Michael and Us

Like all empires, the Hollywood studio system had its decadent stage. We discuss Joel and Ethan Coen's HAIL, CAESAR! (2016), which pits an idealogue for the Hollywood studio system against a cabal of communist writers. PLUS: We discuss The Fall of the House of Colbert, and a hot new Washington Post podcast that gets "biz-zay."

Join us on Patreon for an extra episode every week - https://www.patreon.com/michaelandus

Listen to Luke discuss the future of the left with Jacobin founding editor Bhaskar Sunkara - https://www.lukewsavage.com/p/time-for-socialism-ft-bhaskar-sunkara

As a Toronto-based podcast, we are duty-bound to cover Matt Johnson and Jay McCarrol's NIRVANNA THE BAND THE SHOW THE MOVIE (2025). We travel back to 2008 the discuss one of the most requested movies in our show's history.

PATREON-EXCLUSIVE EPISODE - https://www.patreon.com/posts/717-nirvanna-pod-159525773

We keep bringing up the beloved American film critic Roger Ebert over and over again, and we've decided it's time to finally exorcise this demon. Before we put Roger in the penalty box for a while, we're going to put our accumulated knowledge to good use and play a long-threatened game: The Roger Ebert Mystery Box Challenge, in which we attempt to predict his reviews for movies we've covered on this podcast. The balcony is open!

Join us on Patreon for an extra episode every week - patreon.com/michaelandus

One of the pillars of the cursed "Everything is Connected" trend of the 2000s, Alejandro González Iñárritu's BABEL (2006) offers a de-politicized look at our global village. Josh Lewis (of Sleazoids podcast fame) fills in for Luke to discuss one very heavy exampe of White Elephant Art.

Join us on Patreon for an extra episode every week - https://www.patreon.com/michaelandus

Check out Sleazoids - https://www.sleazoidspodcast.com/

If you're in Toronto on June 8, 2026, come see Josh present Michael Mann's Blackhat at the Paradise - https://paradiseonbloor.com/movies/blackhat-directors-cut/

After too long a drought, we return to the writing of Armond White, the legendarily contrarian conservative film critic (currently with the National Review) whose writing has texture like no one else's. We focus on his recent defense of Pete Hegseth via Quentin Tarantino's Pulp Fiction. PLUS: Is Remains of the Day a #grindset classic?

PATREON-EXCLUSIVE EPISODE - https://www.patreon.com/posts/714-pulp-158271632