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Mechanical watches were once essential tools for pilots, divers, scientists, race car drivers, etc. You’ve probably seen the advertisements in old National Geographic magazines, showing spelunkers proudly wearing their Rolex Explorers or a pilot checking his Breitling Navitimer, using it to calculate fuel consumption. For many years (decades) now, this has been handled digitally, as that’s quicker and perhaps more reliable and precise. Yet, we still call certain timepieces “tool watches.” Prime examples are diving and aviation watches that often cost more than an average monthly salary (or two).

Watch prices have been creeping upward for years, but recently, it feels like something more fundamental is happening. It’s no longer just about incremental increases, as entire segments seem to be shifting. Brands are moving into price territory once occupied by others, microbrands are pushing higher than ever before, and the old mental map of “what you get for your money” is becoming harder to navigate. In this episode of Fratello Talks, Nacho is joined by Daan and Thomas to unpack this growing dilemma. What’s driving these shifts? Are they justified? And perhaps most importantly, how does this affect the way we perceive value as collectors?

Skeletonized watches and openworked dials seem to be everywhere this year. From subtle cutouts that reveal just a hint of mechanics to fully open displays that showcase the entire movement, brands across price segments are leaning into transparency. Whether driven by aesthetics, technical ambition, or simply a desire to stand out, it’s a trend that’s hard to ignore. In this episode of Fratello Talks, Nacho is joined by Thomas and Lex to discuss what feels like a particularly strong year so far for skeletonization and openworked designs. The trio explores why brands keep returning to this idea, what separates a good execution from a cluttered one, and whether these watches work as daily wearers or remain statement pieces.

Another Watches and Wonders is in the books, and as always, it takes a moment to process everything. Between the main fair at Palexpo, meetings across Geneva, and visits to the various satellite events around the city, the week becomes a blur of watches, conversations, and quick (yet lasting) impressions. Only afterward do the highlights start to settle. In this episode of Fratello Talks, Nacho is joined by Daan and Max (our man behind the camera, making his podcast debut) to debrief after a packed week in Geneva. The trio discusses the watches that stood out, the surprises that weren’t on their radar beforehand, and a few memorable discoveries from the external fairs running alongside the main event.

"Chronometer" is one term that frequently comes up in watchmaking. We see it stamped on dials, highlighted in marketing materials, and often used as a synonym for "high quality." But how much does chronometer certification actually matter to us as collectors? In this episode of Fratello Talks, Nacho is joined by Daan and RJ to unpack the role of this certification in modern watch collecting. Is it something we actively look for? Does it influence buying decisions? Or is it one of those things that sounds more important than it feels in daily wear?