings in private vaults and more about leverage—using artwork as collateral in criminal negotiations.

The FBI’s Art Crime Evolution

Following the 2003 looting of Iraq’s National Museum during the Baghdad invasion, the FBI formalized its Art Crime Team. Kelly discusses how intelligence gathering, informants, and international cooperation became central tools in recovering stolen artifacts. He emphasizes that solving art crimes often depends less on forensic breakthroughs and more on human intelligence. Informants remain essential, especially in cases where organized crime overlaps with high-value theft.

Kelly also discusses his upcoming book, 13 Perfect Fugitives, which explores the intersections of mobsters, murder, and the illicit art market.

Organized Crime and the Reality of Stolen Art

Drawing on my own experience working organized crime in Kansas City, I found clear parallels between traditional mob rackets and art theft networks. The same structures—intimidation, secrecy, and violence—apply. Once a painting disappears into criminal circulation, it becomes a liability as much as an asset.

Kelly challenges the myth that thieves profit easily from masterpieces. High-profile works are difficult to sell. The black-market art world is volatile and dangerous. In many cases, the artwork becomes bargaining collateral rather than a cash windfall.

A Case Still Waiting for Closure

More than 30 years later, the Gardner Museum still displays empty frames where the paintings once hung. Kelly remains committed to the idea that public awareness may eventually generate new leads.  The Gardner heist stands as both a cultural tragedy and a criminal mystery—one that continues to intersect with organized crime, violence, and international intrigue.

Hit me up on Venmo for a cup of coffee or a shot and a beer @ganglandwire

Click here to “buy me a cup of coffee”

Subscribe to the website for weekly notifications about updates and other Mob information.

To go to the store or make a donation or rent Ballot Theft: Burglary, Murder, Coverup, click here

To rent ‘Brothers against Brothers’ or ‘Gangland Wire,’ the documentaries click here. 

To purchase one of my books, click here.

Transcript

[0:00] Hey, you guys, Gary Jenkins back here in studio Gangland Wire. Y’all know me. I’m a retired Kansas City Police Intelligence Unit detective and now podcaster and documentary filmmaker. I have in the studio today… Jeff Kelly, he’s a now-retired FBI agent. He was an expert in recovering stolen artifacts and art pieces. He was involved. He wasn’t involved in the original theft of the Boston art theft, the Isabella Stewart Gardner Museum, but he ended up inheriting that case. So welcome, Jeff. Hi. Thanks, Gary. Nice to be here. And guys, I need to mention this right off the bat. Jeff has a book, 13 Perfect Fugitives, The True Story of the Mob, Murder, and the World’s Largest Art Heist. Be out on Amazon. I’ll have links down below in the show notes if you want to get that book. I think it would be pretty interesting. I was telling Jeff, I just interviewed Joe Ford, the million-dollar detective, the guy that goes after classic cars, and I read that book. I love these kind of caper kind of books and caper crimes. Those are the ones I like the best is the caper crimes. And Jeff is an expert at working caper crimes. And that’s what these are, capers. So Jeff, how did you get into this? Now you came on the FBI. You were a policeman before, I believe. So tell the guys a little bit about yourself and your FBI career. Yeah, I started out with the Metropolitan Transportation Authority Police in New York City. It was a transit cop. I did that for three years. And then I got into the FBI in October of 95.

[1:30] And my goal was always, I wanted to work violent crime. That’s what drew me to law enforcement in the first place, working bank robberies and kidnappings and fugitives. I had to do my five years on working economic crime, telemarketing fraud. It was interesting, but not all that exciting. And finally in 2000, I got my transfer to the violent crime squad. And I loved working it. And I did it for my entire career from then on, right up until my retirement in 2024. But back then, art theft was considered a major theft violation,

[2:01] and it was worked by the Violent Crime Squad. And so in 2002… My supervisor dumped this old moribund cold case in my lap. It was the Isabella Stewart Gardner Museum heist.

[2:15] Nobody wanted it on the squad, so they figured, let’s give it to the new guy. I was ecstatic to get it because I’d heard about it. I went to school in Boston. I went to Boston University and graduated the year before it happened, but I knew about it.

[2:28] That’s how I started working this case, this particular case, and then the following year during the U.S., there was a, the U.S. And coalition forces invaded Baghdad in Iraq. And during a 36-hour period, more than 15,000 objects of very, very important cultural history were looted from the National Museum of Iraq. And it’s really one of the most important museums in the world in terms of our shared history. Kind of the cradle of civilization over there in the Tigers and Euphrates River. Yeah, and that was the time when the FBI kind of belatedly realized that there was no art crime team to investigate this. And of course, FBI agents have been working art theft like any other property crime since the beginning of the FBI’s existence, but there was no codified team. So they did a canvas for the team in 2004 and I applied for it because at this point I’d been working the Gardner case for a couple of years and really was fascinated by it and made the team. And so then over the next 20 years, we continued to expand the team both in size and in scope and in our intelligence base and knowledge base. And when I left the Bureau in 2024, it was and still is a tremendous team with a lot of very dedicated and professional agents and professional support.

[3:51] Now, guys, if you don’t know about the Isabella Stewart Gardner case, there was a Netflix documentary on it a few years ago. It was an art museum in Boston.

[4:01] Two guys showed up. They had Boston police uniforms on, and they got in. They basically, it was an armed robbery, and they took control of the museum. The guards were in there late at night and took these really valuable paintings out. I believe you told me earlier they were Remington paintings. We’ll get into that. And it was a violent crime. It was an armed robbery of paintings, and you told me about other armed robberies of paintings. I think you got into some other armed robberies of paintings. You always think of, as you mentioned before, the Thomas Crown Affair character that goes out and does these sophisticated art thefts. That’s not always true, is it? It’s never that way, but it doesn’t matter. Don’t let the facts get in the way of a good story. Everybody wants to believe that art thefts are pulled off by the Thomas Crown Affairs and these gentlemen thieves repel in through skylights and do all that fancy stuff, put it in their underground lair. That’s just not the way it works. But if you look to art theft.

[4:55] Massachusetts really is a cradle of art theft in this country, and it’s very unique. The first armed robbery of a museum occurred in Boston in 1972. It was committed by a guy named Al Monday, who was a prolific art thief. And they stole four pieces from the Worcester Art Museum in central Massachusetts with a gun. They ended up shooting the guard. And one of the pieces that they stole was a Rembrandt called St. Bartholomew.

[5:26] And in keeping with the milieu of true art thieves, the paintings were stored on a pig farm just over the state line in Rhode Island. And when this Connecticut safecracker by the name of Chucky Carlo, who was looking at some serious time in prison for some of the crimes that he committed, when he found out that Al Monday had these paintings, he just simply kidnapped Al Monday and stuck a gun in his ribs and said he would kill him if he didn’t give him the paintings. which is no honor among thieves. And Al turned over the paintings, Chucky returned them, and he got a very significant break on his pending jail sentence. Right here in 1972, Boston thieves see Rembrandt as a valuable get-out-of-jail-free card.

[6:09] And then if we jump forward three years to 1975, there was a very skilled art thief, really a master thief by the name of Miles Conner. I interviewed Miles for my book. It was very gracious of him to sit down with me for it. And he had robbed or committed a burglary of the Woolworth estate up in Maine, the family, the five and dime family magnets. And he got caught for it because he tried to sell those paintings to an undercover FBI agent. And so he was looking at 12 years in prison for it. And he was out on bail. And he reached out to a family friend who was a state trooper. And he asked him, how can I get away with this one? How can I get out of this? Because he was in serious trouble. The trooper’s response was meant to be hyperbolic. The trooper said, Miles, it’s going to take you a Rembrandt to get out of this one.

[6:57] And so Miles said, okay, I’ll go get a Rembrandt. And he got a crew together and they did a daylight smash and grab at the Museum of Fine Arts in Boston, just across the street from the Gardner. And they stole Rembrandt, the girl in a gold-trimmed cloak.

[7:12] And he was able to return that painting. Instead of doing 12 years, he did 28 months. And he even managed to, he told me he even managed to get the $10,000 reward in the process. So you have this atmosphere in Massachusetts that Rembrandts are a valuable commodity, right? They can help you out in a jam. And so I think it’s no coincidence that in 1990, when the Gardner Museum heist came down, the Gardner Museum had this array of motion sensors all throughout the museum. It would alert to wherever you went, every gallery, hallway, whatever.

[7:49] And we know from these motion sensors that after, as you said, the two guys went in disguised as cops and bluffed their way into the museum, they made a beeline for the Dutch room, which is the room of all things Rembrandt. They stole three Rembrandts. They stole a fourth piece called Landscape with an Obelisk, which was actually by Govard Flink, but it had been misattributed to Rembrandt until the mid 80s. And then they took a large Rembrandt oil-on-panel off the wall and it was recovered the next morning leaning against a piece of furniture. We believe they just overlooked it in the dark. So out of the 13 pieces taken, three were Rembrandt, a fourth was misattributed to Rembrandt, and there was going to be a 14th piece taken, which was also Rembrandt. It definitely falls into that theory that this was going to be a hold-on to these pieces for a while and see if you can use them for a break.

[8:48] Interesting. Now, back in the 70s, for example, when somebody would work in an art robbery like that or an art theft, you got your tried and true ways of working a crime. You got to have sources, you got to have witnesses, and hopefully you can get a crime like this. You can get a source that says, hey, this guy, we had a guy in Kansas City that he was a fence for these kinds of guys. He had an antique auction and he took all this stuff and got it somewhere else. So at the time, just use your regular police methods. And what changed over the years as you’ve done this? Yeah, certainly we’ve become much more sophisticated with the techniques that we use. But at the end of the day, it’s always still going to be intelligence. But I found from working my entire career in violent crime, virtually my whole career in violent crime, the sources are crucial. Having a good informant can make and break a case. And working art theft investigations, you’re certainly going to have the same types of fences of informants, fences for stolen property and what they’re hearing about what organized crime guys are doing and what drug guys are doing. But it also opened up a whole new avenue of sources for me as working in art investigations, because now you’ve got pawn shops and gallery owners and auction houses, and they’re in a position to know when not only when stolen artwork is coming in, but also fakes and forgeries. We spoke about this, that.

[10:16] Somebody comes in with one valuable piece that would be very difficult for somebody in his or her position to come across one piece like this, let alone a dozen of them. That really points to probably a fake. And so that’s really the key to solving these things is just having a good intelligence base who’s going to let us know about when something comes up that’s either stolen or it’s been forged.

[10:43] Brings up a question. In my mind, did you ever work a gallery owner or a gallery

[10:48] that then would filter in, knowingly filter in some fakes every once in a while? They couldn’t do it 100% of the time, but you could certainly make some extra money by filtering fakes out of it because many people would get it and they’d never know. Nobody would ever know. Listen, it is a really difficult thing when you’re working these types of crimes because unlike bank robber, you go into a bank and you stick them up with a gun and take them on. It’s not up to the government to be able to prove at trial that you knew that the bank was insured by the FDIC. You went in and you robbed it, you committed the offense. When you’re talking about interstate transportation of stolen property or possession of stolen property, there are what’s called specific intent crimes, meaning you have to prove the element of knowledge. You have to be able to prove that the person knew that that item was stolen. Not that it said it was stolen. and you had to show that they knew it. And that’s a really high hurdle to overcome. And typically what we do to try and prove that specific intent is we’re going to go through.

[11:53] Recorded statements made to a source or to an undercover or emails or texts or something that we can show that this person knew that item was stolen. And so we would see that a lot in auction houses and galleries. There’s a lot of willful blindness where a lot of gallery owners and auction houses, they’re going to look the other way because it’s too lucrative to pass up. And in fact, in 2015, the art crime team, once we received information that ISIL or ISIS was using looted cultural property from Syria and Iraq as a form, a viable form of terrorism financing. And we put auction houses and gallery owners on notice in 2015, and we basically told them that if you’re selling objects of cultural patrimony or cultural heritage with a dubious provenance, like a wink and a nod, you may be unwittingly or wittingly funding terrorism. While we never charged anybody with it, hopefully it was an eye-opener that when you’re getting into this world, it’s not a victimless crime. There are very real victims involved.

[13:07] And that’s one of the things that really is interesting about working our crime investigations. And I used to get ribbed by my friends who were not on the art crime team about

[13:18] where like the wine and cheese squad were raised and everything. But our subjects are far from it. We’re dealing with organized crime, gangs, terrorists. This is no joke. These are serious individuals and the stakes are high. And in the Gardner case, three or four people that we believe were involved in the heist were murdered a year after the Gardner case crime occurred. Yeah, I was just going to go back to that a little bit, as we said before, a little bit like the Lufthansa case. All of a sudden, everybody that was involved in the theft. Started dropping like flies. So tell the guys about that. That is really interesting.

[14:00] Yeah. So the two individuals that we believe went into the museum dressed as cops, just a week shy of the one-year anniversary, one of the guys was found dead in his apartment of an acute overdose of cocaine, intravenous. And his family admitted that he used Coke, but they said he was terrified of needles. He was scared of needles. So it really looked to be like a hotshot, an intentional overdose of cocaine. Two weeks later, the other guy who we believe went into the museum with him, his wife reported him missing. And a couple of weeks later, his bullet riddled body was recovered in the trunk of his car out by Logan Airport in East Boston. There was another member of that crew. These were all part of the same crew. This Carmelo Merlino, who was a Boston mobster, had an auto shop down in the Dorchester section of Boston. Another member of his crew, a guy named Bobby, six weeks after the heist, he brought in, he visited a jeweler in the downtown crossing jewelry district in Boston. He came in with this object and he unwrapped it. It was an eagle.

[15:03] It was the finial from the Napoleonic flag that was stolen in the Gardner heist. And he asked the jeweler, how much is this thing worth? And the jeweler looked at it and he said, it’s worth nothing. Because he immediately recognized it as one of the people that had been stolen six weeks earlier from the Gardner heist. And then a few months later, Bobby was stabbed to death and nearly decapitated on the front porch of his house. And the responding police saw that his house had been broken into and ransacked like his killers had been looking for something. There was a fourth guy, Jimmy, who bragged to his girlfriend a few months after the heist that he had a couple of pieces from the Gardner Museum hidden in his attic.

[15:47] And in February of 1990, 11 months after the heist, he was executed on his front porch in what the local police called a mob hit. So, yeah, these are the types of crimes that have a tendency to have a chilling effect on anybody who harbors any aspirations to come forward with information. Yeah, and we talked earlier a little bit about, like, the crime itself, and the statute of limitations is up on that, what you said, and the crime itself, but how we talked a little bit and explained to them about how this could be part of a RICO case. And you’ve got the murders and you’ve got the actual theft and whatever they did with the paintings, then maybe you could get over after a Bob boss as a Rico case. Tell the guys a little bit about doing that. Yeah.

[16:32] I’ve heard it so many times in more than two decades that I worked the case and people would say, geez, why don’t people come forward? They’re just paintings. There are so many times they’re just paintings. They’re like, yeah, they are, but there’s two things about that. Number one, there’s some dead bodies on these paintings, three or four, and that there’s no statute of limitations for murder. And so if you implicate yourself in the theft or you implicate yourself in possessing or transporting these paintings at any time, the fear is that you’re then implicating yourself in a homicide. And the other aspect of this, which I think has a chilling effect, is the fact that transportation of stolen property is one of the predicate acts for RICO, racketeering influence corrupt organization case. And RICO is basically, Gary, is basically an entire organization is corrupt. Yeah. There’s no legitimate purpose. It’s what we think about the mob and the

[17:27] FBI has taken down the mob in the past. So if you implicate yourself in stolen property and you’re part of organized crime, that’s one of the predicate acts for a RICO. And that’s basically life sentences. And so one of my goals in the years and years that I worked in this case was to try and convince people that you could come forward with information and the U S attorney’s offices, whether it’s up in Boston or new Haven or Philadelphia.

[17:58] Would be willing to figure out a way to get the paintings back with immunity from prosecution for a RICO case. Look, that’s a high hurdle. That’s a high hurdle to convince somebody that if you come forward, you’re not going to get charged and you’re eligible for millions of dollars in reward. That’s a tough bill to swallow, but it’s the truth. I’m retired from the FBI now. I can tell you that it was, it’s a, it was, and still is a bona fide offer. And that’s one of the goals that I’ve always tried to impress on anyone is the opportunity to become a millionaire without going to jail. There you go, Jeff. Can you, now you’re not with the Bureau anymore. Can you go out, if you could go out and find them and bring them in, could you collect that reward? I would certainly hope so.

[18:48] I can’t tell you how many of my friends thought that I had some of these paintings stashed in my basement. Waiting for retirement to go turn them in the next day. I think half the guys I worked with were expecting to see me pull into the parking lot of the FBI.

[19:01] Big package, but no. But yeah, I suppose I could. By this point, I can tell you the amount of my very being that I put into this case over two days. Yeah. I just would love to see these paintings go back just because they need to be back at the museum. That’s where they belong. Now, these crimes, they seem, You said there’s a lot of murders attached to this. They seem a little boring. Did you have any exciting moments trying to pop anybody or do any surveillances? I know we did a big surveillance of a bunch of junkies that were going around stealing from small museums around the Midwest. And we follow them here in Kansas City. And they would have been pretty exciting had we had a confrontation with them. Did you have any exciting moments in this? It actually was a fascinating case. And for the first, there’s the really boring aspects of this job and tedious aspects. And I would say that in my, two decades working this case, I probably did, I don’t know, 50, 60, 70 consent searches, searching in attics and basements and crawling through crawl spaces and just getting sweaty and covered in cobwebs. But the break in the case for me came in 2009 when one of the guys who was part of Merlino’s crew who was deceased, his niece came forward to me and told me that the paintings. Some of them had been hidden up in this guy’s hide at his house up in Maine. I went up to Maine with Anthony Amore, who’s the director of security for the Gardner Museum. We worked on this case together for years.

[20:29] And then we found that hide. And then we interviewed, right from there, we went and interviewed Guarenti. That’s the guy, Bobby Guarenti. We interviewed his widow and she broke down and admitted that he once showed her the paintings and she gave them to a guy down in Connecticut. And we identified that guy and we interviewed him. My name is Bobby Gentile. He’s a made member of the Philly Mob. He got straightened out with his crew back in the late 90s.

[20:54] And he refused to cooperate. And then that’s where we really just started getting, using a lot of ingenuity to try and break it. And an agent down in the New Haven office, a guy by the name of Jamie Lawton, he joined our team and we started working this case. And he had a source who knew Gentile, Bobby Gentile, and the source started buying drugs from Gentile. Ah, there we go. We ended up arresting Gentile and we did a search warrant at his house. And it was crazy. Like we recovered, I want to say seven handguns, loaded handguns lying all over the place. He had a pump action shotgun hanging by the front door. He had high explosives. We had to evacuate the house and call him the bomb squad. But the interesting thing was he had the March 19th, 1990 edition of the Boston Herald with headlines about the Gardner heist and tucked inside that newspaper was a handwritten list of all the stolen items. With what looked like their black market values. This is in the house of a guy who swore up and down that he’d never heard of the Gardner Museum. And we were able to figure out who wrote the list. It was written by none other than Al Monday, who’s the guy that did the first armed robbery of a museum, of a Rembrandt. And we interviewed him and he told us that he wrote that list for Bobby Gentile and his buddy up in Maine, Bobby Garanti, because they had a buyer for the paintings and they wanted to know what they were worth.

[22:24] So yeah, and then Gentile took 30 months.

[22:28] He wouldn’t cooperate. And while he was incarcerated, we turned two of his closest friends to becoming sources. And so when he got out of prison in February or April of 2014, they started talking to him and talked about the gardener and they said they might know somebody who’d want to buy him. That’s how we then introduced an undercover agent. Gentile was introduced to Tony, this undercover FBI agent. Over six months, they had long talks about selling the paintings. Unfortunately, before Gentile would sell the paintings, he wanted to do a drug deal first, which we couldn’t allow to happen. We can’t let drugs walk on the street. So we had to take it down. And although we’d seized all these guns from Gentile back in 2012, he told the sources the FBI didn’t get all of his guns. Because of that disturbing comment, one of the sources asked Gentile if he could buy a gun for him. And Gentile sold him a loaded 38. So we arrested him again. And he still refused to cooperate. I don’t respect what he did for a living or a lot of the things that he did, but you do have to respect his adherence to his values. However, misguided they may have been, he took the code of omerta, the code of silence to heart, and he took it to his grave. He died, I think, in 2021 after going to prison a second time.

[23:50] While we never got any paintings back, it was a tremendous ride, and I’m confident they will come back. It’s just going to be a question of when. Yeah, that kind of brings up the question that you hear people speculate. Did you ever run across this? Is there actually any rich old guys or an Arab sheik or somebody that buys stuff like this and then really keeps it and never shows it to anybody? Does that unicorn really exist? everybody wants that to be true i know virtually it’s not yeah there’s there’s never been a case of some wealthy what we call the doctor no theory some some reclusive billionaire with his underground lair filled with all the illicit stolen treasures of the world yeah that’s it’s never happened yeah i guess you never say never but but no look the majority statistically about three-quarters of everyone that collects art in this country does it for, and I assume it’s probably worldwide, does it for the investment potential. There’s a lot of money to be made in collecting art. It rarely, if ever, drops in value. So that’s why people collect art. If there’s somebody who has a particular piece that they want so badly that they’re going to commission its theft, it’s more the stuff of Hollywood. It could happen, but we’ve never seen that happen yet. Interesting.

[25:14] We did have one case here where we had a medical doctor and he had it on the wall of his house. And it was, I believe it was a Western artist named Remington that these junkies stole out of Omaha. But it was such a minor piece that he could show it to anybody and they wouldn’t. They would say, oh, that’s cool. You got a Remington.

[25:30] There’s plenty of those around. And he could afford a real deal Remington anyhow. So it wasn’t that big a deal. And that’s really what it comes down to is that art, high-end art does get stolen. It gets stolen quite often. The art market is about $60 billion, and the FBI, we estimated about $6 to $8 billion of that is illicit, whether it’s theft or fakes and forgeries. It’s a tremendous market, but it’s mostly second and third tier items.

[26:02] Really valuable, well-known pieces. They do get stolen, but that’s the easy part. The easy part is stealing it. The hard part is monetizing it. That’s why you very rarely see recidivism among art thieves, high-end art thieves, because you do it once, and now you’re stuck with the thing. It’s easier to steal something else. You got to go out and boost fur coats and stuff to make a living. Exactly. Do a jewelry store robbery down there and make a living. And that’s exactly the point. That’s why you’re seeing a sea change in terms of art thefts, museum thefts. The Louvre was a great example of that. Dresden green vault robbery where 100 million euros in gems were stolen back in 2019 yeah.

[26:45] Gems and jewelry, it can be broken down. It’s going to greatly diminish their value, but you can recut a gem. You can melt down the setting. You can monetize it for a greatly diminished value, but at least you can monetize it. You can’t cut up a Rembrandt into smaller pieces.

[27:02] It’s only valuable as a whole complete piece. Yeah. I’m just thinking about that. We got a couple of guys, Jerry Scalise and Art Rachel in Chicago, flew to London, robbed a really valuable piece, the Lady Churchill’s diamond or something, I don’t remember, but really valuable piece and mailed it to somebody on their way to the airport and then got caught when they got back to Chicago and brought back to London and did 14 years in England and they never gave up that piece and nobody could, it never appeared anywhere, but it was just cut up and they didn’t make hardly any money off of it. Yeah. Look, there’s a, there’s much more profitable ways to. Yeah. To make an illicit living than stealing high-end artwork, but it does still get stolen. And that’s one of the cruel ironies when you’re talking about art theft is if somebody has a $20,000 piece of jewelry or a very expensive watch, they’re most likely going to lock it up in a safe in their bedroom or something. But you have a $10 million piece of artwork, you probably got it on the mantle. You’ve got it over the fireplace or in the front foyer of your house and probably doesn’t have a passive alarm system protecting it or security screws to keep it from being taken off the wall because people want to show it off. Yeah. It’s way too enticing.

[28:24] Really? So, yes, you need to keep the word out there and keep this in people’s minds. And I’m sure the museum tries to do this in some ways in order, hopefully, that maybe somebody will say, oh. Yeah.

[28:38] I think I saw that somewhere in this news program or on this podcast.

[28:42] I’ll put some pictures on the podcast when I end up editing this. No, please do, Kerry. And that’s the thing. That’s the basis for the title of my book is it really is a fugitive investigation. And that’s how I work this case is fugitives and perfect fugitives because they’re not like their human counterparts. They’re not going to get tripped up on the silly things that we need to do as human beings, getting a driver’s license or whatnot. Yeah.

[29:09] And so that’s how I worked the case. The FBI was really, I was always impressed with the FBI’s support that they gave me on this investigation. We did billboard campaigns and social media and a lot of things to get these images out there to the public, hoping it might resonate with somebody. And that’s really my goal for this book. I felt it should be written. I felt it’s an important case. Certainly, it’s something that I wanted to write about. It’s something that’s very important to me.

[29:42] But it’s yet another attempt to apprehend these fugitives. And I’m hopeful that somebody, it might resonate with somebody. Somebody’s going to see something. And there’s so much disinformation and misinformation that’s out there in the media about this case. People are endlessly, all these armchair detectives, and I don’t say it in a deprecating way. Good for them. Work as hard as you can. But if you want to work this case from your armchair, great. but you should be going off accurate information because there’s a lot of bad information that’s out there on the internet. And if you want to help out, if you want to collect that $10 million reward, great, but you should be going off the most accurate factual information that’s available. Yeah. And you probably ought to go down to the deep seamy underbelly of Philadelphia or Boston or somewhere and get involved with a mob and then work your way up and make different cocaine deals and everything. And eventually you might be trusted enough that some might say, oh yeah, I’ve got those in this basement. I would suggest there’s better hobbies.

[30:47] That could be hazardous to your health. I wouldn’t recommend it. Yes, it could. All right. Jeffrey Kelly, the book is 13 Perfect Tuesdays. Those are the paintings that were stolen that you’ll see on the podcast on the YouTube channel. The true story of the mob, murder, and the world’s largest art heist. Jeffrey, thanks so much for coming on to tell us about this. Thanks, Gary. Thanks for having me.

In this episode of Gangland Wire, Host retired Intelligence Detective Gary Jenkins dives into the shadowy intersection of organized gambling and college athletics through the story of Frank “Lefty” Rosenthal.  During the early 1960s, Rosenthal built his reputation by identifying weaknesses in sports systems, particularly among vulnerable college athletes. He met one who could not be bought, Mickey Bruce of Oregon. At the center of this story is a little-known but pivotal attempt at a fix involving the Oregon Ducks. Rosenthal and his associate, David Budin, believed they had found an opening, but they ran headlong into the integrity of Oregon halfback Mickey Bruce. Bruce flatly refused the bribe, setting off a chain reaction that would help expose a much wider pattern of corruption in college sports.   I break down how this wasn’t an isolated incident but part of a nationwide effort by gamblers to influence outcomes and exploit young athletes. The episode explores the mechanics of organized gambling, attempts to fix games, and why college sports became such an attractive target for mob-connected bookmakers.

The story reaches a dramatic turning point during U.S. Senate hearings on gambling in college athletics, where Mickey Bruce publicly identified Lefty Rosenthal as one of the men who tried to corrupt him. It’s a rare moment in mob history—one where a gambler is named in open testimony by a player who refused to bend.   From there, I trace Rosenthal’s continued rise in the gambling world, from Miami to Las Vegas, where he would help shape modern sports betting while repeatedly managing to stay one step ahead of serious legal consequences. Rosenthal’s story raises enduring questions about accountability, the limits of law enforcement, and why some figures seem untouchable.

I close the episode by reflecting on Rosenthal’s legacy—and on Mickey Bruce’s quiet heroism.

 

Hit me up on Venmo for a cup of coffee or a shot and a beer @ganglandwire

Click here to “buy me a cup of coffee”

Subscribe to the website for weekly notifications about updates and other Mob information.

To go to the store or make a donation or rent Ballot Theft: Burglary, Murder, Coverup, click here

To rent ‘Brothers against Brothers’ or ‘Gangland Wire,’ the documentaries click here. 

To purchase one of my books, click here.

0:03 The Story Begins

4:14 The Bribe Attempt

7:58 The Aftermath of Scandal

12:26 The Rise of Lefty

14:34 College Sports and Corruption

18:58 The Online Gambling Boom

22:26 The Fall of Adrian McPherson

24:24 Mickey Bruce’s Legacy

[0:00] Hey, hey, all you wiretappers, back here in the studio of Gangland Wire. This is Gary Jenkins, a retired Kansas City Police Intelligence Unit detective. I worked a mob for about 14 years, and now I tell some mob stories, as many as I can find. And we all know Lefty Rosenthal. We all know Robert De Niro played him as Ace Rothstein in the film movie Casino. And that movie, part of the reason it was so good that Nicholas Pelleggi, the screenwriter, and wrote the book, was able to spend hours and hours interviewing Lefty Rosenthal in real life. He had gone to Florida by then and it seemed like the mob wasn’t after him anymore. They had one attempted bombing of him, if you remember.

[0:41] So it was a really good movie. There’s really good depiction of that era and that system that they had going out there. Let’s go back on Lefty Rosenthal’s history to a guy that he couldn’t corrupt. Lefty Rosenthal thought he could corrupt anybody, but he found a guy that he couldn’t corrupt. It was really one of his early cases where law enforcement, the FBI, and other state law enforcement agencies figured out Lefty Rosenthal was somebody, and he was a pretty big gambler. He was a nationwide gambler. In 1960, the Oregon Ducks had a pretty good team. What a name, the Oregon Ducks. They had a man named Dave Grayson and the quarterback with Dave Gross in the backfield. They had a 5’3 All-American receiver named Cleveland Jones. What a name, Cleveland Jones. They went 7-2-1. They lost to Michigan, and they also lost to eventual Rose Bowl champ Washington. But this was good enough to gain a Liberty Bowl invite to play Penn State. Oregon lost the bowl and played in two feet of snow and freezing temperatures in Philadelphia that year.

[1:50] But the biggest news of the season was made during their trip to Ann Arbor to play Michigan. They had this potential All-American player named Mickey Bruce, who really was obscure compared to especially this Dave Gross or this Cleveland Jones, who was an unusual player. He was a president of his fraternity. He was a former Little League World Series star. He was the son of an attorney. He was a team captain. He played halfback and defensive back. And there was two professional gamblers came to Ann Arbor that year and they didn’t know much about this guy, but they did know, one of them’s name was Budin, David Budin, and the other one was Frank Lefty Rosenthal. They didn’t know much about Mickey Bruce, but they had a connection to him. A guy who played for the Oregon State basketball team named Jimmy Granada and knew Boudin from when they were little kids growing up on the basketball courts in New York City. Now, Granada told Mickey that he had two friends staying at the team hotel and they needed tickets. This time, players could then were given tickets and they could turn around and sell them to people. Boudin ended up finding him and introduced himself and said he was Jimmy Granada’s friend and invited Mickey up to the room and said, I’m the guy that needs a couple of tickets.

[3:15] Mickey was a little bit hesitant, but didn’t know this guy. He’s probably got a New York accent, probably slick, more than likely. He hesitated at first and booted and said, just take a few minutes. I just want to get you to go and get those tickets. And so he goes him, so he follows him into the room and he finds Lefty Rosenthal waiting there, who he doesn’t know and won’t even have any idea who he is till much later. So they chatted a little bit about the game as people will and ask him questions about the team. And Rosenthal mentioned that Oregon was a six-point underdog. He said, do you don’t think a player could be bribed? Mickey said, I suppose they could. Buden then cut in. He said, Mickey, he said, what do you think it would cost to ensure that Michigan won by at least eight points? Mickey plays along. He says, you’re the big-time gamblers. You should know. So Buden said, about $5,000. And Mickey said, that’s probably fine.

[4:14] Mickey said, let me check into this. And he said, I’m late for a team meeting and I got to get going. So they made plans to meet later on about 9 p.m. Mickey was no fool or small town rube. His father had been a Chicago attorney and he now practice in El Cajon, California.

[4:31] He raced to catch up with his teammates and told an assistant coach about the bribe who told the athletic director, who then called in the Michigan State Police, who called in the FBI. And they told Mickey to go ahead and show up at 9 p.m. at the meeting in the hotel room. They don’t want to apprehend Buden and Rosenthal right now. They want to get some more information and really get a real solid bribery attempt out of them. So acting on the advice of these cops, Mickey goes back to the hotel room that evening.

[5:00] Buden and Rosenthal start talking to him. And so they gave him tips about how to carry out this scheme without attracting any attention. Buden and Rosenthal say, we’ll give you an extra $5,000 and you can get the quarterback, Dave Gross, to go along with this scheme. He said, Mickey, you just need to let some pass receivers get behind you once in a while and let them run up the score a little bit. And you’re not going to win anyhow, more than likely. Get the quarterback to call a few wrong plays nobody really ever noticed. And he said, I’ll give you each $5,000 after the game if you’ll do that. He also offered Mickey $100 a week just to call him at his house down in Florida and update him about the health of Oregon’s team before weekly betting lines were released makes you wonder how many guys did Rosenthal have calling him to update him on injuries and everything on different college teams and professional too. Because I know from doing a story before that Ocardo and a lot of the Chicago gangsters really valued Rosenthal’s tips on making their football bets. He seemed to have some kind of an inside track.

[6:08] As he got ready to leave, Mickey said, oh, wait a minute. I gave you those tickets. You got to pay me, which were only worth about three bucks each. And so Lefty gave him 50 bucks for the two tickets. Mickey would remember later that he had to roll $100 bills in his pocket, which is typical for a high-flyer, high-rolling kind of a dude like that, have a big roll of cash in your pocket. And then you reach down in, peel some off so everybody can see how much money you got in your pocket. Rosenthal said, hey, I got to leave tonight, but see my friend Buden in the morning, David Buden, and he’ll give you the money. Mickey agreed, went back to his room. The next morning, while eating breakfast with his teammates, he sees a state trooper leading Buden out of the hotel in handcuffs, and then missed Lefty Rosenthal, who, as he had told them the night before, the Lefty was going to be leaving, and they had made a good bribery attempt. I don’t know what the police were waiting on. They were trying to make an even better case or something. I guess they probably They wanted him to go back in and catch them all together with the money. But then lefty left, and they went ahead and pulled the trigger early. You never know how these things work out exactly and what was at play. During the game, Mickey, I tell you what, Mickey played his heart out. He got an interception for a touchdown. It didn’t make any difference. Michigan won easily, 21 to nothing, and easily covered the six-point spread.

[7:28] A player will later be asked about this, and part of the reason was he said the coach had called a late-night team meeting and told them about this bribery attempt and asked them if any of them had been approached. Of course, everybody said no. Whether they had or not, they’re going to say no. But this player said it really shook us. We just had no rhythm. We just couldn’t get together for that game.

[7:50] Buden, when he was arrested, it turns out he was arrested for registering at a hotel under a fake name. He ends up paying some little fine and leaving town.

[7:58] Lefty was long gone the next day. It’s possible that Rosenthal and Buden knew that just attempting this bribe might have the negative impact on Oregon’s chances against the spread anyhow. All we know for sure is they got off scot-free in the end, and Buden paid a $100 fine or whatever. Lefty, but he did get exposed because Mickey Bruce, he didn’t have any idea of what he was getting drawn into, but it became a nationwide scandal. Basketball and football games, college games were being influenced on a wide scale by these gambling interests and Lefty Rosenthal was right in the middle of it all. Part of the McClellan committee, Senator McClellan of Arkansas convened his select committee just to investigate gambling and college athletics later that year. Because of this Michigan interaction with Lefty and college players and attempted bribery, they brought Mickey Bruce in. September the 8th, 1961, there’s a Senate hearing witness table. And sitting at that table is Mickey Bruce at one side and Frank Lefty Rosenthal at the other. And this was the same Frank he’d met at this hotel room. And he literally fingered Rosenthal as one of the men who attempted to bribe him. That photo that I’ve got in there, if you’re on YouTube, Rosenthal fled the fifth, of course.

[9:27] Committee here, meetings like that, really what they’re good for is to stir law enforcement and bring people out and bring out and get the public riled up against organized crime. That’s what McClellan’s committee was really good for. They had several of those committees that finally got local authorities and the FBI to start looking at organized crime. And in particular, this is the mother’s milk of organized crime by now is gambling. And college sports gambling was the thing at the time. There was some pro teams going on, but it didn’t have near the action going down on it that the college teams had. There was a lot more interest in college and a lot more college games every week. Later on the next year, Wayne County, Michigan District Attorney’s Office wanted Mickey Bruce to come back to Detroit and swear out a complaint against the people that tried to bribe him and name him and give statements and everything. Bruce, by then, he didn’t really want to mess with it. He was playing football. He had his fraternity work. He had to keep his grades up because he was going to law school.

[10:32] But they had a game against Ohio State that November. Michigan authorities thought, just come in and see us when you’re here. But he was out for the season by then. He had separated his shoulder, and he never really played again when they were playing Stanford earlier that year. He wasn’t going to go back to Michigan. His coaches tried to get him to cooperate, but he said, I’m done with the whole matter. In an interview, he said, as far as I’m concerned, this whole thing should have been dead a month ago after it happened. He conferred with his father, and they both said they can’t really make him do that.

[11:05] He said, I didn’t have time to go. I’ve got all these school activities that I’m doing, and I just don’t want to go. And he said, the Michigan police botched this thing from the start. They should have stuck around, and they should have got Rosenthal before they left town. There were several things they should have done, and it was a poorly run investigation that probably wasn’t going to succeed anyhow. And he said it had been over a year, and he said, I don’t really remember exactly what happened. I understand all that, and he could have helped him make a case, but there’s an obscure a paragraph in Lefty Rosenthal’s FBI file. And it might explain a little more about why Mickey Bruce didn’t testify in a criminal trial against Lefty. It already testified and pointed him out in the McClellan hearing. But right after that, his mother received a telephone call in her home in El Cajon, California. Now, there’s some, it says name redacted, but you can easily fill in the name. 1961, September 1961, name redacted, El Cajon, received a phone call from an unidentified male asking if, name redacted, can you fill in, Mickey Bruce, name redacted, answered in the negative, at which time this person uttered an oath and added, you’re going to get it, and so is he. I think it’s pretty easy to fill in the names of Mickey Bruce and his mother easily.

[12:26] Bruce stayed home Oregon went to Columbus Lost to the Buckeyes again Wayne County DA Dropped any cases Against Buden and Rosenthal For lack of evidence Lefty will continue During these years To run his sports book Out of Florida He’ll continue Traveling around the country And making contact With people in the College sports world Trying to bribe players And coaches And gather information And.

[12:50] Cops in Miami were watching Lefty by then, 1960, New Year’s Eve. Police Chief Martin Dardis of Miami knocked on Rosenthal’s door with a group of guys and found him in his bedroom in his pajamas. He had a telephone in one hand and a small black book in the other. Dardis took the phone away from him and started answering the calls, and they were from bettors all around the country. He remembered that there was one guy named Amos who wanted to place a bet on a football game on New Year’s Day. And Dardis handed the phone to Rosenthal who told the guy that was calling in says you’re talking to a cop you stupid SOB.

[13:28] During that raid, Rosenthal complained he’d paid $500 to keep local police from harassing his bookmaking operations. He said, you guys must be kidding.

[13:37] Evidently, you didn’t get your piece. About a year later, February 1962, after the Senate hearings, detective knocked on his door again in Miami. He came to the door sporting dapper attire, which he was a really dapper dresser, and he had painted fingernails, according to a newspaper account. He said, I’ve been expecting you.

[13:58] The detectives arrested Rosenthal, not for bribing Mickey Bruce, but he and his friend Buden faced charges in North Carolina for offering $500 to Ray Paprocki, a basketball player at NYU, and wanted to shave points in a 1960 NCAA tournament against West Virginia. During this time, authorities had uncovered a nationwide network of fixtures who conspired to influence hundreds of college basketball games over a five-year period. In the end, 37 players from 22 schools were arrested on charges relating to

[14:31] port shaving. Man, that’s, boy, that was huge. We’ve got these guys going down now periodically that are getting involved because of the apps. And we’re going to get a little more into that. This gambling thing and college athletics especially, but even pro athletics. It’s a corrupting force, guys. I know a lot of you like to bet on games, but it really, there’s a real potential for corrupting the game. And in the end, if they keep it up and people keep corrupting these games, it’s just going to be like wrestling. You’ll just, somebody will control who’s going to win and who’s going to lose in every contest. That’s what these gamblers would like to get, and they’d make all the money.

[15:08] Rosenthal pleaded no contest. He got a $6,000 fine for trying to fix this NYU-West Virginia game. He claimed that David Buden gave up his name and that he said later on, trying to clear himself of that, that that wasn’t really me. David Buden did it, and he would have given up his mother’s stay away from what he had to face. That was when the Nevada Gaming Control Board was after him.

[15:33] In 1967, Rosenthal, under the watch of the Chicago Outfit, started acting like his outfit bosses and bring outfit tactics down to Miami. He started intimidating rival bookies and others in Miami who incurred his wrath. He ordered bombings of the territory. I interviewed the son of a CIA operative named, his father’s name was Ricardo Monkey Morales. Look back and see if you can find that interview of the son of Monkey Morales. I think Monkey Morales was probably in the title. And he told us about his father’s relationship with Rosenthal. He told him that Lefty had told his dad that he represented organized crime out of Chicago. And he said that Morales said that Rosenthal paid him. He said that Rosenthal paid Monkey Morales to blow up Alfie’s newsstand with a bookie joint in the back. He also had him, they had him blow up a car and a boat owned by a well-known jewelry thief that the mob was pressuring to do some burglaries for them. He also had him explode a bomb. I remember this, explode a bomb in the front yard of a Miami police officer trying to show his power. I guess this guy was messing with him or something, trying to tell everybody he was connected to the outfit and don’t mess with me.

[16:50] Morales would also claim that he’d witnessed Rosenthal meeting with Tony Splatron in Miami in 1967.

[16:58] 1970s, he goes to Las Vegas at the request of the outfit, which we all know. We’ll go back over it a little bit. Even legitimate gambling people will say he invented the sportsbook industry in Las Vegas. They didn’t really do that before. And Sports Illustrated once called him the greatest living expert on sports gambling. He’ll die in 2008 of natural causes down in Florida after all the skimming investigation went down and people started going to grand juries and being indicted and going to trials and everything. All the mobsters did. Several people in Las Vegas did. A guy out of the Tropicanda who was Kansas City’s man, Joe Augusto, and a guy named Carl Thomas who worked at both casinos and helping in skimming and several other guys that worked in the casino business. But guess who never was indicted? And guess who never even was called in for an interview? And guess who just hid out? Lefty Rosenthal. Makes you wonder, doesn’t it? Jane Ann Morrison of the Las Vegas Review-Journal. Finally, they get an FBI agent to confirm to her that he was a top echelon informant during all this time. They try to blow him up in his Cadillac, another famous attempted mob hit. A lot of people speculate on that. They’ll always say it was Kansas City because they thought he was an informant all along. and never liked him and never trust him because he really, he brought all the heat down out in Las Vegas. Now, the heat was coming anyhow, but he maybe brought it a little bit quicker.

[18:24] There’s a former federal prosecutor out of Las Vegas that once said, it’s been said you should never speak ill of the dead, but there are exceptions to the rule, and Frank Rosenthal is one of those exceptions. He is an awful human being.

[18:38] Dave Budin, the guy who first approached Mickey Bruce, Yes. Continues in the sportsbook game and draws his son Steve into it. And by the 1990s, the online betting industry has taken over from your neighborhood bookie and a mob just running everything. It’s a multi-billion dollar thorn in the side of the U.S. authorities.

[18:59] 1998, federal prosecutors indicted Miami gambler David Buden, same man that tried to bribe Mickey Bruce, and indicted Buden’s son for running something called SDB Global.

[19:13] Which later became SBG. Federal authorities prosecuted Boudin under a federal anti-gambling statute because SDB Global was incorporated in Costa Rica, but it was based in Miami. Pleaded guilty and got a $750,000 fine. In Kansas City, during those same years, the son of the feared mafia capo, if you will, Willie the Rat Comisano, Willie Comisano Jr., They headed up a group of bookies that contained the names and sons and other extended relatives of many Kansas City Mafia members out of the 50s and 60s. And they were using the internet and dealing with either SDB Global or one of the other sports betting sites that sprung up in Costa Rica because they were all over the place. Budins were high flyers in this doing business out of Costa Rica. And they were making a lot of money, a lot of money. In 2004, SBG comes to the attention of the Florida Department of Law Enforcement. They sent an undercover in, and they asked an SBG operator why the company required customers to call before wiring each new deposit. And he got him on tape to say, because we change the names in the countries of the middlemen all the time. The agent suggested that the process made it uneasy, and the employee of SBG said, you don’t have to worry about it. Lots of people do it.

[20:35] Well, during this investigation, they also found there was a Florida State star quarterback named Adrian McPherson was placing bets on games that he was playing in and ends up getting dismissed from the Florida State Seminoles football team. He was a rising star, a rising young star quarterback. In the investigation, they learned he’d already lost $8,000 to a local bookie who’d cut him off. He was giving him, extending him credit. Guy owed him $8,000 and he cut him off. So that’s when he turned to online SBG sites. Now, you have to pay up front. So he was getting some money to gamble somehow, and he tried to hide this activity by using a roommate, but a review of his phone records showed several calls to STB, and one time was, like, just before, there were, like, two in a row. And that’s how they were, like, trying to hide it and then pass it off to make it look like there was somebody else making the bet. He eventually gets arrested. He pleads to lesser charges. But one of those charges was check forgery. And when a gambler starts losing, many times they’ll turn to those white-collar crimes like check forgery, embezzlement. They’ll start stealing from their work, shoplifting, drug dealing. They can do anything like a junkie, man. They’ll do anything to keep gambling.

[21:52] I once knew a guy said he couldn’t even walk into a casino because he just starts getting a rush. He just can’t stay away from the machines once he walks in. So he totally has to stay out. Adrian McPherson, he was also an all-star baseball player. Even though he is kicked out of college ball for betting on his own team, he then gets drafted. The New Orleans Saints in 2005 draft him. They want him as their starting quarterback. But they also drafted a guy named Drew Brees, who ended up leading him to the Super Bowl in 2006.

[22:27] Now, later in that season or during that season, the Tennessee Titan mascot will accidentally hit McPherson with a golf cart. He sues him for several million dollars. The following year, he does this. He’s been injured by this golf cart. I don’t know if it wasn’t a career injury, obviously, but they also the gambling thing. And the following year, he appears with the Grand Rapid Rampage AFL team. Then he goes to a Canadian team. Then he plays on a variety of arena football teams, a different one every year almost. And finally, in 2018, the Jacksonville Sharks, which is an arena team, releases him. His gambling led him to a free fall into obscurity. He was on his way up to life-changing generational wealth, and the gambling just got him.

[23:17] Let’s go back a minute, you know, all these, I’ll be telling all these stories about these low rents and degenerate gamblers. Let’s go back to the incorruptible Mickey Bruce. He was injured during 1961 during his senior year. His last game was in 1961 against Stanford. His three seasons of Oregon, he rushed 29 times for 128 yards. At one touchdown, he caught 10 passes for 113 yards and three touchdowns. Defensively, he intercepted six passes in the last season, returned six punts for an 11-yard average. He ends up being drafted in the 24th round of the 1962 AFL draft by the Oakland Raiders, but he never pursued a professional football career. Instead, he followed his father’s footsteps. He went to law school and became a lawyer out in California.

[24:08] Michael J. Bruce, his story goes really beyond the gridiron. He’s on that very short list of individuals who have implicated gangsters, pointed them out in court, and survived. And he prospered from then on under

[24:20] his own name. He didn’t go in witness protection or anything like that. He might not have agreed to prosecute Lefty going back to Michigan for that other case, but he did stand up and point at Lefty Rosenthal and say, he’s the one that tried to bribe me. 1981, Mickey Bruce will get the Leo Harris Award. Presented to alumni, alumnus Letterman, who have been out of college for 20 years and have demonstrated continuous service and leadership to the university. Some of the other, Alberto Salazar went to Oregon. He got it. A guy named Dan Fouts, I know that name, Johnny Robinson, Bill Dellinger.

[25:02] So guys, it’s much better to get a Lifetime Achievement Award for doing good than to get a car bomb or to die in obscurity. So thanks, guys. That’s the story of Lefty Rosenthal and his earlier years before the skimming and really the story of a tribute to Mickey Bruce, a guy that stood up and did the right thing when it needed to be done. Thanks, guys. And don’t forget, stand up and go to your computer and order one of my books online or rent one of my movies or look at my website and see what you like there. Make a donation, if you will. I got expenses. Don’t usually ask for. I got ads. They just cover some things and then other things. Some of these FOIA things cost a lot of money and got a few expenses. Anyhow, so thanks a lot, guys. But mostly, I appreciate your loyalty and all the comments that you make on my YouTube channel and on the Gangland Wire podcast group. It’s inspiring. It really, truly is inspiring. It keeps me coming back. Thanks, guys.

In this episode of Gangland Wire, host Gary Jenkins, retired Kansas City Police Intelligence Unit detective, continues his deep dive into organized crime history with prolific Mafia author Jeffrey Sussman. Sussman, the author of eight books on organized crime, joins Jenkins for a wide-ranging conversation that spans the rise, violence, prosecutions, and survival tactics of La Cosa Nostra in America. Drawing from works like Backbeat Gangsters and his latest release Mafia Hits, Misses Wars and Prosecutions, Sussman offers sharp insight into how the Mafia enforced silence, eliminated enemies, and adapted to government pressure.

The discussion opens with omertà, the Mafia’s infamous code of silence, and how mob warfare enforced loyalty through fear. Sussman recounts notorious hits and mob wars that shaped organized crime, then shifts to landmark prosecutions led by Thomas Dewey, whose relentless pursuit of Murder Incorporated dismantled the mob’s most feared execution squad.

Jenkins and Sussman examine the disastrous Appalachian Conference, where Vito Genovese overplayed his hand, drawing national attention to the Mafia and setting the stage for informants like Joe Valachi to break decades of secrecy.

The episode also explores the Mafia’s darkest execution methods, including lupara bianca—murders designed to leave no body and no evidence—along with chilling stories involving Mad Sam DeStefano. The assassination attempt on Joe Colombo, and its ties to Joey Gallo, highlight how ego and publicity often proved fatal in the mob world.

The episode concludes with Sussman previewing his upcoming book on the Garment District, blending personal family history with organized crime’s grip on American industry. Together, Jenkins and Sussman deliver a sweeping, chronological look at how the Mafia rose, fractured, and endured—leaving a permanent mark on American culture. Get his book Mafia Hits, Misses, Wars, and Prosecutions.

⏱️ Episode Chapters

00:00 – Introduction and Jeffrey Sussman’s Mafia work

03:45 – Omertà and enforcing silence

07:30 – Mafia hits and internal wars

12:10 – Thomas Dewey and Murder Incorporated

18:40 – St. Valentine’s Day Massacre

23:30 – Formation of the Five Families

28:50 – Italian and Jewish mob alliances

34:20 – Capone, Lansky, and Luciano

39:45 – Appalachian Conference fallout

45:10 – Vito Genovese and Joe Valachi

50:30 – Lupara blanca and body disposal

55:20 – Mad Sam DeStefano’s brutality

59:40 – Joe Colombo assassination

1:05:30 – Betrayal and mob survival

1:10:50 – Sussman’s upcoming Garment District book

 

[0:00] Hey, welcome, all you Wiretipers, back here in the studio of Gangland Wire, as you can see. This is Gary Jenkins, retired Kansas City Police Intelligence Unit detective and later sergeant. I have a guest today. He is a prolific author about the mob in the United States. We have several interviews in the archives with Jeffrey Sussman. Welcome, Jeffrey. Thank you, Gary. It’s a pleasure to be with you once again. All right. How many mob books you got? Eight or nine, I think. Eight or nine. I know you’ve covered Tinseltown, the L.A. Families, the crime in L.A., the Chicago. What are some of those? I did Las Vegas, which had a number of the Chicago outfit members in it. I did Big Apple Gangsters. Oh, yeah. My last one was Backbeat Gangsters about the rock music business. Oh, yeah. And then I did also one about boxing and the mob, how the mob controlled boxing. And then my new book is Mafia Hits, Misses Wars and Prosecutions. The update is February 19th. All right. Guys, when I release this, we’re doing this, actually, we’re doing this before Christmas. But when this comes out, while you’ll be able to go to the Amazon link that I’ll have in there, get that book, we’ll have, you’ll see a picture of it as we go along. So you’ll know what the cover looks like. It sounds really interesting, especially about the Mafia Misses. But I’m sure that’s interesting.

[1:29] Well, the mob, that’s their way of enforcing their rules. The omerta, somebody talks, they’re going to rub you out, supposedly. And by mob, we’re talking about primarily La Cosa Nostra, Sicilian-based organized crime in the United States. Yeah. The five families particularly have brought this up front. The five families have really perfected this as an art, killing their rivals, killing people that threaten them in any way, killing people that they even had a contract on Tom Dewey, the prosecutor, I believe, at one time. That would be a bomb miss, wouldn’t it? Yeah, actually, what happened with that is Dutch Schultz wanted the commission to take out a contract on Tom Dewey, and they said, no, we can’t do that, because if we do that, it’ll bring down too much heat on us. And so the mob wound up killing Dutch Schultz because he was too much of a threat to them in some ways. But the irony was that if they had killed him, Lucky Luciano never would have been prosecuted. He was prosecuted by Thomas Dewey. Lucky Bookhalter never would have been prosecuted and gone to the electric chair, several others as well. So, by not killing Dewey, they set themselves up to be arrested and get either very long prison terms or go to the electric chair.

[2:57] Yeah, Dewey sent, I think it was four members of Murder Incorporated to the electric chair and the head of it, the Lepke book halter. And then he arrested and got a conviction against Lucky Luciano for pimping and pandering, which should have been a fairly short sentence, just a couple of years. But he had him sentenced to 50 years in prison, which is amazing, the pimping.

[3:20] So if they had killed Thomas Dewey, they probably would have been better off. But that’s 2020 hindsight. Yeah, hindsight’s always 2020. And a cost-benefit analysis, if you want to apply that, why the cost of killing Tom Dooley might have been much less than the actual benefit was. That’s right. Exactly. And they came to realize that, but it was too late for them. I think they always do a cost-benefit analysis in some manner. How much heat’s going to come down from this? Can we take the heat? Because I know in Kansas City, our mob boss, Nick Savella, was in the penitentiary. He was about to get out, and he sent word out, said I want all unfinished business taken care of by the time I get out. Because when I get out, I do not want all these headlines, because murder generates headlines. And so there was like three murders in rapid succession right after that.

[4:13] So they worry about the press and hits, murders generate press. So let’s go back and talk about some particular ones. One of the most famous ones was the St. Valentine’s Day Massacre. Do you cover that?

[4:26] Yeah, I start with the assassination of Arnold Rothstein in 1928, and then I go right into the St. Valentine’s Day Massacre. I go into the Castel Marari’s War, the birth of the five families. They had a famous meeting at the Franconia Hotel where the Jewish and Italian gangsters decided to form an alliance rather than fight one another. I went through the trial and conviction of Al Capone, the Bug and Meyer gang. Which evolved into Murder Incorporated, and then how Mayor LaGuardia went after the mob in New York and drove out Frank Costello, who had all the slot machines in New York, drove him down to Louisiana, where Frank Costello paid Huey Long a million dollars to let him operate slot machines all around New Orleans and the rest of Louisiana. And then there was William Dwyer, O’Dwyer, and Burton Turkus, who prosecuted the mob, other members of Murder Incorporated, and then how the federal government was using deportation to get rid of a lot of the mobsters, and how the mafia insinuated itself with entertainers and was controlling entertainers like Frank Sinatra and Dean Martin and Jerry Lewis and others.

[5:44] And then the Appalachian Conference, and what an embarrassment that was to Vito Genovese, who wanted to declare himself the boss of bosses. Instead, he became the schmuck of schmucks because the FBI invaded this. And there was a theory that this was really set up, Meyer Lansky, Carl Gambino, and Lucky Luciano, because they didn’t want Vito Genovese to become the boss of bosses because Vito Genovese was responsible for the attempted murder of Frank Costello, and they wanted to get rid of him. After they embarrassed him with Appalachian, And then they set him up for a drug buy. Which is ridiculous because you don’t have the head of a mafia family going out on the street and buying heroin from someone. But that’s what they got him for. And they sent him off to prison for 15 years where he died. But in the realm of unintended consequences, which we just heard some, he goes down to Atlanta and a guy named Joe Valacci is down there. And he thinks that Vito Genovese is given to the fisheye and maybe wants to have him killed.

[6:52] If Vito Genovese is not in Atlanta, Joe Valacci does not turn and become the first big important witness against the mob in the United States that couple that with Appalachian. And embarrassment to the FBI and then this Joe Valacci coming out with all these stories explaining what all that meant, the organized crime in the United States, why we may not have the investigation that subsequently came out of all that. It’s crazy, huh? Yeah, exactly. In terms of unintended consequences, because if Vito Genovese hadn’t given the kiss of death, supposedly, to Joe Valacci, you never would have had Joe Valacci’s testimony about how the mob operates. He opened so many doors and told so many secrets. It was a real revelation to the world.

[7:42] Now, what about these murders? And I understand they call them a lupara blanca, where the body is never found. Did you talk about any of those or look into that at all?

[7:53] We’ve had them in Kansas City, where it’s obviously a mob murder. They even will send a message to the family. We had one where the guy disappeared. Nobody ever found his body. But somebody called the family and said, hey, go up on Gladstone Drive and check this trash can. And then they find the guy’s clothes and his driver’s license, everything in there. Now, did you go into any of those blanks? Yeah, there were a number of mob hits, especially during the murder ink era where they would dispose of the bodies and no one would ever find them. But they would leave clues around for members of the family just so they would know that their father or their son or their brother, whoever was no longer in this world.

[8:39] Yeah, that was done quite a bit. And when the Westies, which was an Irish gang that operated on the west side of New York, they believed that if you never found the corpse, you could never convict them of murder. So they used to take their dead bodies out to an island in the East River and chop them into little pieces and then dump them in the river and no one would ever find them. And supposedly they did that with dozens and dozens of bodies. Yeah. Interesting. Yeah, and it is. It’s hard to prosecute without the body. It’s been done, but it’s really hard to do. You’ve got to have a really lot of circumstantial evidence to approve a murder without a body. And when Albert Anastasia and Leffy Foucault, who were running Murder Incorporated, they believed two things. One, that if you didn’t find the body, it would be hard to prosecute. And if you couldn’t show a motive, that would be the other thing that would make it difficult. So there would be absolutely no connection between the person who killed the victim and the victim. There was no connection whatsoever. So it was almost as if it was a stranger. In fact, it was a stranger who would commit the murder and then disappear and make sure that the body also disappeared. So you’d have neither motive nor body. Interesting. Pretty stiff penalty for murder. So I understand why you take some extra. Exactly.

[10:08] Yeah, that tried to disassociate yourself from any motive for the body. There’s a guy in Chicago named Mad Sam DeStefano. Oh, sure. Lone shark and particularly egregious person when it came to collecting and was responsible for some murders and tortures. And they claim that he would buddy up to the person he knew he wanted to have killed and give him a watch. So then when the police came back around, he’d say, he was my friend. I gave him a present. I gave him that watch. Look and see. Ask his wife. I gave him a watch. Yeah. And I think it was Anthony Spolatro who was charged by the outfit of getting rid of Sam DiStefano because he was a friend. He had been like a protege of Crazy Sam. And so Sam didn’t suspect him as the person who would come and kill him. Yeah, that’s common clue. They say, look out. When a friend comes around and it seems a little bit funny and they want her particularly nice to you and you know you’re in trouble, anyhow, look out. Because that’s the guy that’s going to get you. Exactly. At least set you up. Maybe they have somebody else come in and pull the trigger, somebody that’ll leave town or whatever, but your friend’s going to set you up, make you comfortable.

[11:24] Yeah, I think that’s exactly how it happened. We talked a little bit about the Joe Colombo murder. Did you look at that? Yes.

[11:31] Tell us about that, because I’m really interested in that. I’d kind of like to do a larger story, just focusing on that, what really happened there, because that’s a mystery. Did this Jerome Johnson, this black guy, do it? Why would he do it? Nobody ever came out and connected him directly to Joey Gallo, and that’s the claim. So talk about that one. What happened is Joe Colombo formed the Italian Anti-Defamation League because he thought Italians were being blamed for too many things. And Colombo was responsible for having the producers of the movie The Godfather never use the word mafia in the movie, never use La Cosa Nostra in the movie. And he was making a big splash for himself. And this was driving a lot of people in the mafia a little crazy. They’re getting nervous because he was getting so much attention for himself, and it’s not the kind of attention they wanted. And Gambino was particularly upset about this. And Joey Gallo had been in prison, and he had been involved in the war against Profaci earlier on. And when he got out of prison, he felt that the new head of the Profaci family, who was Joe Colombo, should honor him with the amount of time that he spent in prison. And Joe Colombo offered him $1,000.

[12:57] And Gallo was incensed by that. He expected $100,000.

[13:02] And so he started another war with Colombo.

[13:09] This would be good for Carlo Gambino because then he could use Joey Gallo to get rid of someone and his hands wouldn’t appear to be anywhere near this. And when Joey Gallo was in prison, he befriended a lot of black gangsters who were drug dealers and showed them how to succeed in the drug dealing business. And his attitude was that the mafia was very prejudiced against black people, but he thought that was stupid. He thought that we should use black criminals the same way we use any other criminals. And so he befriended a lot of blacks when he was in prison. And no one really knows how exactly he came in contact with Jerome Johnson. But anyway, Jerome Johnson was given the mission of assassinating Joe Colombo at a demonstration where Joe Colombo would be speaking about the Italian American Anti-Defamation League, which had attracted a lot of entertainers. Frank Sinatra was on the board of it. They raised a lot of money. I spoke to some Italian friends of mine at the time, and they said that people from the Italian Anti-Defamation League went around to small Italian-run stores, pizza parlors, shoe repair stores, whatever, and had them closed down for that day so that these people should attend the rally. And the rally was being held, I believe, in Columbus Circle.

[14:36] And Jerome Johnson was there, and he had a press pass. So he was permitted to get very close to Joe Colombo because it appeared that he was a reporter or a photographer for a newspaper. And as soon as he got close enough, he pumped a couple of bullets into Joe Colombo’s head. Immediately, three or four gangsters descended on Jerome Johnson and killed him immediately.

[15:02] And those three or four people who killed him, they disappeared into the crowd. No one ever found them again. I know. I wish we’d had cell phone footage from that. No one wouldn’t have gotten away if everybody had their cell phones out that day when they would have seen everything that happened.

[15:21] Exactly. Columbo existed in a vegetative state. I think it was for about seven years before he finally died. I didn’t realize it was that long. Wow. Yeah, but he was semi-conscious. He couldn’t communicate. He was paralyzed. But the The Colombo family believed that it was Joey Gallo who was responsible for this. Joey Gallo and his new wife had been having a dinner with friends at the Copacabana nightclub in New York. They were joined at their table by Don Rickles, who had been performing that night. Comedian David Steinberg, who had been the best man at Joey Gallo’s wedding to a second wife, was there. And he suggested to them that they left the Copacabana about three o’clock in the morning. And he suggested to them that they all go down to Little Italy, go to Chinatown, and we’ll have a late dinner there. So Rick Olson and Steinberg said, it’s too late for us. You go and enjoy yourself and we’ll see you another time. Joey Gallo, his bodyguard, a Greek guy, I can’t remember his name exactly. Peter Dacopoulos. That’s it. And his wife, and Decapolis’ girlfriend and Joey Gallo’s stepdaughter. They all drove downtown. They couldn’t find anything open in Chinatown, so they drove over to Little Italy, and they went into Umberto’s Clam House.

[16:49] And it was very strange, because supposedly a gangster would never do this. Joe Colombo was sitting with his back to the door.

[16:58] Usually, your back is to the wall, and you’re facing the door. Oh, Joey Gallo was sitting with his back to the door. Yeah, I meant Joey Gallo. Yeah. Go ahead. And there was kind of a lonely guy sitting at the bar having a drink, and no one paid any attention to him. He was a mob wannabe, and he recognized Joey Gallo, and he went to a mob social club that was a few blocks away that was a hangout for Colombo gangsters. And when he came in and told them that joey gallo was there and the one of the guys there called a capo from the colombo family and told him who they saw and so forth and apparently he instructed them to go and get rid of him and so they took the mob wannabe guy and they got in two cars and they drove down to or around the block whatever it was to umberto’s clam house they went in and they immediately started shooting. And Colombo flipped over the table. I’m sorry, Joey Gallo flipped over the table and had his wife and girlfriend in the step door to get behind the table. And he and Peter were firing back at these guys.

[18:07] Peter got shot in the ass and complained about it for many months afterwards, and Joey Gallo ran out onto the street chasing them, and he got shot in the neck, and I think it hit his carotid artery, and he bled to death on the sidewalk. And the guys from the Columbo and the Columbo wannabe guy, they quickly drove up to an apartment on the Upper East Side where the Columbo capo was. And he told them to go to a safe house in Nyack, New York, where they went. And meanwhile, the mob wannabe guy who had fingered Columbo, he’s getting very nervous. He feels that his life isn’t worth too much. He’s in over his head.

[18:51] Right. So he sneaks out in the middle of the night and takes a plane to California to live with his sister. And he tries to get into the witness protection program, but they don’t believe him. They don’t believe he has enough evidence to make it worthwhile. No one knows exactly what happened to him afterwards. And the guys who supposedly killed Gallo, nothing really happened to them either. There was a huge funeral for Joey Gallo in Brooklyn. And it was like one of those old mob funerals that you see in a movie with a hundred flower cars and people lining the streets. And I think it was Joey Gallo’s mother who threw herself into the grave on top of the coffin. Oh, really? And Joey Gallo’s.

[19:38] He had two brothers, one of whom had died of cancer, and the other one wound up going into another mob family. That was part of the peace deal. I can’t remember if it was the Gambino family or the Genovese family. He went into one of those two families. I think it was Gambino family, that Albert Kidd Twist gallo, I think was his name. And I think it was the Gambino family. He just kept a low profile until he died of natural causes. I think he’s dead now. He never heard from him again, basically. Exactly.

[20:06] Interesting. That’s a heck of a story. A lot more stories like that in there, too. I bet. What was your favorite story out of that, or the one that shocked you or you learned something? Maybe something that you learned that you didn’t know or cut through some myth.

[20:20] Probably, I’m just looking at my notes here to see what really fascinated me the most. I think the evolution of the Bug and Meyer gang. This guy, Ralph Salerno, who was a fascinating guy who headed the New York Prime Strike Force, Mafia investigators He’s been dead for about I think 10 or 15 years But I spent about Two or three hours Interviewing him A long time ago Didn’t he write a book Didn’t he write a book Called The Crime Confederation Or something like that Yes he did Yeah And it’s excellent So he knew Meyer Lansky He had met Bugsy Siegel Back once In the early 1940s He knew Frank Costello He knew all of these people And it was fascinating To, to hear his stories. And he said that during the time of the Bug and Meyer gang, they were the most vicious gang in New York. And they had a complete menu for crimes that they would commit on your behalf. Burglaries, murders, throwing people out of windows, breaking arms and legs, killing by stabbing, killing by shooting, killing by knifing. And each one had a price. And he said they actually had it printed. It was like a menu and you could check off what you wanted.

[21:40] Crazy. And then he said, as they got more and more involved in prohibition, they got out of this and it evolved into Murder Incorporated, which had about 400 members, primarily Jewish and Italian gangsters. And it was run by Albert Anastasia and Lepke Bookhalter.

[22:05] And when Thomas Dewey came into power, he wanted very much to convict these guys, but, Murder Incorporated had this fascinating idea that every member of Murder Incorporated would receive a monthly retainer and then it paid a special price for committing murders. And the more ambitious the member was, the more murders he would commit. So there were a couple who were really very ambitious and did a lot of murders. And each one had a specialty. So there was this one guy named Abe Hidtwist Relis, who only killed people with an ice pick in the back of the neck. And then he would leave the body in a car, talking about getting rid of bodies, and he would burn the body and leave it in the car and let other people know who were the relatives that he had been done away with. And then there was a guy named Pittsburgh Phil, who was the most ambitious of them, who supposedly committed about 100 to 150 murders because he just loved getting money for each one that he committed.

[23:15] Then there was a guy named Louis Capone, who’s no relation to Al. He worked with a partner named Mendy Weiss, and the two of them went out and killed people together. They thought it was a fun event for them. It was like a boy’s night out. Who we’re going to kill today. Weren’t they two of them that got the electric chair? Yes, they did. And there’s a picture of them on the train up to Singh on their way to the electric chair. And they’re laughing. This is nothing. This is just another fun time for us. And yeah, I think there were four of them who finally went to the electric chair. And then one member of this was a guy named Charlie the Bud Workman, who finally got indicted for the murder of Dutch Schultz. He was the one who carried out the murder of Dutch Schultz for the mob. And he got, I think he was 30 years in prison. But according to his son…

[24:13] Who is a PGA golfer, who is well-known in PGA circles as a very good golf competitor, said that the mob took care of his family for the entire time that Workman was in prison because he never spoke about anybody else. He really observed the rules of a murder, and they appreciated him for that. So that whole episode was like a corporation murder, which is why they called it Murder, Inc., that would go out and kill people on orders only from the mafia. They only worked for the mafia. You couldn’t hire them if you weren’t a member of the mafia. And it had to go through a mafia boss for the instructions to come down to them. A soldier couldn’t tell them what to do. Even a capo couldn’t tell them. It had to go up to a boss, the boss had to approve it, and then assign someone to do it. And they all worked out of a candy store in Brooklyn called Midnight Roses because it was open 24 hours a day. And the phone would ring there from giving whoever it was instructions about who was to be killed, where they were to be killed, how they were to do it, and so forth and so on.

[25:27] So what was also interesting is even though Bugsy Siegel had left the Bug and Meyer gang, he still loved participating in murder. He liked killing people. And his partner in these murders was a guy named Frankie Carbo, who became a big deal in boxing. He controlled most of the boxing in America up until at the time of Sonny Liston. And his partner in this was a man named Blinky Palermo.

[25:59] And according to Ralph Natale, who for a while had been the boss of the Philadelphia crime family, it was Frankie Carbo who was sent by the mob to kill Bugsy Siegel. Because if he was caught or Bugsy Siegel saw him around, he wouldn’t suspect that he was his killer because they were friends and they had operated as partners together. So this goes back to what we were talking about earlier. It’s your friend who comes closest to you and then arranges you to be assassinated. So I found that whole story just fascinating. Interesting. I’ll tell you what. And there’s those and a whole lot more stories in this, isn’t there, Jeff? Yes, there are. I think that the book covers pretty much the mob history, beginning with the founding of the five families, going all the way up through Sammy the Bulgurvano’s testimony against John Gotti and the commission trial, where they decapitated the heads of the five families. Not literally, folks. Not literally. Not literally. We didn’t literally decapitate. Rudy Giuliano, he tried to. He tried to. He tried to. Metaphorically, he decapitated the heads of the five families. Exactly.

[27:15] You know, what was interesting, though, is in the 1930s, you had Thomas Dewey. In the 1960s, you had Robert Kennedy, who went after the mob. And then later on, you had Rudy Giuliani going after the mob. And the mob always managed to reorganize itself and figure out a new way of existing. They were very opportunistic and they always managed to find a way to keep going, even if it was very low key, which is what it is now, where they operate in the shadows and they don’t have any John Gottis or Al Capone’s out there getting a lot of attention for themselves. They’re still out there doing things. Yeah. Yeah. They finally learned something about that getting publicity. And most recently, they put together a whole scheme, and this goes way back, of cheating people. Big whales, I call them whales, of rich men that like to gamble and brush up against kind of the dark side and cheat them at cards. They’ve been doing that for years. They just do it under goes to clear black to the Friars Club scam in Los Angeles where Ronnie Roselli and some others had a spotter, would see who had what cards in what’s hands, then would tell another player. And so now there’s just more electronic, but the same game just upgraded to electronics.

[28:30] That’s right. What someone I spoke to interviewed said, he said they’re very involved in electronic gambling poker machines and that kind of thing. And a lot of offshore gambling and offshore money laundering. And to some extent, even drug dealing now. And they’re still very involved in New York in the construction business. Oh, really? Yeah. Union business. They’re still in it, huh? And I know in Kansas City, there’s a couple of examples where they put money into a buy here, pay here car dealership into a title loan place because there’s a huge rate of interest on those things. And there’s a lot of scams that go down out of those places, especially the old crap cars and put them together and sell them to poor people for they’ve got $500 in the car and they sell it to them for $2,000. They charge them a 25% interest and then go repo it when the car breaks down, turn around and patch it up and sell it again. So there’s always schemes going on out there to mob will put their money into. Oh, it’s incredible. I knew of one scheme where they would They would sell trucks to people and give them a special route. And so on that route, they could make enough money to pay off the loan on the truck. But then they would take away the route from them. They couldn’t pay off the truck. So they would repossess the truck and sell it to someone else and do it all over again.

[29:50] Oh, I know. They got to tell you that. And Joey Messino and the Bananos, they organized the tow main wagons, the lunch truck, the snack wagons. Right, exactly. Organize them. And then they start extorting money, formed an association. And then to get to good spots, then you had to kick money to them. And just to be part of the organization, that was kicking money to them. There’s always something. They always manage to find a place where they can make money. And it’s like whack-a-mole. You can stop them here, you can stop them there, and then they pop up in three other places.

[30:24] Really all right jeffrey susman i’m so happy to talk to you again i haven’t talked to you for a while and i hope everything else is everything’s going okay for you in new york city yep i’m working on a new book uh what are you working on now oh my god you are so prolific i look on your amazon page just when i was getting ready to do this trying to think of some of those other titles Oh, my God. I’m working on a book about the Garment Center. Ah, interesting. Only because my family was involved in that business, and they had to deal with the mob in various ways, with trucking companies, unions, and so forth. And since I knew that, and I had a lot of information, a lot of contacts, I thought I would tackle that next. I remember when I had my marketing PR business back in the 1970s.

[31:16] I had a client who was in the fitness business, and I had a cousin of my mother’s who was a very famous dress designer at the time, and he had a big showroom on 7th Avenue, which is in the garment center. I went to see him because I wanted to see if I could get a deal for my client to manufacture exercise clothes and brand it with her name. I made a date to have lunch with this cousin of mine, and he said, come up to my showroom. we’ll meet for lunch, And so I got to the showroom, and I called out his name when I walked in. It was empty. And this guy comes running out of the back, and he just has a shirt on, and he has a shoulder holster, .38 caliber gun in it. And he says to me, who the F are you? I said, I’m so-and-so’s cousin. I’m here to have lunch with him. He disappeared into the back. And a couple of minutes later my mother’s cousin comes out and i said who was that what was that about he says i don’t want to talk about it now i’ll tell you all for lunch so we go down to a restaurant around the corner and i asked him again and he says he said he couldn’t have his dresses delivered to any department store unless he made a deal with yeah i forgot if it was the gambinos or the lucasies that he had to take this guy on as a partner otherwise the trucks wouldn’t deliver his garments. And there was nothing he could do about it. It was either that or go out of business.

[32:45] I’ll tell you what, they’re voracious. They’re greedy and voracious and don’t care. Just give me those, show me the money. That’s all it is. It’s all about money and any way to get it. And then there’s always a threat of murder behind it. If you don’t cooperate, think of the worst thing that can happen to you. And that’s what’ll happen. Yeah. I’ve had guys over the years tell I’m like, oh, you ought to throw in with one of those ex-mobsters that’s doing podcasts and try to do something with them. I say, I ain’t doing business with them. They play by their rules. I play by society’s rules. And I don’t have time to mess with that. Yeah. And that was a smart thing to do. Because also, when I had this fitness client, I met someone who was… I didn’t know what was connected to the mob, but a mutual friend, this guy said that he wanted to set up fitness centers all around the country for my clients. So I mentioned this to a mutual friend and he said, whatever you don’t go into business with this guy, I said, regret it for the rest of your life. So I advised my client not to do it.

[33:49] Yeah. Cause initially before we knew that it sounded like a great opportunity. And then when you investigate, it’s not such a great opportunity. Yeah, really. Speaking of that, we tell stories for hours. I just heard a story. We had a relocated mobster, a guy that testified against Gigante, came here to Kansas City. And he was, of course, under witness protection and he’s got an assumed name. And he befriends a guy that has a fitness center. He has a franchise of Gold’s Gym or something. And he has a fitness center. And he talks this guy into taking him on, investing a little money in it, taking him on as his partner. Within the next couple of years, this mobster, he’s got two of his kids working there and neither one of them are really doing anything, but they’re drawing a salary and the money’s trickling out. And the guy, the local guy, he just walks away from it because this guy’s planned by the mob’s rules. So he just ended up walking away from it, did something else. So it’s do not go into business with these guys. No, never. Never.

[34:48] Jeffrey Suspett, it’s a pleasure to have you back on the show. Thank you so much. It’s a pleasure to be with you again, Gary. It’s always a pleasure. Thank you very much.