Projector Pod

Director Lynne Ramsay returns with another emotionally complex, dream-like film, "Die My Love", which already has critics utterly enraged and confounded. Fortunatly Ebba and Macon are here to guide you through this moving, richly crafted exploration of how relationships come apart when one person refuses to see another's suffering and their desperate gambits for love.
If you think Projector Pod is the kind of thing you'd like to support, you can find our Patreon here.

After a little break, Projector Pod is back. This time, Ebba and Macon talk, yet again, about a film directed by Yorgos Lanthimos, Bugonia. This story of kidnapping and paranoia unfurls into a black comedy of errors that rails against the powers that be and corporate doublespeak. At the same time, however, it paints a portrait of how oppression and isolation poison any kind of resistance, even when the facts are on their side.   
If you think Projector Pod is the kind of thing you'd like to support, you can find our Patreon here.

Projector Pod fave, the director Paul Thomas Anderson, returns to the cinema screen with his Pynchonesque epic of collapsing revolutionaries, One Battle After Another. With a plot too twisty to explain, characters too real and surreal to describe, and a tone that resists simple labels, it is remarkable that this film works so well. Yet, it also makes sense that it feels like just the right movie for the moment. 
If you think Projector Pod is the kind of thing you'd like to support, you can find our Patreon here.

This time, we talk about Danny Boyle's return to the zombie movie world in 28 Years Later. The film is a super rich and endlessly interesting expansion of the themes Boyles put together in his original 28 Days Later form 2002. But now, as the world has changed (not least in the films' UK setting), 28 Years Later is that rare thing: a zombie movie that has us asking endless questions about society, life and the meaning of it all.

If you think Projector Pod is the kind of thing you'd like to support, you can find our Patreon here.

This time on Projector Pod, we are talking about arthouse director Kelly Reichardt's latest film, The Mastermind. A 1970s period piece about an unemployed father's attempt to pull off an audacious and strangely specific art heist at the local gallery. It is a richly textured, slow, almost slapstick character study set against the backdrop of the Vietnam War and fading dreams of the counterculture about the dangers of being the main character when you're not quite up to the task.
If you think Projector Pod is the kind of thing you'd like to support, you can find our Patreon here.