The Last Thing I Saw

• Ep. 310: Amy Taubin on Dying for Sex, The Shrouds, Adolescence, Marina Zurkow, Hoberman Book, Black Bag, Zero Day, Mickey 17, plus Warfare

  Ep. 310: Amy Taubin on Dying for Sex, The Shrouds, Adolescence, Marina Zurkow, Hoberman Book, Black Bag, Zero Day, Mickey 17, plus Warfare Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. What better way to begin the glorious spring than a deluxe episode with the one and only Amy Taubin! The legendary critic returns to the podcast to talk about what she’s been watching, seeing, and reading. Among the works discussed: Dying for Sex, Adolescence, Black Bag, The Shrouds, J. Hoberman’s new book Everything Is Now, Marina Zurkow’s Whitney show, shows of John Zorn and Ericka Beckman at the Drawing Center, Zero Day, Mickey 17, and more. I chime in with some thoughts on Warfare and 2,000 Meters to Andriivka and some recent reading. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

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• Ep. 309: Jourdain Searles on Lurker, Mad Bills to Pay, Dead Lover, Together, By Design, Desert Fury

  Ep. 309: Jourdain Searles on Lurker, Mad Bills to Pay, Dead Lover, Together, By Design, Desert Fury Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. One of my absolute favorite critics working today is Jourdain Searles, a contributor to several publications (The Film Stage, Hollywood Reporter) and DVD/Blu-ray labels, but I also avidly read her X posts which offer a sharp running critique on films new and old. Searles joins the podcast to discuss a couple of big films screening in New Directors / New Films—Lurker (the Closing Night selection, directed by Alex Russell) and Mad Bills to Pay (Joel Alfonso Vargas)—and some other notable titles from Sundance like Dead Lover (Grace Glowicki), Together (Michael Shanks), and By Design (Amanda Kramer). Plus: the last film she saw at the time of recording: Desert Fury (1947, Lewis Allen). Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

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• Ep. 308: Karina Longworth on You Must Remember This: The Old Man Is Still Alive – Capra, Ford, Donen, Wyler, and Co.

  Ep. 308: Karina Longworth on You Must Remember This: The Old Man Is Still Alive – Capra, Ford, Donen, Wyler, and Co. Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. Karina Longworth’s You Must Remember This podcast needs no introduction for her erudite, wildly popular considerations of Hollywood film history, and in her latest season of episodes, she looks at the late-career work of major directors through a variety of lenses. I was delighted to welcome Longworth to the latest episode of The Last Thing I Saw to discuss her selection of filmmakers and their often idiosyncratic later works, including Frank Capra, Stanley Donen, John Ford, Otto Preminger, and William Wyler. She also makes a pick or two of contemporary directors we might consider in their twilight today... Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

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• Ep. 306: Olivier Assayas on his film Suspended Time, personal filmmaking, and recent favorites

  Ep. 306: Olivier Assayas on his film Suspended Time, personal filmmaking, and recent favorites Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. This weekend, Rendez-Vous with French Cinema presents the latest Olivier Assayas film, Suspended Time—a thoughtful and funny chronicle set in the French countryside during pandemic lockdown. Set in Assayas’s parents’ house, it’s about much more, circling his relationship with his rock critic brother—whom he isolated with, along with their partners—and the feelings of reckoning with mortality and the past that are stirred up. I spoke with Assayas when Suspended Time originally premiered in Berlin about fictionalizing his experience, the introspection of the pandemic, the directors that influenced him, his recent viewing, and where his Irma Vep series fit into all of this. Vincent Macaigne (also in the Irma Vep series) and Micha Lescot co-star as the brothers Assayas. Suspended Time screens March 14 and 16 at Film at Lincoln Center as part of Rendez-Vous with French Cinema 2025. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

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• Ep. 307: Bruce Bennett on Two by Kaneto Shindo, Breezy, Anita Pallenberg, Nightshift, My First Film

  Ep. 307: Bruce Bennett Returns! Two by Kaneto Shindo, Breezy, Anita Pallenberg, Nightshift, My First Film Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. First, some news: It's a wonderful honor to be presenting a special double screening at the wonderful Light Industry on March 18: An Evening with The Last Thing I Saw! The films that I'll be presenting spring forth from chats on... The Last Thing I Saw. One of these chats is the latest with Bruce Bennett, returns to the podcast to share another treasure chest of movies. We start with two films written by the relentlessly sharp Kaneto Shindo: Devil’s Temple (1969) and The Whale God (1962, aka Killer Whale). What follows ranges from Clint Eastwood’s Breezy (1973) to Zia Anger’s My First Film to a little word on Nightshift (1981) from your host. Kaneto Shindo's work comprises one half of the March 18 double feature at Light Industry: Elegant Beast, written by Kaneto Shindo and directed by Yūzō Kawashima. The other half is Fate, from the rarely screened directorial oeuvre of Fred Kelemen, DP for Béla Tarr (The Turin Horse, The Man from London) among others. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

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