I've learned over the years that I can't be creative all the time. I used to feel guilty about the pause between creative outbursts. I eventually came to realize that it's actually useful to be creatively on fire followed by a cooler period. The trick is to keep this momentum swinging back and forth and not let either state dominate for too long. Too much creativity and we burn out; too much pause and we end up procrastinating. A steady but swinging rhythm seems to be the sweet spot for me.
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HT2607 - Better by What Standards
29.04.2026 | 2 Min.
HT2607 - Better by What Standards
With today's powerful digital processing, we can easily remove any element of a captured image. Doing so will make our artwork better, right? Doesn't this depend on the criteria we assign as better? Removing an object makes the image less truthful. Moving an object makes the image less geometrically or optically accurate. Changing the contrast or the tonal relationships makes the image less like human vision. Altering the natural colors makes the image artificially intense. How do you define "better" in your work?
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HT2606 - The Trendline of Photography
28.04.2026 | 2 Min.
HT2606 - The Trendline of Photography
In the early years of the 20th century, photography struggled to establish its reputation as a medium for artistic expression. As a medium, it gained widespread popularity and acceptance as the 20th century progressed. What about now, a quarter of the way through the 21st century? Is photography more respected as a result of the changes in the last 25 years, or has its reputation diminished? Has digital processing, the iPhone, and Instagram made photography more revered as an art medium?
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HT2605 - What Is vs What Becomes
27.04.2026 | 2 Min.
HT2605 - What Is vs What Becomes
The fundamental characteristic of photography is that it shows us what is, the instant that is. This differs so dramatically from performance arts where the basis of the medium is observing what unfolds over time. For example, movie plots are about what might happen to the characters over the next hours, days, or years. Does it make any sense for us to challenge ourselves to introduce some of that into our photography? Isn't this one of the advantages of the multi-image project?
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LW1503 - Nurturing Your Creative Impulse
27.04.2026 | 12 Min.
LW1503 - Nurturing Your Creative Impulse
I would bet that a significant number of photographers would claim their most valuable tool is their camera. I would propose your most valuable tool is your creative impulse. If anything you do or have needs tender loving care or special attention, it is those creative impulses.
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You might also be interested in. . .
Every Picture Is a Compromise, a series at www.brooksjensenarts.com.
and...
"How to" tutorials and camera reviews are everywhere on YouTube, but if you're interested in photography and the creative life, you need to know about the incredible resources you can access as a member of LensWork Online.
Über LensWork - Photography and the Creative Process
Random Observations on Art, Photography, and the Creative Process. These talks focus on the creative process in fine art photography. LensWork editor Brooks Jensen side-steps techno-talk and artspeak to offer a stimulating mix of ideas, experience, and observations from his 50 years as a fine art photographer, writer, and publisher. Topics include a wide range of subjects from finding subject matter to presenting your work, and building an audience.
Included in this RSS Feed are the LensWork Podcasts — posted weekly, typically 10-20 minutes exploring a topic a bit more deeply — and our almost daily Here's a thought… audios (extracted from the videos.) Here's a thought… are snippets, fragments, morsels, and tidbits from Brooks' fertile (and sometimes swiss-cheesy) brain. Usually just a minute or two. Always about photography and the art life.
Brooks Jensen is the publisher of LensWork, one of the world's most respected and award-winning photography publications, known for its museum-book quality printing and luxurious design. LensWork has subscribers in over 73 countries. He is the author of 13 books on photography and the creative life -- the latest books are The Best of the LensWork Interviews (2016), Photography, Art, and Media (2016), and the four annual volumes of Seeing in SIXES (2016-2019).