Peter Hujar’s Day with Ira Sachs and Bette Gordon (Ep. 580)
Director Ira Sachs discusses his new film, Peter Hujar’s Day, with fellow DirectorBette Gordon in a Q&A at the DGA theater in New York. In the conversation, he discusses discovering the story beats from the original 35-page writing, being inventive with blocking for a feature about a sit-down interview, and shooting in a style reminiscent of films of that era.
Based on the book by Linda Rosenkrantz, the film tells the story of a single day in 1974 when Rosenkrantz and groundbreaking queer photographer Peter Hujar engaged in a freewheeling, intimate conversation. Sharing vivid stories of his interactions with literary and cultural icons like William Burroughs, Susan Sontag and Allen Ginsberg, Hujar reflects on the rhythms of everyday life in 1970s New York.
See photos and a summary of this event below:
https://www.dga.org/events/2025/december2025/peterhujarsday_qna_1125
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Christy with David Michôd and John Lee Hancock (Ep. 579)
Director David Michôd discusses his new film, Christy, with fellow Director John Lee Hancock in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses making a sports movie with the shadowing story of an abusive relationship ever present, the process of helping Actor Sydney Sweeney get into shape for her fighting scenes, and working with Sweeney and Actor Ben Foster to capture the powder keg dynamic of their relationship scenes.
The film tells the true story of Christy Martin, who never imagined life beyond her small-town roots in West Virginia, until she discovered a talent in the boxing ring. But her toughest battles start to unfold outside of the ring as she confronts family, identity, and a relationship that just might become life-or-death.
See photos and a summary of this event below:
https://www.dga.org/events/2025/december2025/christy_qna_1125
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My Father’s Shadow with Akinola Davies and Rachel Raimist (Ep. 578)
Director Akinola Davies discusses his new film, My Father’s Shadow, with fellow Director Rachel Raimist in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses shooting on celluloid film to capture the beauty of Lagos, the exhaustive process behind casting the two young leading Actors, and finding ways to show the people of Nigeria in a dignified manner that he felt represented the place as he knew it.
Screened as part of the DGA’s Global Cinema Series, the film tells the story of Aki and Remi, who reconnect with the father who’s been absent for most of their lives. But the reunion quietly unravels into something deeper as they witness both the city’s magnitude and their father’s daily struggles during the political unrest of the 1993 Nigerian election crisis.
See photos and a summary of this event below:
https://www.dga.org/events/2025/december2025/myfathersshadow_1025
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The Perfect Neighbor with Geeta Gandbhir and Yance Ford (Ep. 577)
Director Geeta Gandbhir discusses her new film, The Perfect Neighbor, with fellow Director Yance Ford in a Q&A at the DGA theater in New York. In the conversation, she discusses the process of discovering how she would tell the story through police body cam footage, editing the body cam footage into a cohesive narrative that develops the players and events leading up to the shooting, and finding a pacing for the footage so as not to overwhelm her audience with distressing content.
Screened as part of the DGA’s Documentary Series, the film, told mostly through police body cam footage, uses the shooting of a beloved mother of four as a case study to examine Florida's controversial "stand your ground" laws, revealing the consequences that can occur when individuals feel emboldened by the law to act on their fear and prejudice.
See photos and a summary of this event below:
https://www.dga.org/events/2025/december2025/docseries_theperfectneighbor-1025
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A House of Dynamite with Kathryn Bigelow and James Gray (Ep. 576)
Director Kathryn Bigelow discusses her new film, A House of Dynamite, with fellow Director James Gray in a Q&A at the DGA theater in Los Angeles. In the conversation, she discusses working with journalist and Screenwriter Noah Oppenheim to discover the best way to turn this hypothetical into a story, collaborating with her Cinematographer and Actors to capture an unblocked and naturalistic feel to her scenes, and consulting with government experts to portray the transpiring of events with informed data.
The film explores a hypothetical situation: When a radar station detects a single, unattributed ICBM headed for Chicago, how do the many levels of the US government use their limited time to identify who is responsible, attempt to disable the warhead, and in the worst case scenario, consider severe retaliatory options.
See photos and a summary of this event below:
https://www.dga.org/events/2025/december2025/houseofdynamite_qna_1025
Brought to you by the Directors Guild of America, ”The Director’s Cut” will bring you the behind-the-scenes stories of today’s most talked about films. Each episode features a different director interviewed by one of their peers, leading to revealing conversations about the grueling, but rewarding process of bringing their films to life.
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