Villains are having a moment. They’re getting their own movies. They’re inspiring hashtags that say they’re right. And they don’t want to take over the world. They want to save it -- at a very high cost. I talk with writers and podcasters Charles Pulliam-Moore, JR Forasteros and Bruce Leslie about woke villains, and what their popularity says about our frustrations in the real world. Part 1 of 2.
Under a Red Moon
Ronald D. Moore is probably best known for rebooting the TV show Battlestar Galactica as a gritty political commentary in the early 2000s. His latest show For All Mankind on AppleTV Plus imagines what if the Soviet Union had beaten the U.S. in the space race and planted the hammer and sickle flag on the moon. But Moore spins that nightmare scenario into a positive alternative history where a newly invigorated space race not only gives NASA the budget it wanted in the 1970s, but forces the agency to be far more inclusive than it actually was in real history.
From Outer Space
Think of an alien abduction. You know the story: humanoid creatures descend on people in a rural area, bring them on board their spacecraft for medical experiments, and the victims’ memories are wiped out until they’re brought back by hypnosis. But that narrative was largely unknown until Betty and Barney Hill went public about their alien abduction in the 1960s. Betty Hill’s niece, author explain how the story of the Hills changed UFO subculture and science fiction.
Talking to the Dead
Jason Suran wants you to know he can’t talk to the dead. Then he will convince you that he can. In Suran’s show,
We all know Godzilla’s iconic roar, but the musician who scored Godzilla's rampages is not as well known. The composer Akira Ifukube’s collaboration with the director Ishiro Honda is fascinating because the two men had different ideas of what Godzilla represented. Honda filmed Godzilla as a monster, but Ifukube saw Godzilla as an anti-hero. Erik Homenick, John DeSentis, and Reiko Yamada explain how this artistic conversation between the music and the visuals added layers of depth that helped turn a monster into an icon.