Seen

Artist Laurie Frick makes portraits without faces. Instead, she transforms personal data into tactile artworks made from wool felt, leather, and sandblasted glass. A former tech executive who spent 20 years in Silicon Valley, Frick has been tracking herself obsessively—sleep patterns, location data, heart rate—since the early 2000s. In this conversation, she shares her radical vision: that surveillance could become a tool for self-knowledge, what Google executives told her when she pitched them this idea, and why medieval Sienese art holds the key to understanding our data-saturated future.

Explore Laurie's work: https://www.lauriefrick.com/

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About the Have You Seen? series:
The ⁠Have You Seen? Series⁠ is all about talking to emerging and mid-career artists about their journey to now.
Curious about how an artist got to where they are or indeed why they chose art in the first place? Then this series is for you. Join us as we speak to emerging and mid-career artists across the globe. Don’t worry, there’s no hiding behind art speak here, or pretending that being an artist is a bowl of cherries. We’re here to hear it all, straight from the source.

Sponsored by Arthur Analytics.
Join for free: https://www.arthuranalytics.com/seenart
What happens when someone from finance marries into an art collecting family and decides the industry desperately needs better infrastructure? You get Arthur Analytics—the platform that's consolidating auction data, exhibition histories, gallery sales, and art fair previews into what can only be described as the art world's Bloomberg terminal.
In this conversation, Carrie sits down with James Crichton, founder of Arthur Analytics. James isn't trying to make art more like finance. He's trying to make information more accessible so collectors feel confident, advisors work more efficiently, and galleries can reach buyers without paying 20% commissions.
Whether you're a collector, advisor, dealer, or just art-curious, this conversation will change how you think about art market data.

Thanks for listening to this episode of the Seen podcast.
Liked what you heard? Get early access to these episodes and a ton of other great art content by becoming a member of Seen at seen.art.
If you want to connect with us between episodes, follow us on Instagram, @watchseenart.
About Behind The Seen
TheBehind The Seen Series brings on art world professionals of all sorts to give you insight into what the art world is really like. Curious what it’s like being a gallerist, an art critic or a curator? Then this series is for you.

Art advisor Tina Corinteli joins Carrie from Doha to give us the unfiltered take on Art Basel's experimental new format. No traditional booths. Museum-style flow. All costs covered. Sounds dreamy, right?
Tina breaks down what really happened: the stunning presentations (Sadie Coles!), the sales situation (complicated), and whether galleries would return if Basel wasn't footing the bill. Plus, she reveals what this fair was actually designed to do—and spoiler: it's not about moving inventory.
Highlights include a never-before-seen Alex Katz selling for $3.6M, epic desert installations, and Tina's brutally honest quick-fire round where she calls it "glamorous" and "symbolic" in the same breath.
If you've been curious about what's happening with Art Basel Qatar, this is the conversation you need to hear.
Join our free newsletter and become an art insider:⁠⁠⁠⁠ https://mailchi.mp/seen/waitlist
If you want to connect with us between episodes, follow us on Instagram:⁠⁠⁠⁠ https://www.instagram.com/watchseenart⁠⁠⁠⁠.
About the Have You Seen? series:
The ⁠Have You Seen? Series⁠ is all about talking to emerging and mid-career artists about their journey to now.
Curious about how an artist got to where they are or indeed why they chose art in the first place? Then this series is for you. Join us as we speak to emerging and mid-career artists across the globe. Don’t worry, there’s no hiding behind art speak here, or pretending that being an artist is a bowl of cherries. We’re here to hear it all, straight from the source.

Create your free Auctionet account and explore 80 action houses from your couch: https://auctionet.com/?utm_source=instagram&utm_medium=organic_social&utm_campaign=Seen

What if the box of action figures in your parents' attic could fund a house deposit?
In this episode of Behind the Seen, Carrie Scott sits down with Kayleigh Davies, a toy specialist with Auctionet with 15 years of experience in the auction world. Kayleigh stumbled into her dream career by accident—walking into a glowing auction house filled with toys and knowing instantly "this is where I belong."
But this isn't just a conversation about nostalgia. It's about a fundamental shift in how we think about value.
While the art world focuses on overlooked painters and undervalued movements, the collectibles market has quietly exploded. Pop culture departments that didn't exist at major auction houses a decade ago are now selling handwritten lyrics, concert memorabilia, and vintage toys for record-breaking prices. What was once dismissed as "just plastic" is now funding real estate purchases.
Kayleigh reveals how childhood Transformers have funded house deposits, why the pop culture market exploded, and what you should check in your attic before it's too late. Plus: the surprising gender gap in toy collecting and the 1920s bangle that still haunts her.

Thanks for listening to this episode of the Seen podcast.
Liked what you heard? Get early access to these episodes and a ton of other great art content by becoming a member of Seen at seen.art.
If you want to connect with us between episodes, follow us on Instagram, @watchseenart.
About Behind The Seen
TheBehind The Seen Series brings on art world professionals of all sorts to give you insight into what the art world is really like. Curious what it’s like being a gallerist, an art critic or a curator? Then this series is for you.

Artist Rob Strati drops antique plates onto rocks and transforms them into stunning art that explores memory, colonial history, and the power of repair. When his mother-in-law's cherished chinoiserie plate shattered, he saw opportunity instead of loss—extending the imagery beyond the fragments to create something profound.
In this conversation, Rob reveals his mesmerizing process, why people cry when they see his work, and how breaking porcelain can be an act of dismantling hierarchy. His art speaks to our fragmented moment, proving that sometimes the most beautiful stories emerge from what's broken.

Thanks for listening to this episode of the Seen podcast. Liked what you heard? Get early access to these episodes and a ton of other great art content by becoming a member of Seen at seen.art (⁠⁠⁠⁠https://seen.art⁠⁠⁠⁠).
Join our free newsletter and become an art insider:⁠⁠⁠⁠ https://mailchi.mp/seen/waitlist⁠⁠⁠
If you want to connect with us between episodes, follow us on Instagram:⁠⁠⁠⁠ https://www.instagram.com/watchseenart⁠⁠⁠⁠.

About the Have You Seen? series:
The ⁠Have You Seen? Series⁠ is all about talking to emerging and mid-career artists about their journey to now.
Curious about how an artist got to where they are or indeed why they chose art in the first place? Then this series is for you. Join us as we speak to emerging and mid-career artists across the globe. Don’t worry, there’s no hiding behind art speak here, or pretending that being an artist is a bowl of cherries. We’re here to hear it all, straight from the source.