Slate Culture Feed

On the air, Yesi Ortiz is a warm, flirty host for a popular L.A. hip hop station. Off the air, she’s a single mother of six adopted kids. Managing both roles, plus romance, is a challenge.
This episode originally aired in 2015.
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And if you’re new to the show, welcome. We’re so glad you’re here. Find us and follow us on Instagram and you can find Anna’s newsletter at annasale.substack.com. Our new email address, where you can reach us with voice memos, pep talks, questions, critiques, is [email protected].
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Hosts Alex Kirshner, Lindsay Gibbs, and Ben Lindbergh break down the Seattle Seahawks’ brickwall defense in the Super Bowl, plus Bad Bunny’s refreshing halftime performance.

The panel then pivots to the stranger corners of the NBA trade deadline before welcoming college sports writer Jesse Dougherty, who discusses his experience as part of the Washington Post sports desk that was recently eliminated in a round of mass layoffs.
Ben has an Afterball on Team USA’s World Baseball Classic glow-up.
On the bonus episode, available exclusively for Slate Plus members, the panel talks about week one of the Olympics.

Super Bowl (3:06): The Only Thing More Powerful Than Hate Is Love
NBA Trades (22:10): Anthony Davis is banished to Washington
Washington Post cuts (39:36): A historic sports section is no more
Afterballs (01:04:44): Ben on a new WBC dream team

(Note: time codes are only accurate for Slate Plus members, who listen ad-free.)

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Podcast production and editing by Kevin Bendis, with production assistance from Patrick Fort.
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On today’s episode, host Kate Lindsay is joined by Mia Sato, reporter at The Verge and author of the recent piece, “The rise of the slopagandist.” Creators like Nick Shirley are claiming to be journalists, making unfounded accusations against immigrants that directly result in ICE raids, including the unrest in Minneapolis that resulted in the death of two civilians. The content is lazy and designed to generate outrage, but is only becoming more influential as traditional journalism continues to decline.

This podcast is produced by Daisy Rosario, Vic Whitley-Berry, and Kate Lindsay.
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This week, Steve, Dana and guest host Sam Adams talk anti-authoritarian art in its many forms. First, they take up It Was Just an Accident, the Cannes Palme d’Or-winning film by Iranian filmmaker Jafar Panahi. Inspired in part by Panahi’s own experience being imprisoned for critiquing the Iranian government, his new film—made in secret from the regime— holds back little in its sharp political critique, rage, and… a surprising amount of comedy.

Not surprising in its amount of comedy— but maybe in its frequently anti-authoritarian politics—is Mel Brooks: The 99 Year Old Man! The documentary series about the showbiz legend, produced by Judd Apatow and Michael Bonfiglio, is a loving portrait of the long, unmatched, and revolutionary in its own way, career of Brooks.

Inspired by the recent release “Streets of Minneapolis” by Bruce Springsteen, the panel dedicates its final segment to the state of protest music in 2026. Joined by music critic Carl Wilson, of the Slate and Crritic!, they discuss the long tradition and still potent power of singer/songwriters with acoustic guitars—and the many political artists who defy that stereotype. To hear some of the music they talked about, plus several more current protest songs, check out our 2026 Protest Playlist.

In our bonus episode for Plus subscribers, the gang eulogizes the divine comic genius of Catherine O’Hara.
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On today’s episode, host Kate Lindsay is joined by Alex Kirshner, Slate contributing writer and host of Hang Up And Listen. Back in September, Alex wrote about Brick, the plastic gadget he says “broke his phone addiction.” It seems like now more than ever, people want off their phones, and are trying everything from Brick to dumb phones to make it happen. They’re also, ironically, posting all about it, which begs the question: Do we really want to get offline, or do we just want people to think we do?

This podcast is produced by Daisy Rosario, Vic Whitley-Berry, and Kate Lindsay.
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