New Books in Korean Studies

Nationalism today depends on the perception of victimhood. The historical memory of past suffering endows nationalist movements with political legitimacy and a sense of moral superiority. Koreans recall Japanese colonial atrocities, while Japan commemorates the atomic bombings of Hiroshima and Nagasaki. Israel sanctifies the Holocaust and Poland trumpets the Nazi and Soviet occupations. Even Germany and Russia, perpetrators of historical crimes, today cast themselves as victims by pointing to national suffering.

In this theoretically sophisticated and empirically rich book, Jie-Hyun Lim offers a new way to understand nationalism and its political instrumentalization of suffering, developing the concept of “victimhood nationalism” and exploring it in a range of global settings. Victimhood Nationalism: History and Memory in a Global Age (Columbia UP, 2025) examines relations among Poland, Germany, Israel, Korea, and Japan, focusing on how memories of colonialism, the Holocaust, and Stalinist terror have converged and intertwined in transnational spaces. With an emphasis on memory formation, Lim scrutinizes how perpetrators in Germany and Japan transformed themselves into victims, as well as how nationalists in Poland, Korea, and Israel portray themselves as hereditary victims in order to rebut external criticism. He considers the construction of nations as victims and perpetrators, tracing the interaction of history and memory. Ultimately, the book contends, challenging victimhood nationalism is necessary to overcome the endless competition over national suffering and instead promote reconciliation, mutual understanding, and transnational solidarity.

Dr. Jie-Hyun Lim is the CIPSH Chairholder of Global Easts, Distinguished Professor, and founding director of the Critical Global Studies Institute at Sogang University. In 2025–2026, he is the Class of 1955 Visiting Professor in Global Studies at Williams College. His many books include Global Easts: Remembering, Imagining, Mobilizing (Columbia, 2022).

Visit the Critical Global Studies Institute’s homepage: here

Buy Victimhood Nationalism: History and Memory in a Global Age: here

About the host: Leslie Hickman is an Anthropology graduate student at Emory University. She has an MA in Korean Studies and a KO-EN translation certificate from the Literature Translation Institute of Korea. You can contact her at [email protected]
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K-Pop Fandom: Performing Deokhu from the 1990s to Today (U Michigan Press, 2026) insists that K-pop fan practices and activities constitute a central productive force, shaping not only K-pop’s explosive global popularity, but also K-pop’s cultural impacts, politics, and horizons of possibility. Over the past three decades, the K-pop fandom and its activities have expanded, intensified, and diversified along myriad dimensions, assuming novel social, technological, and economic forms, some of which are unique to K-pop, and some of which reflect broader cultural and industrial logics of globalized mass entertainment culture. Areum Jeong argues that K-pop fans, in performing deokhu—a Korean term connoting an “avid fan”—perform a materialization of affective labor that also seeks to produce good relationships between asymmetrically positioned actors in the K-pop ecosystem.

Through an autoethnography of becoming a K-pop deokhu, Jeong connects their experiences to generations of K-pop fans, showing simultaneously how fandom practices have shifted over time and the intricacies of fan labor participation. This personal connection paved the way for participant-observation and co-performer witnessing methodologies in the study, which crucially allowed for collaborating with fans whose communal pursuits have been stigmatized by dominant discourses that denigrate their activities as solely addictive, uncritical, and wasteful. Jeong’s genre-spanning corpus of fan activities and analyzing its contexts and contents represents an important contribution to the making of a fan archive that is also an archive of affective labor.
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Finding Mr. Perfect: K-Drama, Pop Culture, Romance, and Race (Rutgers UP, 2025) by Dr. Min Joo Lee explores the romantic relationships between Korean men and women who were inspired by romantic Korean televisual depictions of Korean masculinity to travel to Korea as tourists. Dr. Lee argues that disparate racialized erotic desires of Korean pop culture fans, foreign tourists to Korea, Korean men, and the Korean nation converge to configure the interracial and transnational relationships between these tourists and Korean men. Lee observes how racial prejudices are developed and manifested through interracial and transnational intimate desires and encounters. This book is the first to examine the interracial relationships between Hallyu tourists and Korean men. Furthermore, it is the first to analyze Korea as a popular romance tourist destination for heterosexual women. Finding Mr. Perfect illuminates South Korean popular culture’s transnational fandom and tourism as a global phenomenon where fantasies and realities converge to have a tangible impact on individual lives.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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In the past decade, feminism has become one of the heated topics in public debate in South Korea. Feminism is embraced by activists, attacked in election campaigns, and increasingly framed as the source of conflict between men and women. In this episode, Outi Luova talks to Katri Kauhanen to trace the historicity behind the contemporary debates and to ask why the history of the women’s movement still matters today.

Drawing on insights from Kauhanen’s recently published dissertation, titled Re-examining the Women’s Movement in Cold War South Korea and Beyond: The History of the Korean National Council of Women, we discuss the history of the women’s movement in authoritarian era South Korea through the lens of the Council, conceptualize Cold War feminism and consider how the Cold War era archives of the international women’s movement can also serve the research on Asian women’s activism.

Our guest, Katri Kauhanen from the Center of East Asian Studies, University of Turku, is a Doctor of Social Sciences whose work explores Korean history, history of the women’s movements and the transnational networks and discourses through which women organized, collaborated, and articulated agency during the Cold War.

Outi Luova is a senior university lecturer at the Center of East Asian Studies, University of Turku, Finland.

Link to the thesis

The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the following academic partners: Asia Centre, University of Tartu (Estonia), Asian studies, University of Helsinki (Finland), Centre for Asian Studies, Vytautas Magnus University (Lithuania), Centre for East Asian Studies, University of Turku (Finland) and Centre for East and South-East Asian Studies, Lund University (Sweden) and Norwegian Network for Asian Studies.

We aim to produce timely, topical and well-edited discussions of new research and developments about Asia.
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Against the Chains of Utility: Sacrifice and Literature in 1970s and 1980s South Korea (University of Hawaii Press, 2025) explores literary texts that countered the prevailing rhetoric of South Korea’s exploitative developmental state. These texts capture moments of anti-utilitarian sacrifice, and include Kim Hyŏn’s critical essays, Pak Sangnyung’s monumental novel A Study of Death (1975), and Ko Chŏnghǔi’s poems about the Passion of Jesus.

In Against the Chains of Utility, Serk-Bae Suh challenges the notion of utilitarian sacrifice, which continues to pervade every aspect of Korean society. He argues that any act of sacrifice for a higher cause is inherently utilitarian, regardless of whether its motives are morally sound or questionable. Such sacrifices establish a circuit of exchange, where sacrifice is valued solely based on its ability to achieve an end. To counter this instrumentalization, anti-utilitarian sacrifice must exist as a means without an end. Suh posits that literature’s relevance to society lies in this seemingly nihilistic sacrifice, viewing literature not as a proxy for politics but as the art of imagination in language.

Dr. Serk-Bae Suh is an associate professor in East Asian Studies at the University of California, Irvine. He primarily studies modern Korean literature, and the underlying concern that guides his research issues from the inescapable human condition of being with others. He is also the author of Treacherous Translation: Culture, Nationalism, and Colonialism in Korea and Japan from the 1910s to the 1960s. View his university profile at https://www.faculty.uci.edu/pr....

Buy Against the Chains of Utility: Sacrifice and Literature in 1970s and 1980s South Korea:

https://uhpress.hawaii.edu/tit...

About the host: Leslie Hickman is an Anthropology graduate student at Emory University. She has an MA in Korean Studies and a KO-EN translation certificate from the Literature Translation Institute of Korea. You can contact her at [email protected]
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/korean-studies