Petra Sittig

In this conversation, I speak with Martin Lorenz—a passionate singer, vocal coach, and choir facilitator based in Germany—about his innovative One Day Choir project. Martin shares how these unique, one-off choir events invite people of all backgrounds to come together and experience the joy of singing without pressure or expectation. The focus is not on perfection, but on presence—on enjoying the moment, connecting through music, and rediscovering the simple pleasure of using one’s voice. What makes this initiative so special is the transformation that happens within just a few hours: strangers arrive, and by the end of the session, they leave as friends, united through a shared musical experience. Martin reflects on the deep emotional and social benefits of singing in a choir—from reducing stress and boosting mood, to improving breathing, posture, and overall well-being. Choir singing also fosters a sense of belonging, strengthens listening skills, and creates a powerful collective energy that is both uplifting and healing. We also dive into Martin’s work with Quintense, the a cappella group he is part of, where he not only performs but also composes and arranges music tailored specifically to the voices within the ensemble. He shares insights into their concert work and the creative process behind crafting music that truly fits the group’s unique sound. Martin’s journey is equally compelling—originally trained in mechanical engineering, he chose to follow a more meaningful and purpose-driven path in music. Today, he is deeply committed to making singing accessible to everyone, especially children, recognizing the importance of introducing young people to the joy and confidence that comes from singing together. This is a heartfelt and uplifting conversation about music, community, and the courage to follow what truly brings fulfillment. The Inspiration by Keys of Moon | https://soundcloud.com/keysofmoon Attribution 4.0 International (CC BY 4.0) https://creativecommons.org/licenses/by/4.0/ Music promoted by https://www.chosic.com/free-music/all/

In this fascinating and deeply insightful interview, I had the pleasure of speaking with composer and conductor Nimrod Borenstein about his latest recording, released at the end of March. Conducting the English Chamber Orchestra, Nimrod brings to life a beautiful and evocative program featuring Shakespeare Songs, a Mandolin Concerto, and an Oboe Concerto. The recording showcases an exceptional lineup of artists, including soprano Sarah Fox, mandolinist Alon Sariel, and oboist Sanja Romic, all under Nimrod’s own direction. During our conversation, Nimrod shares the inspiration behind his music, speaking passionately about his desire to create beauty through composition—something that lies at the very heart of his artistic vision. He offers wonderful insight into his writing process, particularly his love for the mandolin, whose unique tone and expressive qualities continue to inspire him as a composer. We also delve into the striking artwork featured on the album cover, which holds special personal meaning: it is a painting by his father, Alec Borenstein. This connection adds another layer of depth to the project, blending music and visual art in a truly meaningful way. This interview offers a rare glimpse into Nimrod’s creative world—his influences, his philosophy, and the stories behind his works. He also shares his aspirations for the future, including his wish to compose an opera in the near future. A rich and inspiring conversation that sheds light on a composer dedicated to beauty, expression, and artistic connection. https://www.nimrod-borenstein.com

In this interview, I talk with Serbian-born jazz double bassist Miloš Čolović, whose dynamic presence spans both the Austrian and Serbian jazz scenes. Currently based in Vienna, Miloš is steadily building an international career while completing his master’s studies, following his education at the University of Music and Performing Arts Graz. Miloš reflects on his early musical beginnings, which started with classical piano before he discovered a passion for bass guitar at the age of 11. Influenced initially by the sounds of 90s rock, his path took a decisive turn toward jazz, leading him to study classical double bass in order to master the technique and depth of the instrument. This foundation would later shape his expressive voice as both a performer and composer. Throughout the interview, Miloš shares insights into his journey into Vienna’s vibrant jazz scene, where he has become a sought-after sideman, performing with various ensembles across Europe. Alongside his collaborative work, he leads his own projects, bringing his distinctive compositional style to life—rooted in post-bop traditions and inspired by legends such as Wayne Shorter, Joe Henderson, Andrew Hill, and Bill Evans. A highlight of our discussion is his debut album, To The Beat Of My Footsteps, released in early 2025 on A.MA Records. The album showcases a compelling fusion of jazz with elements of grunge and cinematic soundscapes, performed in both trio and sextet formats alongside leading Serbian jazz musicians. Listening to Miloš speak about music—his creative process, his influences, and his experiences—feels both inspiring and contagious. His passion for jazz resonates deeply, leaving you not only with a richer understanding of his artistry but also with a renewed desire to immerse yourself in the world of jazz.

In this conversation, I speak with choir conductor Sinhaeng Lee, Assistant Professor of Music and Director of Choral Programs at Colgate University, as well as the founder and artistic director of Vox Amicis, a professional ensemble based in Seoul, South Korea. Sinhaeng shares his rich experience working with a wide range of choirs—from youth ensembles to professional singers—and reflects on a particularly meaningful collaboration between the Colgate University Choir and the Hamilton College Choir, alongside Director Charlotte Botha. He offers a glimpse into the artistic exchange and energy that made this joint project so memorable. We also explore the fascinating parallels and distinctions between conducting choirs and orchestras, as Sinhaeng reveals how each demands a unique approach while ultimately serving the same musical purpose. A part of our discussion centers on his journey from Korea to the United States. Sinhaeng speaks candidly about the challenges of adapting—not only to a new language and culture, but also to a transformed mindset as a conductor. He shares how his perspective evolved from striving for technical perfection toward embracing the emotional core of music-making. For Sinhaeng, choral conducting is not just about perfect pitch and rhythm—it’s about connection, intention, and the powerful act of expressing music from the heart to the audience. The Inspiration by Keys of Moon | https://soundcloud.com/keysofmoon Attribution 4.0 International (CC BY 4.0) https://creativecommons.org/licenses/by/4.0/ Music promoted by https://www.chosic.com/free-music/all/

In this inspiring conversation, I talk with Hanna Schaubmar, a dynamic young artist whose work beautifully bridges music, movement, and cultural expression. Currently studying Rhythmics at MDW – University of Music and Performing Arts Vienna through the Erasmus program, Hanna shares insights into a discipline that merges music with body, movement, and dance. Rhythmics is more than a practice—it’s an approach to learning that develops both musicality and motor skills, where the interaction between sound and movement becomes a foundation for creativity and personal expression. Alongside her studies in Vienna, Hanna is also pursuing music pedagogy in Würzburg, embracing the richness and variety that comes with exploring different educational and artistic environments. Her passion for diversity extends into her performance work: she is a member of the Global Groove Orchestra, an ensemble dedicated to interpreting musical styles from around the world while honoring their cultural roots. Through oral traditions, improvisation, and flexible collaboration, the group creates a vibrant and inclusive musical experience. Hanna also brings her energy to the stage as part of Funkloch, a four-piece band performing funk music in German, showcasing yet another facet of her artistic identity. A strong thread throughout our conversation is Hanna’s deep appreciation for folk music. She reflects on how it serves as a powerful cultural language—one that transcends borders, expressing universal human emotions across different languages and traditions. This is a thoughtful and uplifting discussion with an artist who truly embraces the possibilities of her path. Hanna speaks with clarity and optimism about growth, change, and creativity, reminding us that when one door closes, another opportunity is always waiting to be discovered.
The Inspiration by Keys of Moon | https://soundcloud.com/keysofmoon Attribution 4.0 International (CC BY 4.0) https://creativecommons.org/licenses/by/4.0/ Music promoted by https://www.chosic.com/free-music/all/