This was supposed to be an episode where we talk about the challenges the Hanse was facing after the victory over the Danes and the Peace of Stralsund. But that is not to be. Listeners Mehmet and Nina pointed out a few gaps in what I had been talking about last week and now these need to be filled. It is all good talking about the trading network and the flow of goods across the Baltic and northern Germany. But what about the opposing flow, the flow of money? How do the Merchants get paid? How can they pay for all the goods they, or their agents, are buying way down in Flanders and England? How do they cope with the sometimes erratic monetary policies of late medieval rulers?After all, it is money that makes the world go round!The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon: https://www.patreon.com/HistoryofthegermansThis episode relied heavily on:Jahnke, Carsten: Die Hanse | Reclam VerlagJahnke, Carsten: Netzwerke in Handel und Kommunikation ander Wende vom 15. zum 16. Jahrhundert am Beispiel zweier Revaler Kaufleute. Netzwerke(hansischergeschichtsverein.de)Stuart Jenks: War die Hanse kreditfeindlich? on JSTORHistorical documents of Hanseatic League added to UNESCO archival heritage list | Tallinn

That was the question king Edward IV asked the representatives of the Steelyard in 1469. And he had a good reason to ask, because tensions between the English and the Hansa had escalated, ships were captured, and people got killed. He wanted to know who to negotiate with and in particular, who could sign a binding agreement that would put an end to this. The answer he got was not very satisfactory.... The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon: https://www.patreon.com/HistoryofthegermansAnd finally, bibliography. I would like to add a few worksto our usual list, in particular:Jahnke,Carsten: Die Hanse | Reclam VerlagJahnke, Carsten: Netzwerke in Handel und Kommunikation ander Wende vom 15. zum 16. Jahrhundert am Beispiel zweier Revaler Kaufleute. Netzwerke(hansischergeschichtsverein.de)JustynaWubs-Mrozewicz and Stuart Jenks, eds. The Hanse in Medieval and Early ModernEurope. The Northern World: North Europe and the Baltic c. 400–1700 AD:

In 1878 workmen building the Speicherstadt, the magnificent city of warehouses in the harbour of Hamburg made a gruesome discovery. In the mud of the Grasbrook, an island at the entrance of the medieval harbour of Hamburg emerged two piles of wood connected by a wooden bar. An ancient beacon guiding ships. What made it so special was what was nailed on to the bar, human skulls. Whoever these men were, they had been decapitated and their heads displayed as a warning. One of these skulls was quickly identified as that of Klaus Störtebecker, the notorious pirate. The skulls were brought to the Museum für Hamburgische Geschichte, the Museum for the history of Hamburg. There they reconstructed the facial features of Klaus Störtebecker so that vistors can get a better picture of what Hamburg’s greatest nemesis looked like.If you leave the museum and turn right you quickly get to Simon von Utrecht Strasse, named after the man who captured Störtebecker on his agile small cog, the Bunte Kuh, the painted Cow. Störtebecker was brought to the Grasbrook where he and his 72 companions were beheaded on October 20, 1401. As his last wish, Störtebecker asked that all the men he could walk past after his head had fallen should be freed. That wish was granted, but when the headless pirate had passed 11 of his shipmates, one of the members of the city council tripped him up and in the end all of his men were killed, including those he had walked past.Hundreds of books have been and will still be written about Störtebecker and Simon von Utrecht. Some of those I have devoured as a child and this is why it hurts so much to have to tell you – all a lot of nonsense. Störtebecker lived and robbed until 1413, 12 years after his execution, which is a long time for a headless corpse. And Simon von Utrecht was just a lad when he allegedly seized Hamburg’s greatest adversary. The story may be a tall tale, but piracy and the Victual Brothers were real and they were a real threat to the Hanse, or at least I believe it was.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon: https://www.patreon.com/Historyofthegermans

The Hanseatic League undergoes a fundamental transformation in the second half of the 14th century. It turned from a guild of merchants trading across the Baltic and the North Sea into an alliance of trading cities. An alliance that has proven that it can fight and win wars against major territorial powers. That sits quite uncomfortably with the existing European rulers who wonder what to do with this alien inside their body politic.The Hanse had acquired a wide range of trading privileges in their main Kontors in England, Flanders, Norway and the Republic of Novgorod. These privileges did not only disadvantage the locals who were unsurprisingly hostile but also challenged the authority of the princes. That was just about bearable as long as this was just a community of grubby merchants from the Empire. Now that these merchants had built formidable cities, commanded great navies and toppled kings, it became an entirely different ballgame.Furthermore, the legitimacy of the Hansa was fragile. The Hanseatic Cities, apart from Lübeck and Dortmund weren’t free imperial cities, making them at least formally subject to their territorial lords. As such they could not form an actual league of cities as the Northern Italian republics had done a hundred years earlier. Nor were they allowed to conduct foreign policy against their territorial lord, though they sometimes did. These fault lines will become ever more apparent as we go forward with our history. This week we will get a first glimpse at what will lead to the ultimate demise of the League as we get into the year 1388, a year when the cities face off against three of the most powerful political entities in Northern Europe, the kingdom of England, the county of Flanders and the Republic of Novgorod. The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon: https://www.patreon.com/Historyofthegermans

The Hanseatic League is first and foremost an organisation driven by commerce and commerce rarely sees the necessity of war. But in 1360 the organisation that had only just transitioned from a community of merchants to an alliance of cities found itself in gridlock with Waldemar Atterdag, Waldemar Dawn, king of Denmark. Waldemar’s objective throughout his 35-year reign was to rebuild the kingdom of Denmark that had virtually disintegrated under his predecessors. And for that he needed money. That money he got from the two sources of wealth of the state of Denmark, taxing the trade in herring and the tolls for passing through the Oresund. The Hansards who dominated the herring trade and the traffic through the Oresund were the ones who were supposed to pay for that.If that had not breached the tolerance levels of even the most sober Hanseatic merchant, the attack on Gotland and occupation of the Hanseatic city of Visby did. A fleet leaves Lübeck in 1362 to put the Danish tyrant back into his box…The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comFacebook: @HOTGPod Twitter: @germanshistoryInstagram: history_of_the_germansReddit: u/historyofthegermansPatreon: https://www.patreon.com/Historyofthegermans