New Work in Digital Humanities

This special episode features a short talk Peoples & Things host, Lee Vinsel, gave at the Jefferson Scholars Foundation in Charlottesville, Virginia. The event featured a great mix of historians and Science and Technology Studies scholars and was organized by Jacob Bruggeman, who recently finished his dissertation on the politics of computer hackers at Johns Hopkins University and is now headed to a job at Ohio State University. Thanks to Jacob for putting the event together and hearty congratulations on his accomplishments. In the talk, Vinsel argues that we are missing a synthetic social and economic history of how our adoption and use of digital technologies over the past fifty years has affected everyday life in many social spheres, including work, religion, politics, schools, and family life. He also points to some exemplary scholars who have laid some initial groundwork on these topics and gives some suggestions for primary and secondary sources we can use to do this work. Most of all, the talk is an open invitation to collective work - because doing this project well goes far beyond what any individual can do alone.
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We the Platform: How the Internet Changed Twenty-First-Century Literature (Columbia University Press 2026) by Aarthi Vadde is a groundbreaking account of mass writing in the twenty-first century, identifying rarely recognized forms of literary possibility amid the profound upheavals in traditional publishing. Aarthi Vadde examines the explosion of textuality across digital platforms: countless writers, diverse publishing formats, and vast communities of readers responding to stories publicly and instantly. Countering ubiquitous decline narratives, she offers powerful examples of literary innovation, adaptation, and survival. Among them are Jonathan Lethem and Lauren Oyler’s challenges to individualist ideas of authorship, the Twitter fiction of Jennifer Egan and Teju Cole, Margaret Atwood and Naomi Alderman’s collaborative writing on Wattpad, conceptual projects like Book from the Ground, and the experimental use of chatbots by authors including Sheila Heti. Through nuanced and illuminating readings, We the Platform shows how platform-based writing has altered cornerstone concepts of authorship, aesthetic form, and craft, delivering a bold new understanding of literature now.
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Every day, tens of millions of people use mantras all around the globe. Originating in South Asia and then spreading via practitioners, texts, rituals, and iconography, mantras have been grounded in speech and sound but also take a range of material forms. For instance, they are inscribed on surfaces, written in manuscripts, printed on posters, visually encoded in diagrams, or worn as amulets and textiles. Not surprisingly, mantras also circulate widely in digital spaces.

In this episode of the Nordic Asia Podcast, Prof. Xenia Zeiler from the University of Helsinki talks to Prof. Borayin Larios about the ERC Synergy project MANTRAMS - Mantras in Religion, Media and Society in Global Southern Asia, and about digital mantra research. Funded by a Synergy Grant from the European Research Council, MANTRAMS is a pioneering, large-scale research project entirely dedicated to mantras, past and present. The interdisciplinary and comparative six-year project will investigate mantras across millennia and around the world, examining the roots of mantra, their circulation across South and Southeast Asia, and their transcultural significance in global contexts today.

Borayin Larios is Assistant Professor of Modern South Asian Studies at the University of Vienna. His research interests span contemporary and classical Indian religious traditions, including the anthropology and history of mantras, popular and everyday Hinduism, material religion, and Yoga and Tantra traditions. In his interdisciplinary approach, he combines cultural anthropology, religious studies, and historical philology. He is a Principal Investigator in the ERC Synergy project MANTRAMS - Mantras in Religion, Media and Society in Global Southern Asia.

Xenia Zeiler is Professor of South Asian Studies at the University of Helsinki. Her research and teaching are situated at the intersection of digital media, culture, and society, specifically as related to India and global Indian communities. Her focus within this wider field of digital culture is video games and gaming research, in India and beyond. She also researches and teaches digital religion, popular culture, cultural heritage, and mediatization processes.

The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the following academic partners: Asia Centre, University of Tartu (Estonia), Asian studies, University of Helsinki (Finland), Centre for Asian Studies, Vytautas Magnus University (Lithuania), Centre for East Asian Studies, University of Turku (Finland), Centre for East and South-East Asian Studies, Lund University (Sweden) and Centre for South Asian Democracy, University of Oslo (Norway).

We aim to produce timely, topical and well-edited discussions of new research and developments about Asia.
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The first in-depth exploration of the work of artist Cory Arcangel, a pioneer of DIY-new media art whose influential “hacks” subvert the confines of Big Tech.

Cory Arcangel (b. 1978)—perhaps best known for Super Mario Clouds, the most referenced artistic game hack in art history—became one of the first artists from a new generation of punk DIY–new media geeks to capture the attention of the art world.
Combining the hands-on skills from the 1990s net art scene and the 2010s post-internet art’s fondness for memes and the generic image, Arcangel demonstrated the way cultural expressions are intimately connected to media technologies and how these technologies can be pranked for cultural critique. In The Cory Arcangel Hack: Digital Culture and Aesthetic Practice (MIT Press, 2025), Eivind Røssaak shows how Arcangel’s body of work defines a particular strain of postconceptual art that is fundamental for understanding the digital world we live in.
Today, the question is not what comes first, humans or machines, but what the forces regulating expressive flows are. Arcangel’s aesthetic and micropolitical critique of mediation at the level of codes and chips enables us to think critically with computational articulations through specific aesthetic clashes and disjunctions, identified in the book as critical “flow-cut arrangements.” This book explores three dominant arrangements in Arcangel’s work—the flow-break hack, the flow-remix hack, and the flow-parody hack—that pinpoint areas of both creativity and concern before and after platform capitalism.

Matthis Frickhoeffer is a scholar of critical theory and French thought with a background in literature studies, linguistics and art theory. His work focuses on questions of form, semiotics, and intertextuality. He teaches at the University of Texas at Dallas.
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Exploring what academic podcasting is and what it could be, Ian Cook's Scholarly Podcasting (Routledge, 2023) is the first to consider the why, what, and how academics engage with this insurgent, curious craft.
Featuring interviews with 101 podcasting academics, including scholars and teachers of podcasting, this book explores the motivations of scholarly podcasters, interrogates what podcasting does to academic knowledge, and leads potential podcasters through the creation process from beginning to end. With scholarship often trapped inside expensive journals, wrapped in opaque language, and laced with a standoffish tone, this book analyses the implications of moving towards a more open and accessible form.
This book will also inform, inspire, and equip scholars of any discipline, rank, or affiliation who are considering making a podcast or who make podcasts with the background knowledge and technical and conceptual skills needed to produce high-quality podcasts through a reflexive critique of current practices.
Ian M. Cook is Editor in Chief at Allegra Lab.
Caleb Zakarin is the Assistant Editor of the New Books Network.
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