Introducing: Pandora’s Box: The Fall of L.A.’s Sheriff
Pandora’s Box: The Fall of L.A.’s Sheriff is a six-part true crime investigation from the Los Angeles Times about one of the biggest law enforcement scandals in U.S. history.Follow Pulitzer Prize–winning reporter Christopher Goffard as he uncovers how Los Angeles County Sheriff Lee Baca, once hailed as a reformer, became entangled in a shocking cover-up inside the nation’s largest jail system. From FBI informants and jailhouse brutality to corruption at the highest levels, this series reveals how deputies hid an inmate, intimidated federal agents, and ultimately brought down one of California’s most powerful sheriffs.
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Introducing: Rebuilding L.A.
Please enjoy the first episode of the latest from L.A. Times Studios, Rebuilding L.A. L.A. Times reporter Liam Dillon joins us to talk about where we are in the moment as residents assess the path forward. How are people grappling with the decision to rebuild and, ultimately, what factors are playing into those plans? Also, Altadena resident and lawyer Kelsey Szamet shares her very personal story about her efforts to get back home to the town where she was born and raised, and now lives with her own family.
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Introducing: L.A. Crimes
Please enjoy a featured clip of L.A. Times Studio's latest production, L.A. Crimes. On this episode, Madison McGhee is joined by legendary Dateline host Josh Mankiewicz and esteemed L.A. Times Reporter Richard Winton as the three of them dive into all-things Menendez Brothers, the good, the bad, and the still unknown. New episodes drop every Wednesday.
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Introducing: Crimes of the Times
L.A. Times reporter Christopher Goffard of “Dirty John” is back with another riveting podcast from L.A. Times Studios. In “Crimes of the Times,” Goffard goes deep behind the scenes of a new story each week, cutting through common myths and misconceptions to uncover what really happened in the most compelling cases from L.A. and beyond.
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This Has Haunted Me | 4
Episode 4: One of the most sensational moments in Betty Broderick’s second murder trial was straight out of a TV courtroom drama. As Betty’s defense attorney Jack Earley was asking about her kids’ welfare, he dropped a bombshell: He had witnesses ready to testify that Dan Broderick had talked about hiring a hitman to kill Betty. In the final episode of our podcast, we hear from one man Earley wanted to call to the stand, from the foreman of the jury at the trial, and from fans lobbying for Betty’s release.
These were murders that would turn any town on its head, but La Jolla, Calif? That rich jewel by the sea? Thirty years ago, a man and his new wife were murdered in their bed. That’s a long time for a double homicide to stay in the public eye and imagination, but these were no ordinary murders. The killer was the man’s first wife, Betty Broderick. Betty and Dan Broderick had looked like the perfect couple, right up until they weren’t. After four children and nearly 15 years of marriage, after the riches they both worked for were finally within reach, he walked out and began having an affair with his assistant. But divorce ended the Brodericks’ marriage only on paper. “Till death do you part” turned out to be the way it would ultimately end: bitter, savage and fatal. It took two criminal trials to send Betty Broderick to prison, and we’ll hear not only from her divorce attorney, but also from the criminal defense attorney who argued for her in two murder trials, plus the foreman of the jury that convicted her. So many things burned this case into memory: The principals were rich. The jealous killer was, for a change, the woman, not the man. It’s been the subject of TV movies and books. It’s resonated with two generations of Americans -- deserted wives, unhappy husbands. And it’s raised some questions about how divorce laws may contribute to what’s called the feminization of poverty. All of these issues remain critical and controversial in contemporary America today. Thirty years after five bullets, two coffins and one California prison inmate No. W42477, why can’t we look away from Betty Broderick?