New Books in Critical Theory

“Parental rights” is a rallying cry for today’s American conservatives, signaling opposition to mandatory vaccination and “woke” public school curricula. In Every Man's Home a Castle: Parental Rights and the Makings of Modern Conservatism (Princeton UP, 2026), Dr. Julia Bowes traces the origins of the modern parental rights movement to the nineteenth century, when the introduction of compulsory schooling laws, child labor regulations, and vaccine requirements provoked a resistance rooted in the presumed right of white men to govern their homes. A wide-ranging coalition—including Irish Catholic immigrants in Illinois, Mormon enclaves in Utah, and Protestant clergy in Virginia—believed that the state had usurped the “natural rights” of parents and “invaded the home.”Dr. Bowes shows how, by the turn of the century, those disparate voices had coalesced into national conservative movements. Anti-vaccinationists, alternative medical practitioners, and parents who opposed compulsory school medical exams joined forces to form the National League for Medical Freedom. Deciding a case brought by conservative Catholic lawyers, the Supreme Court declared parental rights a “fundamental liberty” protected by the Fourteenth Amendment. And the Sentinels of the Republic, a conservative citizen’s lobby, mobilized a campaign to defeat the proposed federal Child Labor Amendment, bringing together pro-family and free-market politics with far-reaching consequences.Exploring the emergence of parental rights as an antistatist ideology through legal cases, legislative debates, and political movements, Dr. Bowes argues that the expansion of state power over children provoked such fierce opposition because the paternal rights of white men—considered the “rights-bearing” individuals of American democracy—were widely viewed as the mark and measure of their independence.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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Can art change the contemporary world? In Feminism, Art, Capitalism Angela Dimitrakaki, a Professor of Contemporary Art History and Theory at the university of Edinburgh, offers a Marxist Feminist perspective on a variety of issues in both society and the cultural sector. Engaging with a huge range of examples, as well as theorising key issues such as work and labour, the long modern, communing practices and technology, the book offers a global perspective on the contradictions that feminism faces under capitalist culture. A rich examination of the book will be of interest across the humanities, as well as for anyone interested in the importance of art today.
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The New Racial Regime begins by interrogating the backlash against critical race theory and explains how the so-called war on woke can be used against educators or to curtail struggles challenging settler colonialism. Alana Lentin grounds her analysis with an engagement of the ideas making up the Black radical tradition and explicates the work of Cedric Robinson in particular. She builds a historically situated analysis of ‘race’ as inherently unstable and explains that the racial regime requires constant recalibration to maintain hierarchies of dominance within global systems of white supremacy and heteropatriarchy.

Exposing the limitations of liberal anti-racism, Lentin’s analysis explores how racialism is embedded in social institutions and can inhibit a clear understanding of antisemitism, as well as anti-Indigenous and anti-Black racism. The New Racial Regime is an insightful and principled response to present-day struggles over culture, education, and politics.

Alana Lentin is a Professor of Cultural and Social Analysis at Western Sydney University.

Genevieve Ritchie is a lecturer in the School of Social Sciences at Western Sydney University.
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Today we think of land as the paradigmatic example of property, while in the past, the paradigmatic example was often a slave. In this seminal work, James Q. Whitman asserts that there is no natural form of ownership. Whitman dives deep into the long Western history of this transformation in the legal imagination – the transformation from the ownership of humans and other living creatures to the ownership of land. This change extended over many centuries, coming to fruition only on the threshold of the modern era. It brought with it profound changes, not only in the way we understand ownership but also in the way we understand the state. Its most dramatic consequence arrived in the nineteenth century, with the final disappearance of the lawful private ownership of humans, which had been taken for granted for thousands of years.

James Q. Whitman is the Ford Foundation Professor of Comparative and Foreign Law at Yale Law School. He earned his B.A. and J.D. from Yale University and Law School and also holds an M.A. in European History from Columbia University and a Ph.D. in Intellectual History from the University of Chicago.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: https://www.youtube.com/user/a48266/videos
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Media Rurality (Duke UP, 2026), edited by Darin Barney and Patrick Brodie, investigates the centrality of rural places and people within the media systems and technologies that shape daily life in and across rural and urban settings alike. Edited by Darin Barney and Patrick Brodie, from the boglands of Ireland to data centers in the Oregon countryside to the homemade media systems of rural Tanzania, the contributors to this volume show how rural territories are highly mediated, technologized spaces profoundly enmeshed with global capitalism and colonialism. Approaching the study of rurality through a materialist lens that foregrounds infrastructure, this collection shows how rural spaces often bear the environmental brunt of capitalist development while being relegated to the economic and cultural periphery.Contributors: Christopher Ali, Patrick Bresnihan, Patrick Brodie, Darin Barney, Jenna Burrell, Jordan B. Kinder, Burç Köstem, Cindy Lin, Emily Ng, Lisa Parks, Anne Pasek, Esther Peeren, Nicole Starosielski, Ishita Tiwary, Hunter Vaughan, Ayesha Vemuri, Megan Wiessner, Assatu Wisseh. 

This episode features a conversation with host Sadie Couture, editors Patrick Brodie and Darin Barney, and contributors Burç Köstem and  Megan Wiessner. 

Sadie Couture is a PhD candidate in Communication Studies at McGill University, and an incoming Postdoctoral Research Fellow at the Smithsonian Institution's National Museum of American History. https://www.sadiecouture.com/
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