The History Podcast

For a century, Harry Houdini has been safely filed away in the public imagination as a nostalgic variety act: a man in monochrome film escaping handcuffs, water tanks, and straightjackets.

This series smashes that myth.

Hosted by “psychological illusionist” Derren Brown, How Houdini Made Magic reframes a penniless immigrant refugee named Erik Weisz as a prophetic, hyper-modern visionary. Long before the birth of Silicon Valley, modern political spin rooms, or algorithmic social media, Houdini cracked the code of modern fame. He didn't just escape physical boxes; he manipulated suspense, pioneered viral guerrilla marketing, employed the legal system to protect his brand, and mastered the dark arts of post-truth media. He created magic in far more ways than you think.

Against a backdrop of vaudeville and societal revolution, Derren explores the lesser-known identities of a magician who continues to inspire him and countless other magicians: Houdini as an advertising guru, a new media innovator, a sceptic… a spy?

We’ll come to realise that today’s world actually closely mirrors the ‘sepia-tinted’ world Houdini operated in: a time of rapid industrialisation, intense social change, massive wealth inequality, widespread social activism, global conflict, cultural revolutions, and immense technological advancement. We are living in an attention economy running on the exact behavioural hacks, artificial friction, and narrative illusions engineered by Harry Houdini over a century ago.

Andrew Hunter Murray tracks down Hitler’s faked diaries to the Bundesarchiv – the Federal Archive – in Koblenz. How did these slim A4 notebooks cause such enormous trouble? But the archivists have one more surprise in store.

After all these years, are we any closer to understanding the motivation behind this forgery? Was it purely financial, or was it - as some say - a deliberate effort to rehabilitate Hitler? And what does the whole story tell us about our willingness to let ourselves be deceived?

Writer and broadcaster Andrew Hunter Murray uncovers last century’s biggest ever publishing scandal, a forgery which rocked the world and destroyed reputations.
It’s a tale of greed, obsession and mass delusion. It includes Hermann Göring’s yacht, Nazi-themed honeymoons, Idi Amin’s underpants, and more details almost too unbelievable for words.
Andrew interviews the people who were there as the diaries were announced to the world, and as the story fell apart - the archivist tasked with authenticating the diaries in Germany, the TV producer led around the homes of retired Nazis to film a promotional documentary for the scoop, and the Fleet Street editor given 24 hours to create a world-beating story based on fraudulent material.
In our own time of AI, fake news and disinformation, are there any lessons we can take from the greatest hoax of the last 50 years?
Gerd Heidemann tapes part of the Gerd Heidemann collection, Hoover Institute, copyright Stanford University.
Presenter: Andrew Hunter Murray
Producer: Ruth Abrahams
Story Editor: Andrew Dickson
Sound Design: Joel Cox
Mix Engineer: Nigel Appleton
Executive Producers: David Prest and Robert Nicholson
Commissioning Editor: Dan Clarke
A Whistledown production for BBC Sounds and Radio 4

It’s May 1983, and everything is falling apart for Gerd Heidemann. Now the heat is on forger Konrad Kujau too. How long can he stay incognito?

Millions of Deutschmarks are unaccounted for, reputations lie in tatters. Who will take the blame? Who will fall? And why does the world of Nazi memorabilia hold such fascination for collectors inside Germany and across the world?

Writer and broadcaster Andrew Hunter Murray uncovers last century’s biggest ever publishing scandal, a forgery which rocked the world and destroyed reputations.
It’s a tale of greed, obsession and mass delusion. It includes Hermann Göring’s yacht, Nazi-themed honeymoons, Idi Amin’s underpants, and more details almost too unbelievable for words.
Andrew interviews the people who were there as the diaries were announced to the world, and as the story fell apart - the archivist tasked with authenticating the diaries in Germany, the TV producer led around the homes of retired Nazis to film a promotional documentary for the scoop, and the Fleet Street editor given 24 hours to create a world-beating story based on fraudulent material.
In our own time of AI, fake news and disinformation, are there any lessons we can take from the greatest hoax of the last 50 years?
Gerd Heidemann tapes part of the Gerd Heidemann collection, Hoover Institute, copyright Stanford University.
Presenter: Andrew Hunter Murray
Producer: Ruth Abrahams
Story Editor: Andrew Dickson
Sound Design: Joel Cox
Mix Engineer: Nigel Appleton
Executive Producers: David Prest and Robert Nicholson
Commissioning Editor: Dan Clarke
A Whistledown production for BBC Sounds and Radio 4

Stern’s editorial and management team dig in, sticking by their story and their journalist Gerd Heidemann. Hugh Trevor-Roper returns to Cambridge shaken, hiding away in the master’s lodge at Peterhouse.

Meanwhile, Dr Josef Henke of the Federal archives gets to work – finally with whole volumes of diaries. At last he can run the proper checks and read the text. What kind of Hitler emerges from the pages?

Writer and broadcaster Andrew Hunter Murray uncovers last century’s biggest ever publishing scandal, a forgery which rocked the world and destroyed reputations.
It’s a tale of greed, obsession and mass delusion. It includes Hermann Göring’s yacht, Nazi-themed honeymoons, Idi Amin’s underpants, and more details almost too unbelievable for words.
Andrew interviews the people who were there as the diaries were announced to the world, and as the story fell apart - the archivist tasked with authenticating the diaries in Germany, the TV producer led around the homes of retired Nazis to film a promotional documentary for the scoop, and the Fleet Street editor given 24 hours to create a world-beating story based on fraudulent material.
In our own time of AI, fake news and disinformation, are there any lessons we can take from the greatest hoax of the last 50 years?
Gerd Heidemann tapes part of the Gerd Heidemann collection, Hoover Institute, copyright Stanford University.
Presenter: Andrew Hunter Murray
Producer: Ruth Abrahams
Story Editor: Andrew Dickson
Sound Design: Joel Cox
Mix Engineer: Nigel Appleton
Executive Producers: David Prest and Robert Nicholson
Commissioning Editor: Dan Clarke
A Whistledown production for BBC Sounds and Radio 4

It’s Monday, 25 April 1983, the day of the big press conference at Stern’s offices in Hamburg. The world’s media is assembled, awaiting the ‘scoop of the century’. The room is packed and Stern’s team, along with British historian Hugh Trevor-Roper, are ready to reveal the diaries.

History looks set to be rewritten. But not everyone is convinced. In fact, the key authenticator is having doubts and there’s an intervention from the back of the room. Is this coup collapsing before Stern’s eyes?

Writer and broadcaster Andrew Hunter Murray uncovers last century’s biggest ever publishing scandal, a forgery which rocked the world and destroyed reputations.
It’s a tale of greed, obsession and mass delusion. It includes Hermann Göring’s yacht, Nazi-themed honeymoons, Idi Amin’s underpants, and more details almost too unbelievable for words.
Andrew interviews the people who were there as the diaries were announced to the world, and as the story fell apart - the archivist tasked with authenticating the diaries in Germany, the TV producer led around the homes of retired Nazis to film a promotional documentary for the scoop, and the Fleet Street editor given 24 hours to create a world-beating story based on fraudulent material.
In our own time of AI, fake news and disinformation, are there any lessons we can take from the greatest hoax of the last 50 years?
Gerd Heidemann tapes part of the Gerd Heidemann collection, Hoover Institute, copyright Stanford University.
Presenter: Andrew Hunter Murray
Producer: Ruth Abrahams
Story Editor: Andrew Dickson
Sound Design: Joel Cox
Mix Engineer: Nigel Appleton
Executive Producers: David Prest and Robert Nicholson
Commissioning Editor: Dan Clarke
A Whistledown production for BBC Sounds and Radio 4