Wolfgang Flür was born in Frankfurt in 1947 but moved to Düsseldorf in the early ‘50s, which has been home ever since. As a young man he played in the band The Sprits Of Sound, and studied to be an architect, hoping to get into interior design. Wolfgang joined Kraftwerk in 1973 and plays on one of the most remarkable album runs in pop music history; “Autobahn”, “Radioactivity”, “Trans Europe Express”, “The Man Machine”, and “Computer World”. He left the band in the mid-80’s and his relationship with his former bandleader Ralf Hütter has been somewhat acrimonious over the past few decades. Wolfgang has just released a new record entitled “Times”, which you’ll hear clips from during our conversation. The album features collaborations from Peter Hook (formally of Joy Division and New Order of course), and Daft Punk’s Thomas Bangalter. The day before the interview I was informed that Wolfgang’s musical partner Peter Duggal would be sitting in on the call too. Peter is a musician and producer based in Hebden Bridge, and is very amenable company. This was a fun chat. Wolfgang is really funny and interesting. It probably goes without saying that I absolutely love Kraftwerk, and although I sensed it would not be wise to focus on them too much, it’s still a thrill to have them represented on the podcast. Instagram: @sendingsignalspodcast
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43:58
Wendy James (Transvision Vamp)
Wendy James is tied up with some of my earlier memories of music. She fronted the band Transvision Vamp, who were hard to ignore in the late 80s. Songs like “I Want Your Love” and “Baby I Don’t Care” were pretty big hits over here. Transvision Vamp split in the early 90s and since then Wendy has persuaded various solo projects. Interestingly her first solo album “Now Ain’t The Time For Your Tears” was written by Elvis Costello, sometimes alongside Caitlin O’Riordan from the Pogues. These days Wendy is basically a cottage industry, self releasing albums and embracing direct engagement with her fanbase. She recently released an album entitled “The Shape Of History” and you’ll hear clips from that throughout our conversation.
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37:42
P.P. Arnold
Pat Arnold has had quite a life. Born in 1946 she grew up in LA, and was in an abusive marriage with two kids while still a teenager. In 1965 she got a chance to audition for Ike and Tina Turner’s band as an “Ikette”. She got the gig and left her children in the care of her parents. This eventually took her to London where she fell into the orbit of The Rolling Stones, and she decided to stay behind there to establish herself as a solo artist, signing to Stones’ manager Andrew Loog Oldham’s label Immediate Records, home of the Small Faces, members of whom ended up writing songs for her and backing her on some of her recordings. She also toured with them, and is the backing vocalist on Itchycoo Park and Tin Soldier, two of their biggest hits. She had hits under her own name too, including her recordings of Angel Of The Morning and The First Cut Is The Deepest. She also recorded with Rod Stewart. In the 70s she appeared on recordings by the likes of Nick Drake, Graham Nash, and Nils Lofgren. She toured with Eric Clapton and recorded with Barry Gibb although most of these recordings remained unreleased for decades. She sadly lost a daughter in a car accident in the mid-70s, and along with not being able to further her career as a solo artist, she seems to view this as somewhat of a lost decade. As well as being cast in Starlight Express, the 80s saw her work with Steel Pulse, The Beatmasters and Roger Waters, as well appearing on Peter Gabriel’s smash hit Sledgehammer. She first came into my orbit in the late 90s through her collaboration with Ocean Colour Scene, and the early 2000s saw her tour extensively with Roger Waters. In recent years she finally completed the album she started with Barry Gibb and Eric Clapton decades earlier, as well as a brand new studio album recorded and produced by former podcast guest Steve Craddock of Ocean Colour Scene and Paul Weller fame. She has a new career spanning box set entitled “Soul Survivor - A Life In Song” and I had a fantastic time talking to Pat about her life and career. Instagram: @sendingsignalspodcast
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39:11
Nadia Reid
Nadia Reid is a singer-songwriter born and raised in New Zealand, before recently relocating to Manchester. She’s just released her fourth album “Enter Now Brightness”. We take a deep dive into the album, and our conversation ends up encompassing motherhood, relocation, generational trauma, faith; it goes to some deep places. I really hope you enjoy it. Instagram: @sendingsignalspodcast
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37:10
Tamara Lindeman (The Weather Station)
You know how every now and then, an album comes along that just gets into your bones, and it’s hard to describe just how grateful you are it exists? (If you don’t know that feeling, I’m sorry, but keep searching for it). Tamara Lindeman working as The Weather Station has make two such records I feel that way about; 2019’s “Ignorance” and 2025’s “Humanhood”, released on January 17th. “Humanhood” is a brave, striking and beautiful piece of work that just keeps on giving back, the more you mine it. It’s not designed for casual listening; the level of nuance involved, the little interludes between songs, and it’s lyrical themes of self-identity in crisis, set against grander concerns about the environment and the post-truth era we find ourselves in, deserve your full attention. It’s the sort of album where a different moment or detail might hit your each time you go back to it. It can’t imagine it being topped this year. Our conversation takes in everything from depersonalisation disorder and OCD, to taking photos of the sky, unrealistic roles for teenagers and in movies, Canadian rock-band Our Lady Peace, and quietly making the greatest album of 2025. Let me know what you think on Instagram @sendingsignalspodcast
Österreich