Today’s Holy Smoke is a curtain-raiser for ‘Recovering the Sacred’, a Spectator event at St Bartholow-the-Great in the City of London in which a panel of experts will explore the rediscovery of traditional worship and theology by young Anglicans and Catholics. The event will be held on Tuesday 8th July; for more details, and to book tickets, go to: spectator.co.uk/churchIn today’s episode Damian Thompson talks to Anglican James Vitali and Catholic Georgia Clarke, two Generation Z professionals bursting with enthusiasm for their faith. It’s an exhilarating discussion; don’t miss it. Produced by Patrick Gibbons.
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41:18
A Jewish guide to arguing
Daniel Taub, former Israeli Ambassador to the UK, joins Damian Thompson to talk about his new book Beyond Dispute: Rediscovering the Jewish art of constructive disagreement. In a fast-moving interview, Daniel explains how the art of arguing has shaped Jewish humour and scholarship, and Damian asks him about keeping kosher, life after death – and the influence of the Talmud on Curb Your Enthusiasm. Produced by Patrick Gibbons.
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51:50
Is God an Englishman?
Bijan Omrani joins Damian Thompson to talk about his new book God is an Englishman: Christianity and the Creation of England. They discuss the spiritual and cultural debt the country owes to Christianity. The central question of Bijan’s book is ‘does it matter that Christianity is dying in England?’. The faith has historically played a disproportionate role in many areas of English life that we take for granted now – for example, by shaping both charity and the welfare state. Yet this is influence is often ignored as congregations shrink and the UK slides into secularism. But are there unexpected grounds for hope? The publication of God is an Englishman has coincided with a modest but surprising revival of traditional worship among Millennials and members of Generation Z. Is there, as the book puts it, a ‘weariness of the young' with what secular society is offering them?’ And could we see the eventual flourishing of a smaller but purer English Christianity?Produced by Patrick Gibbons.
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31:52
The mystifying process – and problems – behind choosing the next Archbishop of Canterbury
After Pope Francis died, it took the Roman Catholic Church just 17 days to choose a successor in Pope Leo XIV. It has been well over 6 months since Archbishop of Canterbury Justin Welby resigned and we are only just making sense of those chosen to sit on the Crown Nominations Commission (CNC), that will recommend his successor. Even then, it’s unlikely we will know more until the autumn. Why has it taken so long?Journalist, commentator – and quite frankly expert – Andrew Graystone joins Damian Thompson and William Moore, the Spectator’s features editor, to take listeners through the process. From committees to choose committees and confusion about the rules, as William comments, even acclaimed Conclave writer Robert Harris would struggle to make a fast-paced and riveting story out of the Anglican succession. That’s not to say there isn’t plenty of intrigue though: from bishops effectively ruling themselves out, to opaque appointments, and even a former head of M15 appointed to lead the CNC. Andrew, Damian and William discuss the process, the problems plaguing it and unpack those in contention to be the next Primate of All England. The chosen successor will ultimately lead the third largest Christian communion, with around 100 million members worldwide, and play a prominent role in British society with a seat in the House of Lords and as a spiritual advisor to King and country – no pressure. Produced by Patrick Gibbons.
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38:54
Finding spiritual treasure in César Franck
The Belgian composer César Franck – unfairly associated with kitsch and sentimentality by certain cultural sophisticates – wrote some of the most spiritually inspiring music of the late 19th century. In this episode of Holy Smoke, Damian Thompson talks to the British-Israeli pianist Ariel Lanyi, who has just recorded Franck’s late masterpiece Prélude, Aria et Final on the Linn label. Ariel discusses the influence of Catholicism and the anti-Catholic Richard Wagner on the devout Franck, who was organist of a church in Paris for 30 years – but reserved his most profound thoughts for ostensibly secular works. Produced by Patrick Gibbons and Damian Thompson.
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