New Books in Urban Studies

After the groundbreaking success of his debut film, Boyz N the Hood in 1991, filmmaker John Singleton (1968–2019) gained worldwide acclaim, earned the respect of major film industry figures, and became the topic of both scholarly and popular culture film conversations. He also made history by becoming the youngest—and the first African American—nominee for the Academy Award for Best Director. However, lukewarm reception for his sophomore release, Poetic Justice in 1993, dampened the momentum of his early promise, and critical interest in his subsequent work waned. Once Upon a Time in South Central LA: John Singleton’s Hood Trilogy (UP of Mississippi, 2026) seeks to reframe Singleton’s legacy and reaffirm his significance as a filmmaker.
Author Mark D. Cunningham argues that Singleton’s so-called “hood trilogy”—Boyz N the Hood, Poetic Justice, and Baby Boy (2001)—offers a vital cinematic lens into the lived experiences of young African American men and women. Blending film analysis with literature, music, sociology, and cultural studies, the volume positions Singleton’s work as a critical intersection of African American history, identity, and popular culture. Cunningham explores Singleton’s portrayal of Black masculinity, the social environment of South Central Los Angeles, and the impact of hip-hop culture on gender dynamics. By revisiting Singleton’s early career and the cultural weight of his films, Once Upon a Time in South Central LA reasserts the filmmaker’s place in the cinematic canon and highlights the enduring influence of his work on African American youth and storytelling.
Dr. Mark D. Cunningham is professor and chair of the Department of Radio-Television-Film at Austin Community College. His research focuses on film and television studies, with an emphasis on Black filmmakers, screen adaptations, and representations of race and identity in popular media. His scholarship engages figures such as directors John Singleton, Spike Lee, Barry Jenkins, and rapper/actor Ice-T. His work has appeared in The Atlantic and The Journal of Cinema and Media Studies, and he has contributed to numerous edited volumes in film, television, and media studies. You can find Mark on Instagram.
Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. And check out Sullivan's Substack for a continued conversation between she and Mark, as they discuss the hood trilogy's impact in the 21st century.

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Inner-city black America is often stereotyped as a place of random violence, but in fact, violence in the inner city is regulated through an informal but well-known code of the street. This unwritten set of rules-based largely on an individual's ability to command respect-is a powerful and pervasive form of etiquette, governing the way in which people learn to negotiate public spaces. Elijah Anderson's incisive book Code of the Street: Decency, Violence, and the Moral Life of the Inner City (Norton, 2026) delineates the code and examines it as a response to the lack of jobs that pay a living wage, to the stigma of race, to rampant drug use, to alienation and lack of hope.
Michael O. Johnston is Associate Professor of Sociology at William Penn University. His research explores symbolic interaction, leisure, meaning, place, community, and the sociology of everyday life. He is the author of Smalltown Urban: Performing the City in Rural America (Bloomsbury, forthcoming 2027), The Social Construction of a Cultural Spectacle: Floatzilla (2023), and Community Media Representations of Place and Identity at Tug Fest (2022). His forthcoming book examines how small towns create and perform moments of urbanity through festivals, public gatherings, and community life. Since joining the New Books Network in 2017, he has interviewed more than 100 authors across sociology and the social sciences, helping connect scholars and their work with a broad public audience.

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Elizabeth Rodini joins Jana Byars to talk about her new forthcoming book, On the Street of Hidden Shops: One City Block, Two Thousand Years, and a Walk Through the Layered Lives of Rome (U Chicago Press, 2026). Delve into Rome's lost history through the stories of a single city block. Cutting through the heart of Rome is Via delle Botteghe Oscure, a time-worn street named for the mysterious "shops" said to run beneath it. History lies thick here, a museum atop a convent atop ancient ruins; layered in are the traces of artisans and poets, pilgrims and saints, a Fascist deportation, a communist coffee bar, a political assassination, and shopkeepers, too. These stories all rest upon a single city block, the same place where, in 13 BCE, the triumphal Roman general Lucius Cornelius Balbus built a monumental theater complex in his own honor. Elizabeth Rodini's On the Street of the Hidden Shops digs deep into this corner of the city, uncovering a set of surprising, often poignant narratives that range across two thousand years. For as the walls of Balbus's compound decayed and the neighborhood was rebuilt, this block would come to shelter Romans from all walks of life: the daughters of local prostitutes, an earnest young man in search of a bride, an entrepreneur determined to preserve the city's colorful dialect, a Jewish family recently liberated from the nearby Ghetto, a band of idealistic archaeologists unearthing a long-forgotten past, as well as a gifted baker, a medieval donkey, and a Renaissance ghost. Their stories survive in archives and artifacts, but also in the enduring power of rumor and legend. On the Street of the Hidden Shops invites us on a captivating journey to one place across many centuries. Its tight urban focus reveals a Rome most visitors miss, while uncovering some of the many Romes that have been largely lost to history.

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In American history, few tragedies have been as consequential—and as enduringly misunderstood—as the Triangle Shirtwaist Factory fire of 1911. Long remembered as a turning point in the struggle for labor protections, Fire in the Heart of the City: The Triangle Shirtwaist Tragedy and the Origins of Modern Charity (NYU Press, 2026) shows how the fire also helped transform another cornerstone of modern American life: the rise of modern charity.

Set in early twentieth-century New York, the book tells the extraordinary story of what happened when a catastrophic fire in Greenwich Village threw Adolph Ochs, the ambitious new publisher of the New York Times, and Rose Schneiderman, a defiant young labor organizer, into a momentous struggle over who should organize the city’s response: a rising charity sector led by wealthy financiers and civic elites, or the reform-minded unions and activists of Lower Manhattan.

Drawing on newly released archival documents, interviews with the descendants of Times publisher Adolph Ochs and New York labor organizers, previously confidential reports, and long-overlooked private diaries and correspondence, David Conrad-Pérez offers a striking new account of the disaster and its aftermath. He shows how a handful of charities on the brink of irrelevance were suddenly recast as New York’s best answer to the social and economic conditions the fire laid bare—a watershed moment in the rise of modern charity and elite authority over social welfare in the United States.
This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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The Bund's grand facades and the leafy streets of the former French Concession are usually read as monuments to Western enterprise in China. But those buildings were raised by Chinese labor, and the concessions that defined old Shanghai could not have run without the Chinese who served, traded, and lived inside them. In Shanghai: The Story of China's Most Dynamic City (Yale University Press: 2026), Michael Dillon sets out to tell the city's story from the Chinese side.
Michael's new book follows the city from a small fishing town on the Huangpu River, a tributary of the Yangtze, through the Opium War and the treaty ports, the foreign concessions, the Japanese occupation, and the Communist takeover, to its place today as the most representative city of China's forward-looking, economy-driven modernization. Drawing on Chinese-language sources, Michael argues that Shanghai's history has been told for too long through Western eyes.
Michael joins the show today to talk about Shanghai's long rivalry with Beijing, the 1927 Shanghai Massacre, the Cultural Revolution, and Deng Xiaoping's later admission that leaving Shanghai out of the first special economic zones was a mistake.
Michael Dillon is professor of history and an affiliate of King’s College London’s Lau China Institute. An expert on modern Chinese history, politics, and society, he is the author of numerous books, including We Need to Talk About Xi, a history of modern China, and biographies of Zhou Enlai and Deng Xiaoping.
You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Shanghai. Follow on Twitter at @BookReviewsAsia.
Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.

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