Movies vs. Capitalism

This week, Rivka and Frank are rejoined by another pod favorite Kate Eastman (ig: @k8beastman) to break down the cult-classic American Psycho. The trio discuss everything from the powers and failures of satire, Patrick Bateman as the embodiment of capitalism and the original incel. 

 

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Editing by John Patrick | Artwork by Rufus Paisley | Theme song by JustBen

This week, Rivka and Frank are rejoined by pod favorite Joe (of Joewrote) to take on the much-requested Starship Troopers. Together, they dig into the film’s anti-imperialist politics. The group discuss the film’s anti-imperialist politics and its connections (if any) to the current “manosphere” of today. 

 

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Editing by John Patrick | Artwork by Rufus Paisley | Theme song by JustBen

This week, in a rare turn for the pod, we head to television. Rivka and Frank are joined again by actor and cultural worker Chris Myers to discuss the widely beloved and much-talked-about series Andor, Season 1. The trio explore what lessons the political left might draw from Tony Gilroy’s writing, digging into Cassian Andor’s radicalization, the community and culture of Ferrix, Luthen as an accelerationist organizer, and more.

 

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Editing by John Patrick | Artwork by Rufus Paisley | Theme song by JustBen

This week, Rivka and Frank are joined by a guest who wishes to remain anonymous—a lifelong New Yorker deeply involved in the historic preservation community—to discuss Hal Ashby’s debut film The Landlord. Starring Beau Bridges and Diana Sands, the film is a sharp, unruly satire about the gentrification of Park Slope. It’s a wild ride, and our guest brings essential context to the history and impact of gentrification in New York City.

 

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Editing by John Patrick | Artwork by Rufus Paisley | Theme song by JustBen

Rivka and Frank are back with another premium duet, throwing their hats into the discourse around Paul Thomas Anderson’s newly Oscar-nominated One Battle After Another. The duo dig into the film’s so-called revolutionary politics, unpacking its anti-revolutionary core, hollow portrayal of the left, and the real impact of that framing.