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Classical For Everyone

Peter Cudlipp
Classical For Everyone
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105 Episoden

  • Classical For Everyone

    Mozart Opera Overtures

    10.10.2026 | 1 Std. 25 Min.
    Why Mozart Opera Overtures? Well, whilst they were not really intended to be stand-alone pieces they have in many instances become favourites of concert programmers and broadcasters, not to mention the public. And with most of them being about five minutes long you can fit eleven of them into a podcast episode! They are also in a way an interesting lens into the development of a composer… since Mozart wrote his first opera very early and completed two in the final year of his life. And in between he wrote another 15 to 20 operas depending on how you define them. So I'm going to play them in chronological order. And as a parallel they chart the changes in the make-up of a theatre orchestra in this time of intense development… the late 1760s to the early 1790s. What we think of as the modern orchestra was starting to settle at this time and the difference in the resources, in terms of instruments, Mozart had from the beginning of his career to the end is striking. And music is pretty damn sensational.
    [Episode image: 'Cosi Fan Tutte' – Opera Australia.]
  • Classical For Everyone

    Film Music

    04.10.2026 | 1 Std. 24 Min.
    Who knew that Camille Saint-Saens of 'Carnival of the Animals' fame wrote the world's first film score? Or that the Pulitzer Prize for music has been given to only one work for the screen. Or that five composers, including the American music theatre legend Richard Rodgers, were approached for 'Lawrence of Arabia' before the job fell to an unknown Frenchman who was given six weeks to get the job done. Or that one of the great 20th century symphonies started out as music for a movie. Well I certainly didn't… until I started working on the 'Film Music' episode of 'Classical For Everyone'.
    [Episode image: The Embassy Cinema; Wellington, New Zealand.]
  • Classical For Everyone

    Diving For Pearls – Part Two

    25.09.2026 | 42 Min.
    [Please feel free to leap straight into this second part of the 'Diving for Pearls' episode but there's background information in the first half you might enjoy if by chance you have missed it.]
    How did the term 'baroque', the French version of a very old Portuguese word for a misshapen pearl… which became an insult applied to complicated music… and was then rehabilitated as a description of an ornate style of art and architecture… become the term now almost universally used to describe music written between 1600 and 1750? And what has 'diving' got to do with anything? The answers are in this two part episode of Classical For Everyone exploring lesser known Baroque composers. And there's a merman. But way more importantly… there is amazing music by Rameau, Rebel, Caldara, von Biber, Marais, Keiser, Leonarda, Strozzi, Stradella, Scarlatti, Locatelli and Valentini.
    [Episode image: The Canning Jewel (reverse) – Collection, Victoria & Albert Museum.]
  • Classical For Everyone

    Diving For Pearls – Part One

    25.09.2026 | 48 Min.
    How did 'baroque', the French version of a very old Portuguese term for a misshapen pearl… which became an insult applied to complicated music… and was then rehabilitated as a description of an ornate style of art and architecture… become the term now almost universally used to describe music written between 1600 and 1750? And what has 'diving' got to do with anything? The answers are in this two part episode of Classical For Everyone exploring lesser known Baroque composers. And there's a merman. But way more importantly… there is amazing music by Rameau, Rebel, Caldara, von Biber, Marais, Keiser, Leonarda, Strozzi, Stradella, Scarlatti, Locatelli and Valentini.
    [Episode image: The Canning Jewel – Collection, Victoria & Albert Museum.]
  • Classical For Everyone

    Night and Darkness

    13.09.2026 | 1 Std. 7 Min.
    It could be argued that Night and Darkness are sort of the same. The Night is Dark. That's kind of the point. But there are brightly moonlit nights and there are very dark nights; in more ways than one, and then there is darkness that is as black as night. So it's "Night and Darkness"… including symphonic night music from Gustav Mahler, a song of a rose on a summer night from Hector Berlioz, a night of love from Augusta Holmès, Ludwig van Beethoven's political prisoner crying out from a pitch black dungeon, Sergei Rachmaninoff's All Night Vigil and Arnold Schoenberg's music of two lovers sharing secrets walking through a dark forest at night.
    [Episode image: Night Sky. Christian Hoiberg Digital Photography School.]
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Five hundred years of incredible music. No expertise is necessary. All you need are ears. If you've ever been even slightly curious about classical music then this is the podcast for you.
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