Asian Review of Books

Today, Afghanistan–if it ever reaches global headlines–is portrayed as an unstable land, known more for the wars great powers fight (and often lose) on its territory. Yet for most of human history, Afghanistan wasn’t on the margins of civilizations, but a cultural hub in its own right.

In his new book, Ancient Civilizations of Afghanistan: From the Earliest Times to the Mongol Conquest (Reaktion Books, 2025), archaeologist Warwick Ball argues that this land was a center where the worlds of Iran, India, Central Asia, and even the Mediterranean met and mingled. Ball takes readers from the Bronze Age Oxus and Helmand civilizations through Greek Bactria, the Kushan Empire, the spread of Buddhism, and the rise of powerful Islamic dynasties.

Warwick Ball is an archaeologist and author who spent over twenty years carrying out excavations, architectural studies and monumental restoration throughout the Middle East. He is the author of many books on the history and archaeology of the region including The Archaeological Gazetteer of Afghanistan.

You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Ancient Civilizations of Afghanistan. Follow on Twitter at @BookReviewsAsia.

Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.
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In September 2016, Islam Karimov–the first president of a post-Soviet Uzbekistan–died, at age 78. His death ended an oppressive dictatorship that had governed the Central Asian country for decades, which led to corruption, environmental damage, and political repression. Karimov was replaced with Shavkat Mirziyoyev, who instituted a tentative program of reforms.

These years are the subject of Joanna Lillis’s book, Silk Mirage: Through the Looking Glass in Uzbekistan (Bloomsbury, 2025). Lillis tells the stories of both the Karimov and Mirziryoyev regimes, based on many conversations with activists, journalists, and other opposition leaders in the country.

Joanna Lillis is a Kazakhstan-based journalist and author writing about Central Asia who has lived and worked in the region since 2001, in Uzbekistan (2001-2005) and Kazakhstan (since 2005). Her reporting has featured in outlets including The Economist, the Guardian, the Independent, the Eurasianet website and Foreign Policy and POLITICO magazines. Prior to moving to Central Asia, she lived in Russia and worked for BBC Monitoring, the BBC World Service’s global media tracking service. She is also the author of Dark Shadows: Inside the Secret World of Kazakhstan (Bloomsbury: 2019).

You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Silk Mirage. Follow on Twitter at @BookReviewsAsia.

Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon.
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Not too long ago, in the 2000s and 2010s, many felt that the internet–even one behind the Great Firewall–would bring about a more open China. As President Bill Clinton famously quipped in 2000, Beijing trying to control the internet would be like “trying to nail jello to the wall.”

Things don’t look quite so certain now. China’s internet is now more controlled than it was a decade ago, with platforms, content creators, and tech companies now firmly guided by rules and signals from Beijing.

Yi-Ling Liu charts the story of the Chinese internet in her book The Wall Dancers: Searching for Freedom and Connection on the Chinese Internet (Knopf, 2026), with profiles of creators like Ma Baoli, the founder of one of China’s, and the world’s, largest gay dating apps, or Chinese hip hop pioneer Kafe Hu.

Yi-Ling’s work has been published in The New York Times Magazine, The New Yorker, Harper’s Magazine, WIRED, and The New York Review of Books. She has been a New America Fellow, a recipient of the Matthew Power Literary Reporting Award, and an Overseas Press Club Foundation Scholar.

You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The Wall Dancers . Follow on Twitter at @BookReviewsAsia.

Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon.
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Delhi is haunted—by its ghosts, its ruins, and its unending capacity for rebirth. In the shadow of medieval mosques and Mughal tombs, the past refuses to stay buried. Saints, Sultans, poets, and lovers—all linger in the city’s imagination, their stories shaping how we remember what once was.

In Ghosted, historian and storyteller Eric Chopra journeys through the capital’s most beguiling sites—Jamali-Kamali, Firoz Shah Kotla, Khooni Darwaza, the Mutiny Memorial, and Malcha Mahal—to unearth a Delhi that exists between worlds: a palimpsest where Sufis bless kings, jinn listen to grievances, and begums occupy dilapidated hunting lodges. What begins as a search for Delhi’s haunted monuments becomes a meditation on why we are drawn to the dead and how ghost stories become vessels of collective memory.

Blending archival research with folklore, myth, and reflection, Chopra paints an intimate portrait of a city forever in dialogue with its former selves. Through invasions and rebirths, he reveals that Delhi’s spirit resides not just in its monuments but in the unseen presences that linger among them.

Ghosted is a lyrical, haunting journey through the city’s spectral landscape— an invitation to listen to what its echoes tell us about memory and identity.
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Today, much of the Middle East is “Arab”—an identity that now extends across North Africa and up through the Near East to Syria. Yet how did this region become Arab? How did this identity spread? Was it due to migration, or conquest?

Historian Yossef Rapoport, in his book Becoming Arab: The Formation of Arab Identity in the Medieval Middle East (Princeton UP, 2025), makes a different argument: That the region’s medieval peasants adopted the Arab identity in response to shifting political power, changing land rights, and the spreading Muslim faith.

Professor Yossef Rapoport of Queen Mary University London is a historian of the Islamic, Arabic-speaking Middle East in its Middle Ages, from about 1000 to 1500 CE. Among his publications are books on marriage and divorce in late medieval Cairo and Damascus, on the fourteenth-century religious reformer Ibn Taymiyya, and on medieval Islamic maps.

You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Becoming Arab. Follow on Twitter at @BookReviewsAsia.

Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.
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