Jazz Profiles presented by Tim Owens & 32 Bar Blues

McCoy Tyner’s piano style – complete with sophisticated chords and an explosively percussive left hand – transcended conventional styles to become one of the most identifiable sounds in improvised music. Along with Bill Evans, Tyner has been the most influential pianist in jazz of the past half-century, and his rich chord clusters continue to be imitated by many young jazz pianists.The “Jazz Profiles” shows – nearly 200 of them – are part of the Tim Owens Jazz & Broadcast Collection at the University of North Texas Music Library. In a partnership with Tim and UNTML, we’ve picked a handful of noteworthy shows to share with you. You can find more “Jazz Profiles” shows at the UNT Music Library’s Jazz Syndicate (www.library.unt.edu/jazzsyndicate), and learn more about 32 Bar Blues' clothing collection and commitment to the arts at 32barblues.com

Peggy Lee was the essence of cool in the world of hot jazz, the small-town blonde who could sing blues, bebop, swing and rock. She learned her craft singing in smoky clubs, and traveling on trains with big bands in the wee hours of the night. Jazz royalty called her one of their own. “If I’m the duke, man, Peggy Lee is the queen,” decreed Duke Ellington, adding, “I consider her as great a musician as Frank Sinatra, who in that world is king.”   Sinatra offered his take on the matter: “Peg is just about the best friend a song ever had.” As part of the Peabody Award-winning documentary series “Jazz Profiles,” this edition about Peggy Lee was produced in 1999 by Karen Michel – and narrated by the show host Nancy Wilson. The “Jazz Profiles” shows – nearly 200 of them – are part of the Tim Owens Jazz & Broadcast Collection at the University of North Texas Music Library. In a partnership with Tim and UNTML, we’ve picked a handful of noteworthy shows to share with you. You can find more “Jazz Profiles” shows at the UNT Music Library’s Jazz Syndicate (www.library.unt.edu/jazzsyndicate), and learn more about 32 Bar Blues' clothing collection and commitment to the arts at 32barblues.com

Famed jazz pianist Oscar Peterson commanded the entire keyboard with incredible dexterity, drive and precision. He performed around the world for more than 50 years, accruing countless honors, awards and critical accolades. Though he would have been a success by any measure, Peterson always set his own high standards – and always fulfilled them. The “Jazz Profiles” shows – nearly 200 of them – are part of the Tim Owens Jazz & Broadcast Collection at the University of North Texas Music Library. In a partnership with Tim and UNTML, we’ve picked a handful of noteworthy shows to share with you. You can find more “Jazz Profiles” shows at the UNT Music Library’s Jazz Syndicate (www.library.unt.edu/jazzsyndicate), and learn more about 32 Bar Blues' clothing collection and commitment to the arts at 32barblues.com

One of the first important jazz soloists, Sidney Bechet’s recordings precede those of Louis Armstrong (three years his junior), with whom he would later play duets. Largely self-taught and prodigiously talented on both clarinet and soprano saxophone, he developed a singular solo style – a wide and rich vibrato – giving the soprano saxophone a prominent place in jazz. The “Jazz Profiles” shows – nearly 200 of them – are part of the Tim Owens Jazz & Broadcast Collection at the University of North Texas Music Library. In a partnership with Tim and UNTML, we’ve picked a handful of noteworthy shows to share with you. You can find more “Jazz Profiles” shows at the UNT Music Library’s Jazz Syndicate (www.library.unt.edu/jazzsyndicate), and learn more about 32 Bar Blues' clothing collection and commitment to the arts at 32barblues.com

With a laid-back, familiar style, the composer, pianist and singer Hoagy Carmichael created popular hits for decades – and logged numerous entries into the Great American Songbook. When asked about his tuneful gift, he credited his early roots in jazz. But his foremost gift was melody, as “Star Dust,” “How Little We Know” and “The Nearness of You” attest. In jazz-influenced pieces like “Lazy River,” “Memphis in June” and “Baltimore Oriole,” he created themes that move through unexpected intervals, cover a wide vocal range, and reflect a deep instrumental influence. The “Jazz Profiles” shows – nearly 200 of them – are part of the Tim Owens Jazz & Broadcast Collection at the University of North Texas Music Library. In a partnership with Tim and UNTML, we’ve picked a handful of noteworthy shows to share with you. You can find more “Jazz Profiles” shows at the UNT Music Library’s Jazz Syndicate (www.library.unt.edu/jazzsyndicate), and learn more about 32 Bar Blues' clothing collection and commitment to the arts at 32barblues.com